WIth details of upcoming courses and more:
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Whether you're completely new to writing screenplays or
you're an experienced screenwriter looking to add a new skill,
Screenwriters University has a course for you, all from the comfort
of your home! Click
here to view
the full course schedule >> |
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Courses
Starting This Week:
Mastering
the Conventions of Horror Writing
Instructor:
Neal Stevens
Horror has been one of the staples of film ever since the medium was
invented. This genre is truly a writer’s medium: If you can present a
new version of an old concept and scare us on the page, your script can
sell. Plus, there is always room for innovation and creativity within
the field. That’s why horror is a natural choice for many a
screenwriter.
Ten Weeks to Your Feature Film
Instructor:
Paul Peditto
The world of the feature film is booming and you are gushing with
ideas. This workshop will give you the tools to get the ideas out of
your head and into a completed screenplay by introducing you to the
methods that professional screenwriters use to write under deadlines.
Writing Your Drama Pilot in Six Weeks
Instructor:
William Rabkin
With the recent explosion of successful cable dramas and streaming,
it’s now possible for writers without strong network connections to get
producers to read and sometimes even buy their pilot scripts. In this
workshop, you will learn the tools professional screenwriters use to
finish high-quality scripts under deadlines. By the end, you will have
completed and received professional feedback on a completed script for
your drama pilot.
How To Develop Psychological Backstories For Your
Characters
Instructor:
Dr. Donna Dannenfelser
Developing backstories for characters involves many decisions on the
part of the writer. Whether your protagonist has a personality
disorder, mental illness, or just a loveable quirk can make all the
difference in selling your script. At the conclusion of this course you
will have gone through the process of developing psychological
backstories for your protagonist and supporting characters.
Writing the Series Bible: Developing Your TV
Series
Instructor:
Lynn Grant Beck
A strong series bible is a crucial sales tool for your series. This
workshop will help you get your TV series ready for an executive by
developing your series premise, honing your pilot, and writing your
series bible.
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EXPERT INSTRUCTORS | CONVENIENT ACCESS
INVALUABLE FEEDBACK
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If you have been itching to have that first draft
finished and in your hands, this
course can help you get it done in a timely manner. If you
have been sitting on an idea for a feature film, this is your chance to
complete a draft of your screenplay in just ten weeks, with expert
feedback every step of the way. From 'idea' to 'act three' you will
draft your entire feature film in a weekly, organized fashion alongside
other students.
Whether you have finished a dozen screenplays or are
working on your first, this workshop will give you what you need to get
you writing and keep you on track to finish your script. Don’t waste
your time with wrong turns that could eat up weeks or months. The
expert guidance offered in this course will help you see the big
picture of your story even while you are deep in the trenches of
writing. By the end of this workshop, you will have a first draft of a
feature length screenplay.
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- How to develop a strong premise that helps you
define story arc and beats.
- How to write a simple treatment that’ll keep
you on track throughout your journey.
- How to have a clear Outer Desire and Inner
Desire for your Protagonist.
- How to exploit genre to find well-worn paths —
while still surprising your audience.
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- Screenwriters looking to complete a first draft
in a short amount of time.
- Screenwriters looking to put together a writing
schedule.
- Screenwriters looking to mold their ideas into
a well organized and developed story.
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- "Definitely a must for writers who want to
learn how to complete first drafts in a short amount of
time."
- "With Paul’s notes and class supplements,
I succeeded in developing a script for the class and a writing
plan for after the class. I’d definitely recommend the
class."
- "Paul was fantastic and responded to
assignments quickly. His notes were helpful and detailed. The
course was easy to understand and very helpful. I appreciate it
very much so."
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Starts This Week!
June 18 - August 27
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Instructor:
Paul Peditto
Paul Peditto is an award-winning screenwriter and
director. His low-budget film Jane
Doe starring Calista Flockhart won Best Feature at the
New York Independent Film & Video Festival. Six of his screenplays
have been optioned including Crossroaders to
Haft Entertainment (Emma,
Dead Poets Society). He recently wrote and produced the
micro-budget feature Chat,
currently being distributed by SG Global Media.
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This course will show you, step-by-step, how to write
script coverage. We will cover key elements of screenwriting coverage,
including analysis of structure, plot, characters, dialogue and genre
through the eyes of a film executive. Whether you want to become a
script reader, a story analyst, or just want to polish up your own
script, a solid understanding of format and script structure will be
essential. Writers put on a different hat after a script is written:
revising a script is a different skill set than creating one.
Gain firsthand insight into what story analysts must
look for when reading a script and specifics as to what will prompt
them to reject or consider a project for production. You will also
learn what movie executives’ demand in a winning screenplay and how the
story analyst’s role fits into this scenario. By the end of this
workshop, you will receive a certification of completion of this course
to assist you in getting work as a story analyst.
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- Industry Standard Formatting Rules
- How to construct satisfying endings
- Dialogue do's and don'ts
- And more...
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- Those looking to write script coverage
- Writers who want to become script readers or
story analysts
- Screenwriters who are looking to polish up
their script
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June 25 - August 20, 2020
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Instructor:
Brian O'Malley
B. O'Malley started reading scripts in 1994, at the
literary agency Media Artists Group. In 1997, he went to work as for
legendary B-movie maverick Roger Corman (Little Shop of Horrors, Death
Race 2000, Rock and Roll High School), and in 1999 assembled a team of
top-notch script readers and filmmakers to launch the script coverage
service Screenplay Readers.
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