Here are the latest Books in the Media newsletters for my followers to peruse:
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Including Francesca Segal's
Mother Ship, Jo Baker's The Body Lies, Susannah Stapleton's The
Adventures of Maud West, Lady Detective and many, many more book
reviews
|
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The
Week in Review: 21st June 2019
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Segal's
Mother Ship drops anchor in the critics' hearts
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Good
morning Karen,
Francesca
Segal's Mother
Ship (Chatto & Windus) has sailed smoothly into
a near-perfect star rating. Hannah Beckerman in the Observer praised the
memoir, about the 56 days Segal's prematurely-born baby
daughters spent in intensive care, as "an exquisitely
written paean to motherhood" and "filled with love,
anguish, despair and hope in the face of adversity", while
Amanda Craig in the Spectator described it as "as
gripping as a thriller and as moving as a love story",
crediting Segal's "exquisite writing and deep
humanity". Lara Feigel in the Guardian, who said she
"cried many times while reading it", added that the
author "has found a way to record love without
sentimentality: love that enables the exhausted, underpaid nurses and
the shattered, frightened mothers to survive."
Jo
Baker's
The Body Lies (Doubleday) also won acclaim, with The
Bookseller previewer Alice O'Keeffe describing it as "a
superior psychological thriller" and "page-turning",
while praising its examination of "how women's bodies are
treated, in life and in fiction". Other critics also noted
Baker's merging of genres, with John Dugdale in the Sunday Times
noting how the author "adroitly mashes up psychological thriller
and satirical campus novel", and The Times' Siobhan
Murphy commenting on the book's "knowing" use of
woman-in-peril tropes, adding, "But there’s something cleverer
going on in The Body Lies; its clout is in the sexual
politics behind its deft contrast between the fictional depiction of
violence against women [...] and the stark, isolating
reality."
Susannah
Stapleton's The
Adventures of Maud West, Lady Detective (Picador)
charmed the critics, with The Bookseller's non-fiction
previewer Caroline Sanderson describing the true story of the Edwardian
detective as "scintillating and sleuthily researched".
James Walton in the Spectator praised it as
"rollicking" and "erudite but hugely
entertaining", and Ysenda Maxtone-Graham in the Times found
it to be "frank and funny", commending Stapleton as
"skilful in mingling two strands of social history"—the
life of a lady detective in the early 20th century and West's
mysterious background, which she went to great lengths to keep
hidden.
By Kiera O'Brien, charts editor, The Bookseller
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Mother
Ship
Francesca Segal
|
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|
"a
moving story about motherhood"
|
The Guardian
|
"[a]
moving account of being deprived of the customary markers of
care"
|
Financial Times
|
"will
have you in tears"
|
The Spectator
|
"raw
yet exquisite"
|
|
|
|
|
Bitcoin
Billionaires
Ben Mezrich
|
|
"There
are moments of hilarity... but they are unintentional"
New Statesman
|
|
City
of Girls
Elizabeth Gilbert
|
|
"City
of Girls is an education in love, and an iridescent delight."
The Spectator
|
|
On
Earth We're Briefly Gorgeous
Ocean Vuong
|
|
"a
profound consideration of identity, as well as a work of sensuous,
poetic detail"
New Statesman
|
|
|
|
The
Ministry of Truth
Dorian Lynskey
|
|
"idiosyncratic
and acutely written"
The Spectator
|
|
"(a)
bravura exploration of the refugee crisis"
The Guardian
|
|
Diary
of a Somebody
Brian Bilston
|
|
"I’m
afraid I mostly found this man irritating"
Daily Mail
|
|
|
|
Promise
Me You'll Shoot Yourself
Florian Huber
|
|
"Huber
tells the shocking stories of ordinary German suicides with literary
power and skill"
The Guardian
|
|
She-merchants,
Buccaneers & Gentlewomen
Katie Hickman
|
|
"laced
with the stories of individual women and their times...
heart-wrenching"
The Daily Telegraph
|
|
She
Would Be King
Wayetu Moore
|
|
"a
tour de force that crescendoes to its conclusion, reimagining the
birth of Liberia in a way that is tender, humane and suffused with
lyricism"
The Guardian
|
|
|
|
|
"an
exuberant, entertaining read"
The Independent
|
|
Stalingrad
Vasily Grossman
|
|
"A
Soviet writer unpopular in Russia, popular in the West"
Times Literary Supplement
|
|
The
Heartland
Nathan Filer
|
|
"A
compelling attempt to shed light on the mystery of
schizophrenia"
Evening Standard
|
|
|
|
Court
Number One
Thomas Grant
|
|
"an
affecting study of how the law gets it right – and wrong"
The Guardian
|
|
"a
savage, blackly thrilling debut"
The Daily Telegraph
|
|
The
Way to the Sea
Caroline Crampton
|
|
"Crampton
writes beautifully of the area’s charms"
The Sunday Times
|
|
|
|
The
Making of Poetry
Adam Nicolson
|
|
"A
new kind of literary biography relives the ‘year of poetic marvels’ that
Wordsworth and Coleridge spent in Somerset"
Financial Times
|
|
Family
Business
Peter J. Conradi
|
|
"I
recommend this book, because he writes thoughtfully and well"
The Spectator
|
|
"Day’s
book melds nature writing with urban grit to examine our urge to take
root"
Financial Times
|
|
|
|
|
"The
author’s follow-up book on Trump’s second year is hilarious, scary
and filled with a sense of impending doom"
Financial Times
|
|
Shadowplay
Joseph O'Connor
|
|
"hugely
entertaining"
The Guardian
|
|
"an
exuberant, entertaining read"
The Independent
|
|
|
|
Stalingrad
Vasily Grossman
|
|
"A
Soviet writer unpopular in Russia, popular in the West"
Times Literary Supplement
|
|
The
Making of Poetry
Adam Nicolson
|
|
"A
new kind of literary biography relives the ‘year of poetic marvels’ that
Wordsworth and Coleridge spent in Somerset"
Financial Times
|
|
"rewards
the attentive"
The Observer
|
|
|
|
|
© 2019
Bookseller Media Ltd.
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|
|
|
|
|
Including Francesca Segal's
Mother Ship, Jo Baker's The Body Lies, Susannah Stapleton's The
Adventures of Maud West, Lady Detective and many, many more book
reviews
|
|
|
The
Week in Review: 21st June 2019
|
|
|
Segal's
Mother Ship drops anchor in the critics' hearts
|
|
|
Good
morning
Francesca
Segal's Mother
Ship (Chatto & Windus) has sailed smoothly into
a near-perfect star rating. Hannah Beckerman in the Observer praised the
memoir, about the 56 days Segal's prematurely-born baby
daughters spent in intensive care, as "an exquisitely
written paean to motherhood" and "filled with love,
anguish, despair and hope in the face of adversity", while
Amanda Craig in the Spectator described it as "as
gripping as a thriller and as moving as a love story",
crediting Segal's "exquisite writing and deep
humanity". Lara Feigel in the Guardian, who said she
"cried many times while reading it", added that the
author "has found a way to record love without
sentimentality: love that enables the exhausted, underpaid nurses and
the shattered, frightened mothers to survive."
Jo
Baker's
The Body Lies (Doubleday) also won acclaim, with The
Bookseller previewer Alice O'Keeffe describing it as "a
superior psychological thriller" and "page-turning",
while praising its examination of "how women's bodies are
treated, in life and in fiction". Other critics also noted
Baker's merging of genres, with John Dugdale in the Sunday Times
noting how the author "adroitly mashes up psychological thriller
and satirical campus novel", and The Times' Siobhan
Murphy commenting on the book's "knowing" use of
woman-in-peril tropes, adding, "But there’s something cleverer
going on in The Body Lies; its clout is in the sexual
politics behind its deft contrast between the fictional depiction of
violence against women [...] and the stark, isolating
reality."
Susannah
Stapleton's The
Adventures of Maud West, Lady Detective (Picador)
charmed the critics, with The Bookseller's non-fiction
previewer Caroline Sanderson describing the true story of the
Edwardian detective as "scintillating and sleuthily researched".
James Walton in the Spectator praised it as
"rollicking" and "erudite but hugely
entertaining", and Ysenda Maxtone-Graham in the Times found
it to be "frank and funny", commending Stapleton as
"skilful in mingling two strands of social history"—the
life of a lady detective in the early 20th century and West's
mysterious background, which she went to great lengths to keep
hidden.
By Kiera O'Brien, charts editor, The Bookseller
|
|
|
|
|
|
Mother
Ship
Francesca Segal
|
|
|
"a
moving story about motherhood"
|
The Guardian
|
"[a]
moving account of being deprived of the customary markers of
care"
|
Financial Times
|
"will
have you in tears"
|
The Spectator
|
"raw
yet exquisite"
|
|
|
|
|
Bitcoin
Billionaires
Ben Mezrich
|
|
"There
are moments of hilarity... but they are unintentional"
New Statesman
|
|
City
of Girls
Elizabeth Gilbert
|
|
"City
of Girls is an education in love, and an iridescent delight."
The Spectator
|
|
On
Earth We're Briefly Gorgeous
Ocean Vuong
|
|
"a
profound consideration of identity, as well as a work of sensuous,
poetic detail"
New Statesman
|
|
|
|
The
Ministry of Truth
Dorian Lynskey
|
|
"idiosyncratic
and acutely written"
The Spectator
|
|
"(a)
bravura exploration of the refugee crisis"
The Guardian
|
|
Diary
of a Somebody
Brian Bilston
|
|
"I’m
afraid I mostly found this man irritating"
Daily Mail
|
|
|
|
Promise
Me You'll Shoot Yourself
Florian Huber
|
|
"Huber
tells the shocking stories of ordinary German suicides with literary
power and skill"
The Guardian
|
|
She-merchants,
Buccaneers & Gentlewomen
Katie Hickman
|
|
"laced
with the stories of individual women and their times...
heart-wrenching"
The Daily Telegraph
|
|
She
Would Be King
Wayetu Moore
|
|
"a
tour de force that crescendoes to its conclusion, reimagining the
birth of Liberia in a way that is tender, humane and suffused with
lyricism"
The Guardian
|
|
|
|
|
"an
exuberant, entertaining read"
The Independent
|
|
Stalingrad
Vasily Grossman
|
|
"A
Soviet writer unpopular in Russia, popular in the West"
Times Literary Supplement
|
|
The
Heartland
Nathan Filer
|
|
"A
compelling attempt to shed light on the mystery of
schizophrenia"
Evening Standard
|
|
|
|
Court
Number One
Thomas Grant
|
|
"an
affecting study of how the law gets it right – and wrong"
The Guardian
|
|
"a
savage, blackly thrilling debut"
The Daily Telegraph
|
|
The
Way to the Sea
Caroline Crampton
|
|
"Crampton
writes beautifully of the area’s charms"
The Sunday Times
|
|
|
|
The
Making of Poetry
Adam Nicolson
|
|
"A
new kind of literary biography relives the ‘year of poetic marvels’ that
Wordsworth and Coleridge spent in Somerset"
Financial Times
|
|
Family
Business
Peter J. Conradi
|
|
"I
recommend this book, because he writes thoughtfully and well"
The Spectator
|
|
"Day’s
book melds nature writing with urban grit to examine our urge to take
root"
Financial Times
|
|
|
|
|
"The
author’s follow-up book on Trump’s second year is hilarious, scary
and filled with a sense of impending doom"
Financial Times
|
|
Shadowplay
Joseph O'Connor
|
|
"hugely
entertaining"
The Guardian
|
|
"an
exuberant, entertaining read"
The Independent
|
|
|
|
Stalingrad
Vasily Grossman
|
|
"A
Soviet writer unpopular in Russia, popular in the West"
Times Literary Supplement
|
|
The
Making of Poetry
Adam Nicolson
|
|
"A
new kind of literary biography relives the ‘year of poetic marvels’ that
Wordsworth and Coleridge spent in Somerset"
Financial Times
|
|
"rewards
the attentive"
The Observer
|
|
|
|
|
|
|
Including Lucasta Miller's
L.E.L., Thomas Taylor's Malamander, Denise Miller's Conviction and
Jacob Rees-Mogg's The Victorians
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The
Week in Review: 28th May 2019
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L.E.L.
yes, say critics to Miller's biography
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Good
morning
Lucasta
Miller's L.E.L.
(Jonathan Cape), the biography of poet Letitia Elizabeth Landon
and her mysterious death in 1838, has achieved a near-perfect star
rating, as critics comment on its reflection of the Instagram era. In
the Guardian, Kathryn Hughes hails Landon, known as the
"female Byron", as "an interesting 'foremother' of
today’s performative culture", adding that readers "will
come away from Miller’s excellent biography understanding why she
matters". Jane Ridley in the Daily Telegraph praised
L.E.L. as "a compelling life of the victim of a misogynist
celebrity culture, a rich mix of literary criticism and impeccable
research, which reads like a novel", and in the Literary
Review, Miranda Seymour described it as "a masterpiece
of eloquent scholarship".
Thomas
Taylor's Malamander
(Walker) also slithered into reviewers' hearts, with The
Bookseller's previewer Fiona Noble describing it as "a
wonderfully imaginative and atmospheric adventure, rich in myth and
legend, and with a delicious gothic edge," while the Sunday
Times' Nicolette Jones wrote that it was "told with
such neat storytelling and surprising phrases it would be a joy
to read aloud".
Denise
Mina's
Conviction (Harvill Secker) persuaded the critics. Alison
Flood in the Guardian described Mina as "such a classy
writer" and the book's narrator Anna as "a darkly brilliant
creation", while The Bookseller's Alice O'Keeffe said,
"I've long been a fan of Denise Mina's writing but this is a
corker even by her standards [...] Compelling doesn't even begin
to cover it."
By Kiera O'Brien, Charts Editor, The Bookseller
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|
|
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"The
poet’s success was blighted by dark secrets"
|
The Times
|
"a
triumphant case for literary biography"
|
Times Literary Supplement
|
"How
Letitia Elizabeth Landon sold her image and bought poetic fame."
|
New Statesman
|
"a
gripping piece of detective work"
|
|
|
|
|
Our
Man Down in Havana
Christopher Hull
|
|
"Anybody
interested in either Greene or Cuba will find this a splendid read,
with a trainspotterly level of detail."
The Daily Telegraph
|
|
"This
is an urgent, important book."
The Observer
|
|
This
is Shakespeare
Emma Smith
|
|
"a
reliably woke take on the Bard"
The Sunday Times
|
|
|
|
"Had
the book been better written, there would be more cause for Wolf to
celebrate herself."
The Sunday Times
|
|
Malamander
Thomas Taylor, George Ermos
|
|
"told
with such neat storytelling and surprising phrases it would be a
joy to read aloud."
The Sunday Times
|
|
The
Victorians
Jacob Rees-Mogg
|
|
"The
only purpose of this dreadful pulp is to demonstrate why Britain’s
past is no more safe in Jacob Rees-Mogg’s hands than its
future."
The Observer
|
|
|
|
Trust
Exercise
Susan Choi
|
|
"A
bold novel that might leave you feeling cheated"
Irish Times
|
|
The
Professor and the Parson
Adam Sisman
|
|
"an
enjoyable and extraordinary tale"
The Guardian
|
|
"A
fasctinating history of the independent publisher, told by an
insider"
Irish Times
|
|
|
|
|
"masterful...both
gripping and surprisingly pacey"
New Statesman
|
|
"The
novelist who fled from dire poverty — and what she found when she
went back"
The Sunday Times
|
|
The
Ministry of Truth
Dorian Lynskey
|
|
"Thoroughly
researched and wearing its scholarship lightly, The Ministry of Truth
is at its best in some of its pop cultural gleanings"
The Guardian
|
|
|
|
"a
strange but marvellous riff on Shakespeare’s Pericles"
The Daily Telegraph
|
|
"
a compelling and beautifully wrought book "
The Sunday Times
|
|
"squawk-out-loud
funny and unexpectedly lyrical in places"
The Guardian
|
|
|
|
"A
brilliantly told tale of class, abuse and familial dysfunction marks
the arrival of an exciting new voice in fiction"
The Observer
|
|
Once
More We Saw Stars
Jayson Greene
|
|
"After
death of his infant daughter, Jason Greene’s memoir on grief is
brutally honest"
Irish Times
|
|
|
|
|
|
"a
book that, if it really is a black comedy, puts the joke on the
reader"
Irish Times
|
|
"(readers)
will come away from Miller’s excellent biography understanding why
she matters"
The Guardian
|
|
"masterful...both
gripping and surprisingly pacey"
New Statesman
|
|
|
|
Frankissstein
Jeanette Winterson
|
|
"
It’s fun to be in her company. And I wasn’t expecting fun."
The Guardian
|
|
"The
novelist who fled from dire poverty — and what she found when she
went back"
The Sunday Times
|
|
The
Victorians
Jacob Rees-Mogg
|
|
"The
only purpose of this dreadful pulp is to demonstrate why Britain’s
past is no more safe in Jacob Rees-Mogg’s hands than its
future."
The Observer
|
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|
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© 2019
Bookseller Media Ltd.
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Including the latest thriller
from Hannibal Lecter creator Thomas Harris, Jacob Rees Mogg's The
Victorians, Mark Haddon's The Porpoise and many, many more
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The
Week in Review 17th May 2019
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Fit
for Porpoise: Haddon’s return delights
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Good
morning Karen,
One of
the biggest launches and most-anticipated books of the last week was
Mark Haddon’s first novel in seven years. Most famous for his 2003
Whitbread Award-winning The Curious Incident of the Dog in the
Night-time, Haddon’s latest is The
Porpoise (Chatto) which Tim Smith-Laing called “a defiantly
odd novel” in a five-star Daily Telegraph rave.
Smith-Laing
is not wrong as even a synopsis is difficult: the story moves from
present day to ancient times, starting on a plane headed for
disaster, switching to the open sea and ending with a dramatic chase.
In the Evening Standard, Claire Allfree was captivated by
Haddon’s prose and thought the book was an “elegant homage to
stories’ capacity for endless renewal”. Some, like Johanna
Thomas-Corr in the Times, were slightly put off by the “weird
tale”, but concluded that “The Porpoise is beautifully written
that you can put these qualms aside”.
There were across-the-board thumbs up for George Packer’s Our
Man (Cape), a biography of the US diplomat Richard Holbrooke
through which Packer examines the rise and (he argues) decline of
America’s global influence. Steve Bloomfield in the Guardian said
the book was “one of the most fascinating dissections of US power—its
strengths and serious weaknesses—I’ve read”. The Spectator’s Jonathan
Powell said Our Man was “fascinating and compulsive” adding: “the
author was told he should write a novel about Holbrooke rather than a
biography and it often feels as though he has”.
Joanne Ramos’ The
Farm (Bloomsbury), a near-future semi-dystopian novel on
surrogacy, has been one of the most lauded 2019 débuts—in a year full
of strong first-time outings. The Bookseller’s Alice O’Keeffe
crowned it her book of the month for May, while the Times’ Melissa
Katsoulis raved that it was a “real page-turner that combines all the
hottest issues of the day: inequality, race and women’s battle to
reclaim their bodies from commodification”.
By Tom Tivnan, managing editor, The Bookseller
|
|
|
|
|
|
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"This
story of King Antiochus and his daughter is given emotional and
psychological plausibility in a modern setting"
|
Financial Times
|
"Haddon’s
prose is beautiful"
|
Evening Standard
|
"ambitious
and admirable as well as challenging"
|
Literary Review
|
"weird
tale of time travel and incest"
|
|
|
|
|
"what
his fans look for is here— turned up to 11"
The Spectator
|
|
The
Victorians
Jacob Rees-Mogg
|
|
"The
real purpose, then, of The Victorians is to reflect Rees-Mogg back to
himself at twice his natural size"
The Guardian
|
|
Frankissstein
Jeanette Winterson
|
|
"In
a nutshell, first-rate beach fare."
Daily Mail
|
|
|
|
Saltwater
Jessica Andrews
|
|
"a
sharply observed and poignant first outing"
Daily Mail
|
|
She-merchants,
Buccaneers & Gentlewomen
Katie Hickman
|
|
"Hickman
has a real talent for recounting the stories of individual people
with sympathy, clarity and verve"
The Guardian
|
|
"...since
this is so obviously Price’s story, might she not have been better
off telling it as just that"
Evening Standard
|
|
|
|
"I
don’t know whether Lopez is possessed of extrasensory perception, but
he’s not short of wisdom"
The Daily Telegraph
|
|
"sharp-eyed
as an analysis of the myths that grow up around some writers and the
motives behind them"
The Spectator
|
|
"endearing
and often alarming"
Irish Times
|
|
|
|
|
This
is Shakespeare
Emma Smith
|
|
"a
brilliantly lighthearted guide to the Bard"
The Daily Telegraph
|
|
"a
moving portrait of the survival and eventual flourishing of a
remarkable spirit"
The Guardian
|
|
The
Tunnels Below
Nadine Wild-Palmer, Ellen Shi
|
|
"a
zippy and captivating read"
Book Trust
|
|
|
|
"Capitalism
is the villain in this near-future tale set on a surrogacy facility
for the super-rich"
The Observer
|
|
The
Professor and the Parson
Adam Sisman
|
|
"The
bizarre tale of ‘the Romeo Rev’, a conman desperate for clerical and
academic status"
The Times
|
|
The
Doll Factory
Elizabeth Macneal
|
|
"Macneal
marries art, obsession and possession in a plot that gains momentum
and leaves the reader breathless."
Daily Mail
|
|
|
|
A
Stranger City
Linda Grant
|
|
"The
novel is busy with sights, sounds and people but, like the city,
it occasionally proves exhausting and confusing"
The Times
|
|
"A
diverting history of the poets’ favourite publisher"
Evening Standard
|
|
Girl,
Woman, Other
Bernardine Evaristo
|
|
"a
story for our times"
New Statesman
|
|
|
A
Selection of Nibbies Winners 2019
|
|
|
|
Normal
People
Sally Rooney
|
|
"Sally
Rooney’s Normal People excels at the thing novels do better than any
other art form."
Slate
|
|
The
Ice Monster
David Walliams, Tony Ross
|
|
"a
tale that has conviction and laughs"
The Sunday Times
|
|
"Becoming
is refined and forthright, gracefully written and at times
laugh-out-loud funny"
The New York Times
|
|
|
|
Our
House
Louise Candlish
|
|
"a
gripping take on modern marriage"
Daily Mail
|
|
Bosh
Henry Firth, Ian Theasby
|
|
|
"Slimani
writes devastatingly perceptive character studies"
The New York Times
|
|
|
|
|
© 2019
Bookseller Media Ltd.
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