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Publishing & Creative News
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33 steps to being
an artist, which include listening to the crazy voices
and behaving like a vampire (Vulture).
Giving
Tuesday on the rise: ‘Over the last seven years, the
idea has spread to a formal network in 55 countries, globalizing
the concept’ (Fast
Company).
Women programmers in R vs.
Python (Reshama
via Github).
‘Imagine a world such that when one of our best writers says she
has projects that will change literature immured in her hard
drive, we
do better than plugging our ears, waiting until she’s
dead’ (The
Millions).
How The
Kindergarten Teacher was served
by poets Ocean Vuong and Kaveh Akbar (New York Times).
‘Instead of using the Dewey system, Porter classified works by
genre and author to highlight the
foundational role of black people in all subject
areas’ (Smithsonian).
Great small
cities for small business—we’re partial to number
three (Verizon).
Dieter Cantu ‘has collected thousands
of nonfiction volumes to fill the shelves at juvenile
detention facilities and underserved libraries’ (Houston Chronicle).
Ambient
noise for that writing groove (Submittable).
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Soze’s Right
of Return fellowship will award six formerly
incarcerated artists a grant of $20,000 each to support a project
aimed at reforming the criminal justice system.
Thin Air
Magazine seeks fiction, nonfiction, and poetry
for online
and print publication.
Idaho’s Treefort
Music Festival is seeking musicians, yogis,
educators, writers, artists, comedians, and more for its annual
event.
For its debut print anthology, A Narrative Map seeks short
travel anecdotes from around the globe.
Big
Fiction seeks fiction
and essays.
First prize in LitMag’s
Virginia
Woolf Award for Short Fiction will receive $3,500,
publication, and agency review.
Sun
Valley Film Festival has a number of open screenwriting
and film opportunities.
Barrelhouse
seeks essays
that deal, in one way or another, with pop culture (defined in a
fairly broad way).
For Issue
19, Sequestrum
is accepting fiction, nonfiction, and poetry.
The Elizabeth
Foundation for the Arts Studio
Immersion Project is an intensive 3 month studio
fellowship designed to immerse artists in the world of
printmaking.
NYMBM
is seeking poetry, fiction, creative nonfiction, visual art,
music, or any other genre for ‘Mental
Health Month.’
For its annual 2019
Contest Issue, So
to Speak seeks poetry, fiction, nonfiction, and
visual art with an intersectional feminist focus.
Flux
Factory and the DCLA Create NYC Disability
Forward Fund are offering an inaugural Flux
Factory Accessibility Fellowship, which will provide a
subsidized two month residency and artwork commission opportunity
to one disabled artist during the spring of 2019.
F(r)iction
is seeking previously unpublished flash fiction, short fiction,
and poetry for its winter
contests.
The 44th annual Samuel
French Off
Off Broadway Short Play Festival is accepting short
play and musical submissions.
Third
Coast seeks fiction, poetry, nonfiction, and
drama for print
publication.
Canada’s Geist
seeks entries for its Work
Shanty Writing Contest.
For its inaugural Editor's
Prize, The
Porter House Review seeks fiction, nonfiction,
poetry, and visual art.
The Oyster
River Pages internship
program is designed for individuals that want to
explore independent publishing.
Find Submittable
professional opportunities here.
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On this week's Submishmash Weekly playlist:
Reckonwrong
and the sound of Paris melting, slurred speech in a Brazilian
jazz club with Rodrigo Tavares, CLYDE with proper chopped and
screwed Clint Eastwood, and more.
Be sure to follow Submittable on Spotify for
more great music.
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Marketing Manager Keriann Strickland
recently read Sing,
Unburied, Sing, by Jesmyn Ward:
This has
been on my reading list for awhile: It received overwhelmingly
good reviews when it was published last year, and was one of the New
York Times’
10 Best Books of 2017. When I finished it, I was only sorry I
hadn’t read it sooner. The novel tells the story of an African
American family facing dissolution via addiction, imprisonment,
racism, and death—and two restless ghosts tied to their pasts.
Ward’s writing is lyrical and haunting, especially in her aching
descriptions of the inseparable bond between two siblings,
13-year-old JoJo and his toddler sister Kayla, and the detachment
and self-annihilating tendencies of their mother Leonie.
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Submishmash Weekly is a weekly
human-curated newsletter bringing news and opportunities in
publishing and other creative industries to artists, filmmakers,
and writers. Does your organization want to be promoted in
our newsletter and on social media? Let
us know! Got high-quality writing related to
publishing or digital media? Consider submitting it here. New
readers can subscribe here. Thanks!
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