Thursday 25 April 2019

Script magazine

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Submit a Screenplay | Submit a TV Pilot

The 2019 Script Pipeline Screenwriting and TV Writing Competitions are now in their 17th and 12th seasons, continuing the search for up-and-coming talent and connecting them with top producers, agencies, and managers.
An intensive facilitation process, which consists of long-term writer development and circulation of material, helps Script Pipeline selections gain elite representation and crucial introductions to Hollywood. $7 million in screenplays and pilots have been sold by competition finalists and "Recommend" writers, with several scripts produced since 1999, including most recently The Standoff at Sparrow Creek and the upcoming Stuber.
"The impact Script Pipeline had on my writing career is extraordinary. Winning the contest directly led to my new representation, which in turn led to working with studios such as 20th Century Fox and Paramount."
- Tripper Clancy (Stuber)
Finalists receive immediate circulation to Script Pipeline partners, in addition to the following:
  • $50,000 to winners, $5,000 to runner-ups
  • Introductions to managers, producers, agents, directors, and others searching for TV writers
  • Long-term script circulation to industry and continual guidance connecting with companies
  • Development assistance from Script Pipeline's senior execs
  • Additional script reviews and consideration of other material for industry exposure
  • Invitations to writer and industry events hosted by Pipeline Media Group
"When I relocated from NYC to LA to pursue sitcom writing, everyone I met in the industry said it wasn't about entering competitions, it was about entering the right competition. Script Pipeline was a turning point."
- Howard Jordan Jr., TV Writing Contest Runner-up (Superior Donuts)
"In the few days after the competition announcement, we had a slew of terrific meetings. . . . Script Pipeline allowed us, two unknowns from Australia, to come to LA, meet people in the industry, and begin relationships."
- Penelope Chai and Matteo Bernardini, Screenwriting Contest Winner (Cinderella Must Die)
"Script Pipeline was actually something a friend (who's very high up in the industry) introduced me to, and having her recommend it speaks volumes about how highly regarded a contest it is, even within the upper echelon."
- Henry Dunham, Screenwriting Contest Winner (The Standoff at Sparrow Creek)

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About Script Pipeline

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Week in Review



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On ScriptMag.com this week, we’re sharing articles full of advice on directing, pre-production, note taking and more! Check out our full list of contributors and follow them on Twitter too.

Our sister site, Writer’s Digest, has an abundance of free writing resources to help all types of writers. Go get yours!

Now get reading and get writing!
Read More...


Story 1
With so many films adapted from intellectual property, at some point in your screenwriting career you’ll find yourself writing an adaptation. Having adapted books, comics and true stories, Mario O. Moreno shares several essential techniques for writing adaptations. Read More...



Story 2
Danny Manus boils down every article on screenwriting that ever existed into one, no-nonsense post. Informative and beyond entertaining! Read More...


Story 3
Writer/Director Kim Garland takes screenwriters through the steps of shooting a scene. Learn to make a scene your own and experiment with collaboration. Read More...


Story 4
Pre-production of a web series takes a lot of planning. Rebecca Norris shares some lessons she learned to help you have a successful shoot. Read More...


In online lectures, supplemental readings, and written assignments and exercises, we’ll consider plot and character arcs and what makes them work; the scene as the essential, powerful unit of story; how a writer might use multiple genres in crafting story, and the degree to which one ought to push back against, rather than merely accepting, genre expectations; the difference between story and discourse and the function of each; best practices in plotting out a story; and more. Enroll Now...

See full list of self-paced online courses here.


Our webinars include both access to the live webinar where you may interact with the presenter and the recorded, on-demand edition for your video library. You do not have to attend the live event to get a recording of the presentation.


See full list of upcoming live online webinars here.


Story 5
The script development process is not for the faint hearted because everyone, and I mean everyone, will have an opinion on your work. Hayley McKenzie gives you survival tips. Read More...


Story 6
Jen Grisanti's Story Structure columns explores the importance of creating a strong dilemma for the lead character where there is no clear choice. Read More...

Learn from the best



Story 7
Almost every guru and teacher has his or her specific model or paradigm for structuring and outlining a screenplay. Whose screenplay structure do you choose? Dave Trottier chimes in. Read More...


Story 8
The professionalism of the writers, in terms of how they take script notes should be matched by an equal level of professionalism from those handing those notes out. Read More...


Get a single video for $16.99 or subscribe for access to all the videos starting at only $16.33 per month! See all videos and subscribe for All Access here.

Our growing library of over 175 video tutorials covers both the creative and business sides of screenwriting, offering instruction from top industry experts!
Watch Previews of All Videos...




Jeanne Veillette Bowerman
Jeanne is the Editor of Script, Senior Editor at Writer’s Digest, and co-founder of Twitter’s #scriptchat and @WritersStrong. Her screenplays, including the adaptation of the Pulitzer Prize-winning book, Slavery by Another Name, were selected as Top 25 Tracking Board Launch Pad, CSExpo Finalist, Second Round Sundance Episodic Lab, and PAGE Awards TV Drama Finalist. Twitter @jeannevb.


We are happy to help you with any questions or concerns you may have.
Please click here to contact us.
 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA
Creating timing with exposition.



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In this week's screenwriting tip, Bryan Young highlights the importance of withholding information until just the right time, using examples from the classic film, Casablanca.

If you write sci-fi, you need our Writing the Sci-Fi Screenplay or TV Series Ultimate Collection on sale for a limited time!


By Bryan Young
One of the hallmarks of a good screenplay—or any story, really—is having the right amount of information doled out at exactly the right time. Too much exposition and the audience gets bored and angry. Not enough context and the audience gets confused. And also angry.

So how does one know what the right amount of information is? Skating that line can be difficult, but it’s fortunate that the history of film has given us some of the best examples to draw from.

To take a look at the art of withholding information from an audience, I don’t think there’s a better example than Casablanca. Written by Julius J. Epstein, Phillip G. Epstein, and Howard Koch, and based on the play by Murray Burnett and Joan Allison, Casablanca withholds information by creating a structure that isn’t strictly linear. We’ll tease it apart to find out why it works so well. And, hopefully, it will help you think about your screenplay in a different way.  Read More...

Sci-Fi Kit

Jeanne Veillette Bowerman
Jeanne is the Editor of Script, Senior Editor at Writer’s Digest, and co-founder of Twitter’s #scriptchat and @WritersStrong. Her screenplays, including the adaptation of the Pulitzer Prize-winning book, Slavery by Another Name, were selected as Top 25 Tracking Board Launch Pad, CSExpo Finalist, Second Round Sundance Episodic Lab, and PAGE Awards TV Drama Finalist. Twitter @jeannevb.


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We are happy to help you with any questions or concerns you may have.
Please click here to contact us.
F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA






Week in Review



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On ScriptMag.com this week, we share tips on theme, documentaries, and more! Check out our full list of contributors and follow them on Twitter too.

If you are curious about novel writing, check out Writer’s Digest Free Downloads to help get your first novel on the page!

Now get reading and get writing!
Read More...


Story 1
Watching a film unfold where the theme plays into every character and every subplot is an incredible experience. Bryan Young opines that no screenplay in recent memory does this as well as Rian Johnson’s blueprint for The Last Jedi. It’s a Swiss watch of theme and character. Read More...



Story 2
In Tom Stempel's monthly column on Understanding Screenwriting, he analyzes On the Basis of Sex, Cold War, Madam Secretary, and If Beale Street Could Talk. Read More...


Story 3
Susan Kouguell sits down with filmmakers Alison Klayman and Marie Therese Guirgis to discuss their powerful and must-see documentary The Brink, follows Steve Bannon through the 2018 mid-term elections in the United States. Read More...


Story 4
Ashley Scott Meyers talks with screenwriters Tom Bhramayana and Stephen T. Hoover about making their new feature film, Tinker', all while living in Louisiana. Read More...


Let Dave Trottier (Dr. Format himself) show you the necessary techniques and currently accepted standards that will set your script apart from the heap. Not only will he teach you the rules of script formatting, he will show you when and how to break them. Enroll Now...

See full list of self-paced online courses here.


Our webinars include both access to the live webinar where you may interact with the presenter and the recorded, on-demand edition for your video library. You do not have to attend the live event to get a recording of the presentation.


See full list of upcoming live online webinars here.


Story 5
How has Writer’s Digest impacted your writing? Share your favorite memories with us to help us celebrate our 100-year anniversary in 2020—your response could appear in a future issue of the magazine! Read More...


Story 6
You may need to grab a reader’s attention on page one, but don’t underestimate the importance of your story ending. Ray Morton shares insights on how to create a stellar film ending. Read More...

Own Gorilla 6



Story 7
ScriptMag Editor and screenwriter, Jeanne Veillette Bowerman, answers a reader's question on the secret to selling a screenplay. Read More...


Story 8
The Writer’s Digest Annual Conference (August 23–25, 2019) is the premier event for novelists, nonfiction writers, screenwriters and freelancers, offering a wealth of wisdom and practical advice for improving your writing, getting published, and advancing your writing career. Read More...


Get a single video for $16.99 or subscribe for access to all the videos starting at only $16.33 per month! See all videos and subscribe for All Access here.

Our growing library of over 175 video tutorials covers both the creative and business sides of screenwriting, offering instruction from top industry experts!
Watch Previews of All Videos...




Jeanne Veillette Bowerman
Jeanne is the Editor of Script, Senior Editor at Writer’s Digest, and co-founder of Twitter’s #scriptchat and @WritersStrong. Her screenplays, including the adaptation of the Pulitzer Prize-winning book, Slavery by Another Name, were selected as Top 25 Tracking Board Launch Pad, CSExpo Finalist, Second Round Sundance Episodic Lab, and PAGE Awards TV Drama Finalist. Twitter @jeannevb.

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We are happy to help you with any questions or concerns you may have.
Please click here to contact us.
 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA



Character development tips!





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Most people assume that character arcs always follow the same path. But in comedy writing, Evan Smith explains how they often take a wrong turn along the way.

If you want to learn about thriller and mystery writing, don't miss the Thriller Virtual Conference, April 11 to 14th!




By Evan Smith
Character arcs, character growth—same thing. Same very important thing. We don’t see them in all stories but whether it’s Dorothy dousing a witch to save her friends or Luke going all Jedi on a death star, empowerment through character growth can make a story much more compelling and satisfying.

Step by step, a protagonist transforms from some form of being selfish and self-centered, to being selfless, courageous, perhaps even god-like. The gradual transformation seems reasonable, develops logically...

But hang on, that’s what happens in a typical drama. Most people assume the same happens in a comedy, but flash back to some of your favorite films—in comedy, character arcs often take a wrong turn along the way.

Wrong turn? From what? Let’s start there.  Read More...


ScriptXpert


Jeanne Veillette Bowerman
Jeanne is the Editor of Script, Senior Editor at Writer’s Digest, and co-founder of Twitter’s #scriptchat and @WritersStrong. Her screenplays, including the adaptation of the Pulitzer Prize-winning book, Slavery by Another Name, were selected as Top 25 Tracking Board Launch Pad, CSExpo Finalist, Second Round Sundance Episodic Lab, and PAGE Awards TV Drama Finalist. Twitter @jeannevb.




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We are happy to help you with any questions or concerns you may have.
Please click here to contact us.
 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA





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