Sunday 23 June 2019

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NEXT Thursday, June 27

Writing and Selling the Historical Novel is a crash-course jam-packed with advice from start of your novel to the finish, from picking a concept with immediate appeal to pitching your finished product to the agents and editors who will take it to publication.

All registrants are invited to submit your query and first ten pages of your historical novel.

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What you need to turn your novel idea into a reality!

So much goes into the start of a great novel; structure, theme, setting, characters, genre, dialogue, tension, and plot. This HUGE ultimate collection has it all; a taste of everything you would need to get your novel up and running with ten exclusive seminar downloads and six ebooks.

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"I was extremely pleased with the results I got from 2nd Draft." - L. M.


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2nd Draft


Before you submit your manuscript to an agent, editor, or competition, get professional feedback from 2nd Draft Critique Services. These critique services give a high-level review of your writing, pointing out reasons your work may be getting rejected, or may not meet the standards of traditional publication.

After an evaluation of your submission, one of the professional 2nd Draft critiquers will provide feedback and advice. You’ll not only learn what’s working in your writing, but what’s not, and—most important—how to fix it.




Critique 7




Gain sprecific, tailored advice you need to make your picture book publishing dreams reality.



Critique 8




2nd Draft critique editors will evaluate your one-page query letter overall but also focus on your query's opening, biographical info, logline, hook, referral information, and closing.





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2nd Draft Critique Service provides a high-level review of your work, pointing out reasons that an agent or publisher may not be interested after reading your synopsis.



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Submit your essay to 2nd Draft Critique Services and they will point out specific ways you can improve your peice, as well as reasons your work may be getting rejected.





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Gain specific, detailed feedback and recommendations for ONE short story. They will comment on your story's plot, characterization, dialogue, setting, and story arc.



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Discover your plots strengths and weaknesses while gaining a clear idea of how to revise your plot to ensure the most compelling story business.





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If you have at least 50 consecutive pages of your manuscript written and are looking for not only professional feedback but also a two-page synopsis for your manuscript, this critique service is perfect for you.



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The first WDC19 Pitch Slam session is already sold out!


WDC19


There are all kinds of horror stories about writers who received dozens of rejections before finally finding an agent or editor who embraced their work—but the truth is, they all want to find a great story and a talented writer to team up with. It's the most fundamental part of their jobs, and arguably the most rewarding.

At the Writer’s Digest Annual Conference Pitch Slam, you’ll be able to choose from more than 50 literary agents and editors who are actively searching for new voices in almost every genre, meet with them one-on-one to pitch the basic concept of your book and receive insightful feedback.

If your pitch is strong, you may even get requests to send your full manuscript to one or more of them, the next step towards landing a book deal.



Writer's Digest

We’ve already confirmed agents from more than 30 agencies who are interested in pitches for the following categories, and will be adding more over the next several weeks.
  • Commercial Fiction
  • Contemporary Fiction
  • Fantasy
  • Historical Fiction
  • Horror
  • Literary Fiction
  • Memoir
  • Middle Grade
  • Middle Grade Nonfiction
  • Mystery
  • Narrative Nonfiction
  • Nonfiction
  • Romance
  • Science Fiction
  • Thriller
  • Women's Fiction
  • Young Adult Contemporary
  • Young Adult Sci-Fi/Fantasy
If you’ve decided this is the year for you and your book to take the next big step, don’t hesitate. Finalize your 2019 registration today and lock in your Pitch Slam slot.

Use the promo code WDC19PITCHSLAM to save $50 off your full registration.

NOTE: The first Pitch Slam session is already sold out. Don’t miss your shot!


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Find 20 literary agents seeking writers and their writing, plus one more new agent alert, and more!
 

Writers Market Publishing Insights


Robert Lee Brewer
Literary agents are the gatekeepers of the publishing the industry for most publishers—and writers! So in this newsletter—formerly Writer's Market, now WD Publishing Insights—I'm sharing a list of 20 literary agents seeking writers and their writing. Plus, I've added one more that just came in this week.
—Robert Lee Brewer
        Follow  @robertleebrewer

More on Literary Agents

20 Literary Agents Seeking Writers and Their Writing

Literary agent alerts are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list. Here are 20 literary agents actively seeking writers and their writing. You'll find agents looking for picture books, middle grade, young adult, and adult fiction and nonfiction. If you're working on a book, this list likely has an agent or three looking for your type of writing. Read More...

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The Craft & Business of Writing

Established in 2004, Quarto Publishing Group USA is comprised of 20 imprints that cover myriad subjects, including home improvement, gardening, practical arts and crafts, children's books, transportation, graphic arts, food and drink, sports, military history, Americana, health and body, lifestyle, pets, and music. Their imprints include Burgess Lea Press, Cool Springs Press, Fair Winds Press, Harvard Common Press, Motorbooks, Voyageur Press, and others.    Read More...

Dominic Yarabe joined Levine Greenberg Rostan Literary Agency in 2018. As a multiracial second-generation American citizen, she is particularly drawn to characters and stories that traverse the complexities of the immigrant experience. However, she'll read anything that is keenly observed and transports her outside of her tiny New York apartment.    Read More...

The englyn cyrch is a Welsh form, and one of several "englyn" forms. It has the following guidelines: It's a poem comprised of quatrains (or 4-line stanzas) from one to infinity; 7 syllables per line; lines 1, 2, and 4 end rhyme with each other; and line 3 rhymes with a syllable somewhere in the middle of the 4th line. Read More...

I've spent the last two decades devoting myself to an activity that I will never master. Worse, I will never even reach mediocrity. I surf. And I will always suck at surfing. Even though the calculus of hours spent as a factor of my skill level doesn't seem to justify continued effort, the joy I get from trying (and often failing) makes it worth it because it's great to suck at something. And nothing gets us acquainted more quickly with sucking at something than being a writer. Read More...

The title of this course says it all: 12 Weeks to a First Draft! In this writing workshop, you will tackle the steps to writing a book, learn effective writing techniques along the way (including all 12 steps needed to complete a first draft), and of course, begin writing your first draft! Read More...

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Agents of P.S. Literary Agency will show you how to make your submission stand out


Writer's Digest University

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Children's books—young adult, middle grade, and picture books—have taken over the publishing industry (in a good way). Readers of all ages are devouring the books that used to mainly take up space in libraries, children's bedroom bookshelves, or school classrooms. Now, children's books are celebrated for their enchanting prose, their relatable characters, their beautiful illustrations, and their fantastic stories that transcend age categories and genres. The growth of the children's book sector has been unprecedented this past decade—so how can you make your manuscript stand out in these crowded categories and genres?
In this Writer's Digest Boot Camp starting June 25, the agents of P.S. Literary Agency will show you how to make your submission stand out. How do you write a children's book with commercial appeal? How do you decide what category and genre your book belongs in? How do you find agents and publishers to submit your manuscript to? How can you attract both child and adult readers (and buyers)? The agent instructors will answer these questions—and more! They will also critique your work and answer any questions you have about writing and selling books for children.
As a registrant, you’ll have access to four children’s book-focused presentations: Publishing Picture Books; Publishing Middle Grade; Publishing Young Adult; and Writing Query Letters. Then, you’ll have the chance to submit your query letter plus your picture book manuscript or a sample from your middle grade/young adult manuscript’s first chapter for critique. Every critique submission will receive personal feedback from Maria Vicente, Kurestin Armada, or Eric Smith.
This program children’s book boot camp will cover the following topics:
  • What the difference is between the picture book, middle grade, and young adult categories
  • What the biggest genres are in picture books, middle grade, and young adult—and how to decide where your manuscript fits in
  • How to come up with a commercial idea that’s character- and plot-driven
  • How to create engaging characters that agents, editors, and readers will love
  • Where (and where not) to start your story
  • How to inspire kids without writing heavy morals
  • Why rhythm, not rhyming, is the key to success in picture books
  • How visual thinking will improve your picture book manuscript
  • What to highlight in your pitch to sell your book to agents and publishers
  • How to avoid the most common mistakes found in submissions
  • What you can learn from your favorite published children’s books

Here's How it Works:

On June 25, you will gain access to four special 30-minute online tutorials presented by literary agents from the P.S. Literary Agency: Publishing Picture Books; Publishing Middle Grade; Publishing Young Adult; and Writing Query Letters.
After listening to your choice of presentations, attendees will spend the next three days revising materials as necessary. Also following the tutorial, writers will have a day in which to log onto the course website and ask the agents questions related to the presentations or revising your materials. The agents will be available on the course website from 1-5 p.m. (ET) on Wednesday, June 26.
No later than Friday, June 28, attendees will submit a query letter plus their completed picture book text or a sample from the first chapter of their middle grade or young adult manuscript. Manuscript submissions may not exceed 1000 words.  Only one submission per attendee is permitted. The submissions will receive feedback directly from one of the P.S. Literary Agency agents.
Maria Vicente, Kurestin Armada, and Eric Smith will spend up to three weeks reviewing the critique materials and providing feedback to attendees. (The agents reserve the right to request more materials if they feel a strong connection to the work and want to read more; note that multiple agents have signed writers before from WD boot camps.) No later than July 21, agents will send their feedback to writer attendees.
Please note that any one of the agents may ask for additional pages if the initial submission shows serious promise.


June 25 - June 28, 2019

$199.99


About the Agents:

Maria Vicente
Maria Vicente is a literary agent at P.S. Literary, specializing in children’s fiction—young adult, middle grade, and picture books—and cool nonfiction projects for readers of all ages. As an editorial agent, she provides support to her clients through all stages of the writing and publication process. She is actively looking for young adult, middle grade, illustrated picture books, and nonfiction in the following categories: pop culture, science, design, and lifestyle. She has affinities for literary prose, diverse characters, original storytelling formats, and anything geeky.

Kurestin Armada
Kurestin Armada began her publishing career as an intern with Workman Publishing, and spent time as an assistant at The Lotts Agency before joining P.S. Literary. She holds a B.A. in English from Kenyon College, as well as a publishing certificate from Columbia University. Kurestin is based in New York City, and spends most of her time in the city’s thriving indie bookstores. She reads widely across genres, and has a particular affection for science fiction and fantasy, especially books that recognize and subvert typical tropes of genre fiction.

Eric Smith
Eric Smith is a literary agent at P.S. Literary, with a love for young adult books, sci-fi, fantasy, and non-fiction. He began his publishing career at Quirk Books in Philadelphia, working social media and marketing on numerous books he absolutely adored. Eric completed his BA in English at Kean University, and his MA in English at Arcadia University. A frequent blogger, his ramblings about books appear on Book Riot, Paste Magazine, Barnes & Noble’s blog, and more. As an author, he’s been published by Bloomsbury, Quirk, and Flux.

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Humor is hard, y’all.


Writer's Digest


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Jess Zafarris
Comedy is subjective and the real world isn’t terribly funny these days, so 2004 Asda Christmas cracker joke-writing champion Dan Brotzel has some useful tips to help you inject more humor into your fiction. Plus, a useful reminder that you’re never too old to get published, tips to improve your first chapter, a new writing prompt to spark your imagination, and more. TGIF!
—Guy LeCharles Gonzalez
Follow @glecharles

MAKE YOURSELF LAUGH FIRST


It’s amazing how often you hear aspiring writers say: ‘I can’t write humor. I’m not funny.’ While it’s undoubtedly true that some people come across as naturally funnier than others—though often this may be the product of unseen hard work as much as raw talent—I believe that everyone has the potential to be funny. After all, if you can laugh, you have a sense of humor.

The subject of how to find the funny in your writing is one I think about all the time. I’ve spent the last 25 years writing a variety of comic material designed to tickle people’s funny bones—sketches for BBC radio, humorous columns for magazines and newsletters, short stories, and now a comic novel. I was even Asda Christmas cracker joke-writing champion in 2004, a UK prize that’s roughly the equivalent of a comedy Pulitzer*, so I couldn’t really be more qualified.

If you’re interested in getting more humor into your fiction, here are a few things I’ve learned along the way...

Read the full article...

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Photo by Braydon Anderson on Unsplash


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8 Traits


WHAT’S NEW

Despite long-standing aspirations of writing a book, initial successes with short stories and essays, and a healthy career in publishing, Andrea Jarrell published her first book at age 55.    Read More...

No matter the genre, editing is essential. Audrey Wick and her editor, Julie Sturgeon, give readers a behind-the-scenes peek at the process of editing the first chapter of a manuscript.    Read More...

Melanie Benjamin—author of six historical novels about real people and events—offers four lessons she's learned about writing fiction from fact, and when to deviate from the truth.    Read More...

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec tellus lacus, sagittis sit amet iaculis dictum, tincidunt sed ligula. Nam consectetur turpis aliquet pellentesque tristique. Aliquam dictum risus risus.    Read More...

Take a look around a museum, or recall your favorite pieces in a museum. Imagine what the past lives of these artifacts look like. Alternatively, you may imagine what the everyday objects in our lives might look like in a museum and what stories future generations will tell about them.    Start writing...

The growth of the children's book sector has been unprecedented this past decade—so how can you make your manuscript stand out in these crowded categories and genres? In this Writer's Digest Boot Camp starting June 25, the agents of P.S. Literary Agency will show you how to make your submission stand out.  
Reserve Your Seat...

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Want to get published and paid for your writing? Each Writer's Market 2019 Book contains thousands of publishing opportunities for writers, including listings for book publishers, consumer and trade magazines, contests and awards, and literary agents—as well as new playwriting and screenwriting sections.

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Guide to Literary Agents 2019




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Meet them all at WDC19 this August!



WDC19




If you ask 10 different writers for tips on writing, chances are you’ll get 10 completely different—sometimes contradictory—pieces of advice, as the writing process is a little different for every author. There are some fundamental truths that most writers agree on, though, particularly when it comes to approaching first drafts and committing to the process of writing itself.

STEVEN JAMES (Synapse, Thomas Nelson): Never fall in love with your first draft. Too many people with great ideas end up settling on an early draft when they really need to keep revising their story. I remember revising the first chapter to one of my books more than 50 times. It was brutal, but essential. That opening chapter remains one of the most powerful I’ve ever written.

JESSICA STRAWSER (Forget You Know Me, St. Martin’s Press): It depends on what day you ask me! But in the thick of a draft or a revision, I think my favorite advice comes from Patricia Cornwell: To treat your writing like a relationship, not a job.

LILLIAM RIVERA (Dealing in Dreams, Simon & Schuster): Make time for your art because no one else will. Even if you have to steal 10 minutes a day, make sure you help grow your gift.

Get more tips from Jordan Rosenfeld, Paula Munier, Jeff Somers and others...




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EARLY BIRD RATES EXPIRE TODAY!

The Writer’s Digest Annual Conference program covers the fundamentals of craft and the business of being a writer—from traditional and self-publishing paths, promotion and marketing strategies, and managing a sustainable career.

Whether you're a novelist, journalist, memoirist, or screenwriter, you'll find an insightful and educational mix of sessions covering the business side of being a writer, from writers who know the business of writing.

We’re excited to bring the Writer’s Digest Annual Conference back to New York City this summer—August 22–25, 2019—and we’d love to have you join us.

As a subscriber to WD’s newsletter, use the promo code WDC19NL and save $50 off registration!

Don’t miss out. Reserve your space today!







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Learn from the masters



Writer's Digest University


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Did you know you can learn a lot about writing just from reading? Because there are no hard-and-fast rules to writing, it’s important to study what other writers have done and how they consciously make narrative decisions and meticulously select details based on audience and purpose. This course will demonstrate that the best way to become a good writer is to study the writing of others, especially the work of the masters.


What you'll learn
• 
To discern the interconnections among character, point of view, plot, setting, and theme.
• 
To understand the value of symbolism, irony, foreshadowing, and tone.
• 
How to evaluate the effectiveness of a variety of fictional techniques.
• 
How to become sensitive to the nuances of word choice.


Who should attend
• 
Anyone who wants to become a better writer, a more perceptive student of literature, or just a better reader.
• 
Writers at all levels: beginner, intermediate, or advanced.


Testimonials
• 
"An all around enjoyable and educational experience. " -DR
• 
"Excellent course. The new courses WDU have recently introduced are very good." -JM



Thursday, May 30 - July 11, 2019

$299.99



Instructor: Mark Spencer
Mark Spencer is the author of Ghost Walking, Haunted Love Story, The Masked Demon, The Weary Motel, Only Missing, Love and Reruns in Adams County, Wedlock, Spying on Lovers, and countless other novels and short stories.


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Writer's Digest

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No experience necessary: we’re making it easy and fun for anyone to produce a Hollywood-ready TV or movie script. All you need are your great ideas!

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Writers helping writers—since 1920

Writer's Digest


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Jess Zafarris
Do you have some exciting plans for the long weekend? If you haven’t done so already, one of those plans should be registering for WDC19 before early bird rates expire on May 28th. Use the promo code WDC19NL and save an additional $50 off registration!
—Guy LeCharles Gonzalez
Follow @glecharles

WRITING TOGETHER


The writing phase of our project was highly organized. It took place in “rounds” that lasted a few weeks each. During a round, each writer took the lead on one episode. We’d tried to assign episodes at the summit according to following rules of precedence:
  • If the episode involved aircraft and/or crash investigations, it went to Sylvia. She has the expertise.
  • If one or more characters died, Mindy took the lead. She’s good at killing people (in fiction).
  • Whatever was left went to Dan. Hopefully, there were some action scenes because he likes those.
In the first week of the round, we produced detailed outlines for our assigned episode. After a call to work out some details, we began drafting simultaneously. I think we had two weeks to write the “zero” draft. Mindy, who writes fast and fearlessly, almost always finished first. Sylvia often came in second. For my part, I usually took until the last hour of the last day. Luckily, Serial Box gave us flexibility when we needed more time. Schedules are great and everything, but we had our own lives, too. We communicated early and often, which helped avoid any major schedule conflicts down the road. Read More...

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If you ask 10 different writers for tips on writing, chances are you’ll get 10 completely different—sometimes contradictory—pieces of advice, as the writing process is a little different for every author. We asked some of our WDC19 speakers for their favorite writing tips, and their responses were practical, inspirational, and—somewhat surprisingly—pretty consistent.    Read More...

Offering a different perspective on Writer's Block, Will Dowd suggests re-thinking it as an illness. Can writers become stronger after overcoming it?    Read More...

If you’re feeling frustrated by the querying process, Scott Wilson suggests writing your query BEFORE writing your book.   Read More...

Before we can create rich characters, we need to understand their wounds and potential for growth. Jeanne Veillette Bowerman suggests using the therapy couch to improve character development.   Read More...

Need an idea to help you get started writing? We've published literal hundreds of fun writing prompts over the years, perfect for beginning a new novel or short story, or simply giving your writing muscles a good workout.    Get inspired...

The growth of the children's book sector has been unprecedented this past decade—so how can you make your manuscript stand out in these crowded categories and genres? In this Writer's Digest Boot Camp starting June 25, the agents of P.S. Literary Agency will show you how to make your submission stand out.    Learn More...

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Don’t let this one get away!
    

WDC19


The Writer’s Digest Annual Conference offers everything you need to advance your writing career creatively and professionally… but that’s not all we’re offering.

Until May 28, you can register at a substantial savings—up to $100 off the Basic Conference Rate!

With five tracks of inspirational and educational programming and an unparalleled lineup of speakers—including National Book Award finalist Min Jin Lee, Hugo Award winner N.K. Jemisin, and Edgar-nominated Karin Slaughter—there’s no better time to lock in your savings and mark your calendar to join us in New York City from August 22-25.

Oh, and your hotel? That’s discounted, too—at least until rooms run out.

Don’t miss out on the best experience of your writing life. Register today!


Sponsored By

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Whether you are just getting started or want to hone your craft, Writer’s Digest can help with proven tips on how to get and stay inspired, how to make time for writing, master essential writing techniques, and how to get published. Your subscription includes:
  • Must-have tips and publishing secrets to stay inspired, creative and motivated
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  • Technique articles geared towards specific genres… and so much more!
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Discover what's good (and bad) with your query letter


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Professionals are ready to help you improve your query letter

Have you been working on your query letter, but still not getting noticed? In order to ensure you make the best impression on literary agents and acquisitions editors, we recommend getting a 2nd Draft Query Letter Critique.

Whether you are an experienced writer looking to improve the elements within your query letter or a new writer looking for pointers on to write a query letter, our 2nd Draft Query Letter Critique Service provides the advice and feedback you need to improve your query letter.

Our 2nd Draft critique editors will evaluate your one-page query letter overall but also focus on your query's opening, biographical info, logline, hook, referral information, and closing. They will also point out (but not correct) any consistent problems your query letter may have with grammar, mechanics, spelling, or style.

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"I am so grateful that I came across this critique service! I did not know what to expect when I sent my query letter, but was extremely pleased with the response that I received. [2nd Draft] gave me valuable feedback on the content of my letter as well as encouragement that helped pull me over a small slump I was in." -Molly

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Seven WD authors you don’t want to miss...


WDC19

During the time between each Writer’s Digest Annual Conference I get the opportunity to work with and learn from our great WD authors on a daily basis, mostly through email and manuscripts. But, seeing them share their knowledge in person is an entirely different—and invigorating—experience.

Here are 7 reasons why I can’t wait for you to meet and learn from some of our favorite WD authors live later this summer in New York City.
  1. Steven James is the perfect person to teach a class about public storytelling for authors, and once you see what he throws at you (literally!) you’ll understand why.
  2. While editing Carla Hoch’s brand new book, Fight Write, I couldn’t help but envision fight scenes in my head and in her sessions you won’t have to imagine—you can watch, and even participate!
  3. Jane Cleland, who just won her second Agatha Award for Best Nonfiction for Mastering Plot Twists (Congrats, Jane!), has sessions that build on two topics from that very book.
  4. Zac Petit, once a full-time WD magazine editor, successfully made the switch to full-time freelance work after writing the book on it and he’ll share his secrets from both vantage points.
  5. In addition to two regular sessions, Jordan Rosenfeld will host a day-long intensive built around her new book, How to Write a Page-Turner (the brilliant book that single-handedly made me blow my personal book-buying budget for the year—best research I’ve ever done!).
  6. If you flip to pages 57-60 of The Byline Bible (which recently won an award from the American Society of Journalists and Authors), you’ll see an astounding list of 3-page essays from Susan Shapiro’s students that led to bigger opportunities and you can learn how to do the same in her session.
  7. If you’ve read Writing Without Rules, you know Jeff Somers is both funny and likes to talk about things he’s done to make his agent, the incomparable Query Shark Janet Reid, shake her head. Join them for what I imagine will be the most informative stand-up session Writer’s Digest has ever seen.
Keep in mind, these are 7 of my reasons for you to attend. Check out our full schedule and I’m sure you’ll find at least 7 more of your own.

See you in August!

Amy Jones
Managing Content Director
Writer's Digest Books

Amy Jones
Amy Jones is the managing content director for Writer’s Digest Books. Like most WD staffers, she is a voracious reader and has a particular interest in literary fiction, historical fiction, and page-turning mysteries. When she’s not reading, Amy is usually daydreaming about Italy or volunteering at the Ohio Alleycat Resource, her local no-kill cat shelter.


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2019 will be our biggest annual conference yet!


WDC19


Whether you’re a novelist or screenwriter, essayist or journalist, hustling freelancer or aspiring writer exploring all angles—the Writer’s Digest Annual Conference program has you covered.

Check out the latest sessions and speakers:
WDC19 is on track to our biggest conference ever and we can’t wait to share the experience with you!

We’ll be announcing more speakers and sessions over the next several weeks—including Pitch Slam agents & editors and a new pre-conference workshop for Thursday, August 22—so be sure to visit the WDC website regularly for updates, follow us on Twitter @WritersDigest and #WDC19, and keep an eye for the next email.

NOTE: Register by May 28th and save $100!



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