Thursday 26 July 2018

Writer's Digest

With details of competitions and courses, here are the latest Writer's Digest newsletters for my followers to peruse:

Can you guess what the first "Great American Novel" was?


Writer's Digest

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Story 1
Evoking emotion on the page begins with the man or woman at the keyboard. Using the classic novel Where the Red Fern Grows, Dustin Grinnell serves up seven straightforward tactics for writing tear-jerking tales that will make your readers empathize with your characters.

In The Emotional Craft of Fiction, Donald Maass explains why characters draw in readers: "Although they are quite unlike me, they are like me in two ways: They have heart and they yearn. They feel deeply. They both want things and, we feel the ache of that yearning before we even know what they are yearning for."

In the second chapter of Where the Red Fern Grows, we see Billy as a young boy who desperately wants two dogs to hunt racoons with, but his family is poor and hounds are expensive. "It's not easy for a young boy to want dogs and not to able to have one. It starts knocking on his heart; he gets all mixed up in his dreams. It gets worse and worse, until finally it becomes almost unbearable." The "dog-wanting disease" becomes overwhelming. He dreams of dogs and begs his parents. He tells his mother that he will buy her a dress and hats with money from the sale of racoon furs. His pleading makes his mother emotional, which in turn makes Billy sad. "That time I saw tears in her eyes. It made me feel empty inside and I cried a little, too."

As readers, we may not be able to relate to a young boy from the Ozarks who wants two coonhounds, but we can empathize with his burning desire. Haven't we all wanted something so badly that we can't sleep? That we beg, plead, will do or say anything? Maass advises writers to create heroes and heroines who capture the idea of human longing that we can all feel. "The first task in building a compelling story is to create hope," Maass writes. "The stronger that hope, and the more we fear it will not be fulfilled, the greater will be the emotional relief when things finally do come out okay."
   Read More...

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Story 2
Writing a book is, by necessity, a solitary undertaking. At the same time, building a tribe is essential. Jennifer Haupt discusses five strategies for finding a good balance between your vital alone time and the benefits of participating in a writing community.   Read More...

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Story 3
Rob Eagar offers up three essential Amazon secrets and hacks for authors, including how to change the marketing text for your book, getting email subscribers through Kindle Direct Publishing, and identifying your target audience.   Read More...

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IngramSpark is celebrating its 5th birthday with writers worldwide, including you! Upload your print or ebook FREE until July 31, 2018, with code SPARK5. Let's party!    


Story 4
Many aspiring writers set out to craft the next Great American Novel. The designation is, at best, amorphous and extremely subjective, but at its core it refers to American-set novels by American authors that have had some important historical impact. That said, the history of the term is as interesting as the first book ever given that title by John William De Forest in 1869. Can you guess which one it is?   Read More...

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Unlock the potential of your manuscript! Helga Schier, PhD, published author and professional editor offers effective, personalized, constructive and comprehensive editorial services.

Contact: withpenandpaper@verizon.net, www.withpenandpaper.com, 310.828.8421

Story 5


Story 5
We had the privilege of speaking with short-form master and Lincoln in the Bardo author George Saunders. In this video, sponsored by Wild Photon, the globally acclaimed author discusses the inherent poetry of dialogue, and how liberating that can be.   Read More...


Story 2
In this episode of the Writer's Digest Podcast, literary power couple Jeff VanderMeer and Ann VanderMeer discuss the benefits of existing between the literary and genre fiction divide, the art and science of deep reading, and their own processes to craft and edit an anthology big or small. Read More...

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Bowdlerized: Write about a situation involving an attempt to explain something illegal, outrageous or lewd to someone who might find it offensive, disturbing or problematic.
Post your response (500 words or fewer) in the comments here ...

Jess Zafarris
Jess Zafarris
Follow @jesszafarris
Jess Zafarris is an energetic multimedia journalist with more than 7 years of experience writing and editing, and the content director of Writer's Digest.


F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA
Time is running out to sign-up for Pitch Slam; the first two sessions are sold out!


PitchSlam


Pitch Slam is now 70 percent full—and the remaining spots are going quickly. In fact, the first two sessions are already sold out!

If you’ve been on the fence about whether or not to sign up, we’re here to remind you of the benefits of Pitch Slam:
  1. You get to meet with agents face-to-face, who can provide the kind of real, quality feedback on your idea that you crave.
  2. You’ll be presenting, essentially, a version of your query in pitch form. So this is an opportunity to tweak your query, too!
  3. Even if you don’t get to pitch every agent on your list, you’ll have an opportunity to get your query letter in front of every agent participating in Pitch Slam.

Yes, you read that last line correctly. One of the little known aspects of Pitch Slam is that after the Writer’s Digest Annual Conference is over, we’ll invite all Pitch Slam participants to send us their query letter! Our editors will compile these letters into a directory of queries (sorted by genres and categories) and send them to every agent who was at Pitch Slam.

So while you’re prepping your elevator pitch for agents, make sure to take some time to perfect that query letter, too.

Need some inspiration to prepare a query? We’ve got the perfect article: William Kenower, author of Fearless Writing—who will be at the conference, teaching his sessions Fearless Writing and Fearless Marketing—wrote Fearless Querying: Learning to Love the Query Letter.

“The only way to enjoy writing a query letter, and indeed to write the best query letter possible, is to forget completely about the agents to whom I am writing,” says Kenower. “I must forget about selling my book, forget about the market and what I have or haven’t published prior. Instead, I must remember the book I wrote. I must remember how much I love it.”

Don’t forget about that love for your story—it’s why you’ll want to sign up for Pitch Slam and get that agent, after all! We’ll see you there!


Sponsored By

Ingram Spark
Lulu

Dart Frog
Book Pipeline
EFA


 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA
"This course will challenge you" -DP



Writer's Digest University


Name




Join author and editor Philip Athans in writing a 6000-word short story using the Lester Dent Pulp Paper Master Fiction Plot.

Lester Dent, co-creator of Doc Savage, was a pulp fiction legend and created a detailed “how to" guide for crafting the perfect pulp short story. Pulp fiction is entertaining, tightly plotted, and character driven—everything a story should be. By studying the pulp tradition, we'll learn storytelling techniques that transcend the pulp genres.

In our first session we'll go through that master “formula" and what it takes to write fun, fast-paced, entertaining fiction. Then each week we'll write another 1500 words, keeping an eye on the lessons of Lester Dent and others, so that by the end of our four-week session everyone ends up with a complete 6000-word pulp short story in any pulp genre: mystery/thriller, action/adventure, romance, western, sci-fi/fantasy, horror, and more. We'll workshop those stories as we go and explore more of the history of the American pulp magazine and the pulp fiction tradition along the way.


What you'll learn
• 
Write a complete short story in any pulp genre
• 
“Introduce the hero and swat him with a fistful of trouble."
• 
Explore hands-on tips for creating ACTION, ATMOSPHERE, and DESCRIPTION
• 
Lead up to a surprise ending that will leave your readers begging for more ”
• 
“Get the hero almost buried in his troubles."


Who should attend
• 
Any genre author (fantasy, romance, mystery, etc.)
• 
Anyone interested in the American pulp fiction tradition


Testimonials
• 
"This course will challenge you." -DP
• 
"This course was very eye-opening in terms of how to get a story going and keep it going at max level!" -AW
• 
"This was a great course! Philip Athens is a great mentor, and was very encouraging and offered constructive and helpful feedback on my work. " -PG



Thursday July 12 - August 9, 2018

$229.99



Instructor: Philip Athans
Philip Athans is the founding partner of Athans & Associates Creative Consulting, and the bestselling author of Annihilation and more than a dozen other fantasy and horror books, including The Guide to Writing Fantasy & Science Fiction and Writing Monsters.


Additional Courses Starting July 12:






EXPERT INSTRUCTORS | CONVENIENT ACCESS
INVALUABLE FEEDBACK




 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA



Plus, discover how to pick the best topic for historical nonfiction books.


Guide to Literary Agents 2017

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Pitching Articles: 5 Tips for a Successful Freelance Writing Pitch

If you're a freelance journalist or blogger eager to earn income from writing and reporting, learning to create an engaging pitch is crucial. Many writers complain, "I have a great story. How do I get the editors interested in it?"

The answer is simple: Perfect your writing pitch. Here are some tips to help you master the art of pitching articles and getting an editor's attention:

First, Do Your Homework. Find the appropriate editor of a good target publication online. Try a Twitter search. For example, in Twitter's search bar, you could search for "Refinery29" "editor." From there, you get a listing of accounts whose bios match those search terms. Many of the people listed will have email addresses and contact info in their bios, as well.

Look for email formatting clues. For example, Buzzfeed uses the firstname.lastname [at] buzzfeed [dot] com formula. With that, you can figure out any editor's email address.

Once you find the email address of the editor to whom you want to pitch, address them by name in your email (and, for goodness's sake, spell their name correctly!). Familiarize yourself with the publication that you're pitching to, so that you're sure they show an interest in the type of story you want them to publish. For example, Writer's Digest would have no interest in a story about deer hunting.    Read more tips here...



Story 1
When considering the best topic for a work of historical nonfiction, you must consider your reasearch, your target audience, and what you seek to accomplish. Author Cory Taylor discusses what goes into this process, and how to pitch the work once it's complete.   Read More...

The Byline Bible
Bestselling author Susan Shapiro walks you through every stage of crafting and selling short nonfiction pieces.
$19.99
BUY

title
Learn how to write & sell a novel without guidelines, experts, or (occasionally) pants.
$17.99
BUY

book3
Kerrie Flanagan takes readers step-by-step through the entire process of writing and publishing magazine articles.
$18.99
BUY


Story 2
In this episode of the Writer's Digest Podcast, literary power couple Jeff VanderMeer and Ann VanderMeer discuss the benefits of existing between the literary and genre fiction divide, the art and science of deep reading, and their own processes to craft and edit an anthology big or small. Read More...


Story 3
Literary agent Kiana Nguyen of Donald Maass Literary Agency is seeking submissions! Learn about her here, discover what she's seeking, and find out how to submit.   Read More...

Story 5


Jess Zafarris
Jess Zafarris
Follow @jesszafarris
Jess Zafarris is an energetic multimedia journalist with more than 7 years of experience writing and editing, and the content director of Writer's Digest.


 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA



New Categories; $13,000 in Prizes.



Writer's Digest Competitions


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You’ve chosen the independent route and self-published your ebook, now take the next step and be recognized for your great work.
Submit your self-published ebook(s) in the Writer’s Digest’s 6th Annual Self-Published Ebook Awards for a chance to win $5,000 in cash, a featured interview and excerpt in Writer’s Digest magazine, and a paid trip to the ever-popular Writer’s Digest Annual Conference in New York City.
In addition to $13,000 in total cash prizes, all entrants will receive a brief commentary on their work from one of Writer’s Digest’s judges.
  • Contemporary Fiction
  • Romance
  • Fantasy
  • Science Fiction
  • Mystery/Thriller
  • Young Adult
  • Memoir
  • Nonfiction
If your ebook deserves special recognition, submit it to Writer’s Digest’s Self-Published Ebook Awards today!


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 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA
Register NOW and reserve your seat!


Writer's Digest University

Name


Writer’s Digest University is pleased to present a one-of-a-kind online event for science fiction and fantasy writers! On July 21 and 22, our 4th Annual Science Fiction & Fantasy Virtual Conference will provide expert insights from SEVEN award-winning and bestselling authors on the finer points of how to write within the science fiction and fantasy genres. Spend the weekend learning techniques for honing your craft from seven different published authors*, then (if you choose) pitch your novel via query letter to a literary agent specifically looking for material in these genres. The agent will provide you with a personalized critique of your query – and maybe ask to see more.

Experience the education, camaraderie, and opportunities provided by a live writing conference without ever having to leave your home!

All participants will benefit from:
  • Seven all-new, one-hour webinar presentations provided by award-winning and bestselling science fiction and fantasy authors*, all examining different aspects of writing novels in these genres. Each session will include an opportunity for live Q&A with the authors!
  • A critique (with written feedback) of your query letter from an agent with experience in the science fiction and fantasy genres.
  • A bonus 90-minute On Demand webinar covering how to write a query letter so you're prepared when pitching your novel to agents. (A $79.99 value!)
  • The ability to network with fellow science fiction and fantasy writers via discussion boards that will be open throughout the weekend. Share ideas, and even your work if you choose.
  • Unlimited OnDemand viewing! All conference sessions will be made available for download in the week following the live presentations. Even if you can't attend every session live, you will be able to view each lecture on your own whenever you choose.
*Our craft-focused conference schedule is designed to provide the kind of education that all science fiction and fantasy writers can use to take their work to the next level.


July 20 - July 23, 2018

$199.99


Participating Speakers:

SESSION 1: Kick Your Scene Into Action! by Tabitha Lord
In this presentation, we’ll explore the basics of scene-building from launch to close, and work on writing mechanics from building tension to crafting dialogue. Whether you’re creating a fight scene or a spaceship battle, these tips will keep readers turning the pages.

Tabitha Lord
Tabitha Lord’s Horizon series has won several independent book awards, including the prestigious Writer’s Digest Grand Prize in 2016.She holds a degree in Classics from College of the Holy Cross and taught Latin for years at a Waldorf school where she now serves on the Board of Trustees.

SESSION 2: Naming People & Places: The Hardest 90% of Worldbuilding by Philip Athans
In this session, we’ll get into some specific, actionable advice to help your invented words sound real and your ordinary words take on strange new meaning. Learn when to set your own grammar and usage rules and when not to, and when to invent a new word for something that has never, and likely will never exist in real life.

Philip Athans
Philip Athans is the founding partner of Athans & Associates Creative Consulting, and the bestselling author of Annihilation and more than a dozen other fantasy and horror books, including The Guide to Writing Fantasy & Science Fiction and Writing Monsters.

SESSION 3: Dystopia Now! Unpacking the Enduring Power of Misery by Jeff Somers
Learn why dystopias work so well in science fiction and how to make your dystopia grimly believable without straying into cartoonish overkill. Broken into three parts with time for Q&A, writers will first examine why dystopias work so well in science fiction.

Jeff Somers
He has published nine novels, including the Avery Cates series of noir-science fiction novels from Orbit Books (www.avery-cates.com), the darkly hilarious crime novel Chum from Tyrus Books, and most recently tales of blood magic and short cons in the Ustari Cycle.

SESSION 4: World Building Using the Microcosm Technique by Brian Andrews
Whether writing science fiction or fantasy, world building is one of the most important elements of writing compelling fiction. In this session, author Brian Andrews reveals an effective way to build a believable world using the microcosm technique.

Brian Andrews
Brian Andrews is a US Navy Veteran who served as an officer aboard a 688 class nuclear submarine in the Pacific. He is a Park Leadership Fellow, graduated from Vanderbilt with a degree in psychology, and holds a Masters degree from Cornell. Brian co-authors two thriller series with Jeffrey Wilson (Tier One and Beijing Red).

SESSION 5: Science and Fiction: Crafting Realistic Stories With Expert Input by Dan Koboldt
In this session, geneticist and author Dan Koboldt will discuss how to research and write stories with scientific, medical, or technical elements with accuracy, even if you’re not an expert. He’ll use examples from popular books and movies to illustrate common science misconceptions, and how to balance realism with good storytelling.

Dan Koboldt
Dan Koboldt is the author of the Gateways to Alissia trilogy (Harper Voyager) and the editor of Putting the Science in Fiction (Writer’s Digest Books). As a genetics researcher, he has co-authored more than 70 publications in Nature, Science, The New England Journal of Medicine, and other scientific journals.

SESSION 6: Building a Character With Agency by Philippa (Pip) Ballantine
Decision making and plot are interconnected and make for compelling stories, no matter if there are dragons of space ships involved. Learn how to create characters that are well-rounded and motivated that your readership can connect with. Frame your characters goals and objectives and discover how they can follow those to drive story.

Philippa (Pip) Ballantine
New Zealand born fantasy writer and podcaster Philippa (Pip) Ballantine is the author of the Books of the Order and the Shifted World series. Her awards include an Airship, a Parsec, the Steampunk Chronicle Reader's Choice, the RT Reviewer's Choice Award for steampunk, and a Sir Julius Vogel.

SESSION 7: Speak the Speech, I Pray You: Writing Effective Dialogue by Tee Morris
So you have your book done, and then as you are reading through it in edits you are suddenly noticing the dialogue. Who talks like this?! To avoid speech shock, pick up a few tips from Tee Morris who approaches his short stories and novels not as short stories and novels but as scripts. With his background in theatre, Tee brings what he knows of the stage to his stories.

Tee Morris
Tee Morris has been writing science fiction, fantasy, horror, and nonfiction for over a decade. His first novel, MOREVI: The Chronicles of Rafe & Askana, became the first novel to be podcast in its entirety, ushering in a new age for authors — podcasting.

Participating Literary Agents:

Lane Heymont
As Literary Assistant at the Seymour Agency, Lane Heymont led the marketing efforts for their authors and enjoyed connecting clients with readers. He went on to help found The Tobias Literary Agency. Lane represents a broad range of commercial fiction, including romance and all its sub-genres, fantasy, science fiction, horror, celebrity/memoirs, pop culture, serious nonfiction, and true crime. He is a member of the Romance Writers of America, Horror Writers Association, Mystery Writers of America, and the Association of Authors’ Representatives.

Moe Ferrara
Moe Ferrara is an agent with BookEnds Literary. Becoming a literary agent was fitting for the girl who, as a small child, begged her dad to buy her a book simply because “it has a hard cover.” Growing up, she had a hard time finding YA books outside of Christopher Pike and R.L. Stine, and instead tackled Tom Clancy or her mom’s romance novels. Though her career path zigzagged a bit—she attended college as a music major, earned a JD from Peace Law School, then worked various jobs throughout the publishing industry—Moe was thrilled to join the BookEnds team in May of 2015 as a literary agent and the subsidiary rights director.

DongWon Song
DongWon Song is an agent at Howard Morhaim Literary Agency representing science fiction and fantasy for adults, young adult, and middle grade readers, as well as select nonfiction. He was formerly an editor at Orbit and a product manager for the ebook startup, Zola Books and has taught as an adjunct instructor in the publishing program at Portland State University.

Laura Zats
Laura Zats graduated from Grinnell College with degrees in English and anthropology. She began working in the publishing industry in 2011, joining Red Sofa Literary in 2013. As an agent, she specializes in children’s fiction, science fiction and fantasy, and romance. She is also one-half of the weekly publishing podcast, Print Run. In her free time, Laura serves on the board of the Minnesota Book Publishers’ Roundtable, teaches classes on writing and publishing, and drinks a lot of tea.



 F+W, 10151 Carver Road, Suite 300 Blue Ash, OH, 45242 USA

Learn agent secrets from Suzie Townsend and JL Stermer



Writer's Digest University


Name


If you want to get a literary agent, you have to hook them quickly with your submission materials. And the two most important items during your initial agent inquiry are the all-important query letter and first pages of your story. This Writer’s Digest Boot Camp will teach how to do create an amazing agent submission.

Writing a strong query letter requires a great hook and clear premise. The first sentence should immediately catch the reader’s attention, while the ending should leave the reader wanting to dive into the pages of the manuscript. Your first pages should work similarly—you want the person reading to find it absolutely unputdownable. But this takes practice, patience, and an eye for detail. Which is why we’re here: to discuss what to do and not to do and to make your query and first pages as stand-out as possible.

Suzie Townsend and JL Stermer are currently building their lists at New Leaf Literary & Media, Inc. and understand what information will help prospective authors weigh all of their options before choosing an agent.

Don't miss your chance to register. The boot camp starts this Tuesday!


What you'll learn
• 
Tips on writing the most effective query
• 
How to write strong first pages
• 
Tips on the actual querying process
• 
Key querying resources; key revising resources
• 
Tips on how to write a non-fiction book proposal


Here's How it Works:


On July 10, 2018, you will gain access to an all-new special 111-minute online tutorial via the course system: "How to Catch an Agent's Interest with Your Query and First Pages” presented by literary agents of New Leaf Literary.

After listening to the presentation, attendees will spend the next two days revising materials as necessary. After viewing the tutorial, writers will have two days in which to log onto the course system and ask assigned agent critiquers questions related to revising materials. The agents will be available on the course system from 1-3 p.m. (EDT) on both Wednesday, July 11and Thursday, July 12. No later than Friday, July 13, attendees will submit a query and the first five manuscript or proposal pages for critique. The submissions will receive feedback directly from the boot camp literary agents.

The agents will spend up to three weeks reviewing all assigned critiques and provide feedback to help attendees. (The agents reserve the right to request more materials if they feel a strong connection to the work and want to read more; note that multiple agents have signed writers after reading their work as part of WD boot camps.)

Join the boot camp today!



Tuesday, July 10 - July 13, 2018

$199.99



Instructor
Agent: Suzie Townsend
Prior to joining New Leaf, Suzie Townsend graduated film school, earned her Masters of Education, taught high school English, and coached a swim team. In her spare time, she read everything she could, which prompted her move to publishing. As a literary agent, she represents all brands of children’s and adult fiction.


Instructor
Agent: JL Stermer
is adding to her non-fiction list in both YA and adult categories with smart pop-culture, comedy/satire, fashion, health & wellness, self-help, and memoir. She’s also growing her fiction list (a bit more selectively) and is looking for adult and some YA coming-of-age, humor, dark and edgy stories, and new and original voices in commercial and upmarket.


EXPERT INSTRUCTORS | CONVENIENT ACCESS
INVALUABLE FEEDBACK




 F+W, 10151 Carver Road, Suite 300 Blue Ash, OH, 45242 USA
Everything You Need to Know to Sell More Books on Amazon



Writer's Digest University


Name




Today, Amazon sells nearly 50% of all print books and over 70% of all e-books in America. If you want to sell more books, and hit a bestseller list in the future, you must learn how to sell more books through Amazon.

It doesn’t matter if you’re self-published or traditionally-published. It doesn’t matter if you write fiction or non-fiction. It doesn’t matter if you’re a first-time author or an experienced veteran. Success for every author hinges upon selling more books on Amazon.

Mastering Amazon for Authors is the premiere online video course designed to help you increase book sales at the world’s largest retailer. This self-paced course provides in-depth instruction for authors at any level. Marketing expert, Rob Eagar, takes the guesswork out of promoting your books on Amazon and explains how to:
  • Convert more sales when readers view your book on Amazon
  • Secure more persuasive customer reviews for free
  • Get your books noticed on Amazon's huge website
  • Use Amazon's algorithms to get free marketing for your books
  • Build your author email list using Amazon's massive audience
  • Create advertising that drive readers directly to your books
Watch the videos and go behind the scenes into Amazon’s system. Discover how to increase your book sales, no matter your genre or experience level. In addition, Rob Eagar, will be available to answer your questions during the course to help you make progress.


Here's How it Works:


On August 9, 2018, you will gain access to 11 video sessions that will guide you through selling books on Amazon from start to finish. You will also gain access to discussion boards, unique to each session, that will allow you to ask Rob questions and interact with your fellow students. As you work through the course discussion boards will remain live for your reference. When the course closes on September 13, 2018, access to post on the discussion boards will be removed, so be sure to ask questions before the course closes. You will have access to the videos and past discussions until December 31, 2018.

Here's one of the best parts: Get your Amazon questions answered by an expert. Students of this course can send questions directly to instructor, Rob Eagar.


Endorsements for Rob Eagar:


“I recommend Rob Eagar to any author looking to take their book campaign to a higher level.”
Dr. Gray Chapman, #1 New York Times bestselling author of The 5 Love Languages

"I give Rob Eagar my highest recommendation. If you want to increase your book sales, make him the first person you hire.”
Lysa TerKeurst, 4-time New York Times bestselling author



August 9 - September 13

Use code EARLYBIRD at checkout to save $75!
$375.00       $300.00



Instructor: Rob Eagar
Learn from one of the most accomplished book marketing experts in America. For over 10 years, Rob Eagar has coached more than 450 authors, consulted with numerous publishing houses, and helped clients hit the New York Times bestseller list three different ways, including new fiction, new non-fiction, and backlist non-fiction. He even helped a book become a New York Times bestseller after 20 years in print!


EXPERT INSTRUCTORS | CONVENIENT ACCESS
INVALUABLE FEEDBACK


*Must use code EARLYBIRD for discount to apply. Coupon expires 7/19/18.




 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA
Three days to focus on improving your novels and advancing your career!



NWC18




The Writer’s Digest Novel Writing Conference is returning to Pasadena, Calif., with a transformative lineup of sessions and speakers designed exclusively for the needs and wants of novelists—whether you’re working on your first or have already published a few.

Registration is now live, and you’ll lock in your best rate when you register by July 24.

WHAT IT IS:

If you’d like to learn how to write a tightly crafted novel that agents, editors and readers are all looking for, WD’s Novel Writing Conference is the event you’ve been waiting for. Discover expert-led sessions from mentors who understand the process of bringing a book to market, because they’ve been there. And they’ll help you get there, too.

You’ll choose between four different tracks dedicated to Craft, Character, Genre, and Beyond (i.e., everything that happens after you finish writing—from revision to promotion). Mix and match sessions to build your perfect weekend!

WHO IT'S FOR:

Whether you’re an aspiring novelist seeking to publish traditionally, or a self-published author seeking a wider audience, you’ll find in-depth sessions offering up information you need to know. And unlike so many other writing conferences, this one is focused solely on the novel.

WHY YOU SHOULD GO:

We’ve locked in a pair of New York Times bestsellers for the first two keynotes: Robert Crais and Curtis Sittenfeld. The keynote sessions are always must-attends—novelists who’ve “been there” and “done that” sharing their experiences and inspirational stories.

More sessions, more speakers and more fun are all in the works, but right now is the best time to reserve your moment in the California sun—best pricing ends July 24.





SPONSORED BY:





 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA
Learn how dialogue is the heart of a story



Writer's Digest Tutorials


Feature



In this 58-minute tutorial, learn how to make readers want to be in the story and crave the story to advance to the speaking parts. Learn how dialogue is the heart of a story, regardless how good the plot. Read More...




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Writer's Digest Tutorials Members enjoy full access to all tutorials featured in this newsletter, as well as every tutorial on the site. For only $199 you gain access to all Writer's Digest's writing tutorials for an entire year. That means you have access to all 350+ current tutorials and all the new tutorials created throughout the year. 


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350+ WD Tutorials are immediately available for viewing, and at least one new tutorial is added weekly.


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Sue Johnson
Sue is an Instructional Designer for Writer's Digest. She lives with her Corgi/Dachshund (Dorgi), Dori, and three kitties. Follow her on Twitter @sueajohnsonco.




 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA


Gain agent feedback on your writing - register today!


Writer's Digest University

Name

If you want to get a literary agent, you have to hook them quickly with your submission materials. And the two most important items during your initial agent inquiry are the all-important query letter and first pages of your story. This Writer’s Digest Boot Camp will teach how to do create an amazing agent submission.

Writing a strong query letter requires a great hook and clear premise. The first sentence should immediately catch the reader’s attention, while the ending should leave the reader wanting to dive into the pages of the manuscript. Your first pages should work similarly—you want the person reading to find it absolutely unputdownable. But this takes practice, patience, and an eye for detail. Which is why we’re here: to discuss what to do and not to do and to make your query and first pages as stand-out as possible.

Suzie Townsend and JL Stermer are currently building their lists at New Leaf Literary & Media, Inc. and understand what information will help prospective authors weigh all of their options before choosing an agent.

What you'll learn
• 
Tips on writing the most effective query
• 
How to write strong first pages
• 
Tips on the actual querying process
• 
Key querying resources; key revising resources
• 
Tips on how to write a non-fiction book proposal

Here's How it Works:

On July 10, 2018, you will gain access to an all-new special 111-minute online tutorial via the course system: "How to Catch an Agent's Interest with Your Query and First Pages” presented by literary agents of New Leaf Literary.

After listening to the presentation, attendees will spend the next two days revising materials as necessary. After viewing the tutorial, writers will have two days in which to log onto the course system and ask assigned agent critiquers questions related to revising materials. The agents will be available on the course system from 1-3 p.m. (EDT) on both Wednesday, July 11and Thursday, July 12. No later than Friday, July 13, attendees will submit a query and the first five manuscript or proposal pages for critique. The submissions will receive feedback directly from the boot camp literary agents.

The agents will spend up to three weeks reviewing all assigned critiques and provide feedback to help attendees. (The agents reserve the right to request more materials if they feel a strong connection to the work and want to read more; note that multiple agents have signed writers after reading their work as part of WD boot camps.)

Join the Boot Camp Today!


Tuesday, July 10 - July 13, 2018

$199.99


Instructor
Agent: Suzie Townsend
Prior to joining New Leaf, Suzie Townsend graduated film school, earned her Masters of Education, taught high school English, and coached a swim team. In her spare time, she read everything she could, which prompted her move to publishing. As a literary agent, she represents all brands of children’s and adult fiction.

Instructor
Agent: JL Stermer
is adding to her non-fiction list in both YA and adult categories with smart pop-culture, comedy/satire, fashion, health & wellness, self-help, and memoir. She’s also growing her fiction list (a bit more selectively) and is looking for adult and some YA coming-of-age, humor, dark and edgy stories, and new and original voices in commercial and upmarket.

EXPERT INSTRUCTORS | CONVENIENT ACCESS
INVALUABLE FEEDBACK


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Learn from Jennifer De Chiara and her 15+ years of experience


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Are you thinking about writing a picture book and don't know where to start? Have you written several but haven't been able to interest agents or editors? In this live webinar you'll learn everything you need to know to not only write a picture book, but also write one that sells.

Literary Agent Jennifer De Chiara has more than fifteen years' experience working with picture book authors - helping them create story ideas, editing their manuscripts, and selling their work to major publishers. She'll share with you the tips and tricks of her trade to help you become a published picture book author, whether you only have a story idea you've always wanted to develop or a finished manuscript you don't quite know what to do with or have had trouble selling to a publisher.

Learn everything from the basics of picture book writing to the finer points that will make your picture book shine and end up on the shelves of bookstores—and in the hands of children—everywhere. Make 2018 the year you become the picture book writer you were truly meant to be!

About the critique
All registrants are invited to submit the text for a picture book manuscript (no more than 1,000 words). Please wait until after the live webinar date to submit your critique material. This allows you to make changes to your picture book based on the presentation and will ensure you receive the most helpful critique possible. All submitted picture book manuscripts are guaranteed a written critique by Literary Agent Jennifer De Chiara.

What you'll learn
• 
How to come up with a great plot
• 
How to create page-turning points
• 
How to make a dummy book, and why you need one
• 
How to use language to reach a very young audience
• 
How to avoid the taboos in writing for children
• 
How to handle illustration - what to do if you're an illustrator, and what to do if you're not

Who should attend
• 
Writers who are thinking of writing a picture book but don't know where to start
• 
Writers who are in the process of writing a picture book and need help getting “unstuck”
• 
Writers who want to learn about illustrating for picture books
• 
Illustrators who want to learn about writing for picture books

Tuesday, July 3, 2018 at 1:00 PM EDT

$89.99


Instructor
Instructor: Jennifer DeChiara
Jennifer DeChiara is President and Owner of the Jennifer DeChiara Literary Agency. Before forming the agency she was a literary agent with two established New York agencies, worked in the editorial departments of Simon & Schuster and Random House, and was a writing consultant for several major corporations.


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Plus, discover the best time to query a literary agent.


Guide to Literary Agents 2017

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Successful Queries: Gia Cribbs and The Disappearance of Sloane Sullivan

Successful Queries is a series featuring actual query letter examples to literary agents that were successful for authors. In addition to the successful query letter, you'll also see the thoughts from the writer's literary agent about why the letter worked. This edition includes author Gia Cribbs' successful query letter for The Disappearance of Sloane Sullivan, submitted to Steven Salpeter, an Associate Literary Agent at Curtis Brown, Ltd.

Dear Steven Salpeter,

Seventeen-year-old Sloane Sullivan has survived witness protection by learning three important lessons: blend in, don't let anyone get too close, and follow the rules.

After nearly six years and countless identities, blending in is easy. And now that someone confessed to the murder she witnessed, Sloane's been given her final identity. All she has to do is turn eighteen, coast through the last two months of her senior year without any complications, and she'll be the first person ever officially released from WITSEC. Piece of cake.

Until her first day as Sloane, when she runs into Jason Thomas—literally the boy next door from her childhood. She knows she shouldn't have contact with him, but she doesn't expect the feelings that come with seeing Jason again. Feelings of finally belonging somewhere, of remembering who she really is, of suspicion that there's more to the crime she witnessed than she ever knew.

Sloane knows the rule for this situation. But telling the Marshals about Jason would mean getting whisked away to yet another new identity, leaving both Jason and the future she's painstakingly planned behind. And Sloane isn't willing to stay in WITSEC a second longer than she has to. If she can keep Jason a secret, she has a chance to take back her life. But doing so might put both their lives at risk. Because the closer she gets to Jason, the more she remembers. And the clearer it becomes that someone is still after her.

THE DISAPPEARANCE OF SLOANE SULLIVAN is a young adult contemporary novel complete at 86,000 words. It is written as a stand-alone novel but has the potential for a sequel. The first chapter is attached to the submittal form below. Thank you for your time and consideration.

Read commentary from Cribbs' literary agent about why this letter worked.



Story 4
Funny You Should Ask is a humorous and handy column by literary agent Barbara Poelle. In this edition, she answers a reader's question about the best times to query a literary agent. Read more.

Guide to Literary Agents 2018
The 2018 edition is now available, with listing information for more than 1,000 agents who represent writers!
$29.99       $24.99
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title
Learn how to write & sell a novel without guidelines, experts, or (occasionally) pants.
$17.99
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book3
Kerrie Flanagan takes readers step-by-step through the entire process of writing and publishing magazine articles.
$18.99
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Story 2
New literary agents (with this spotlight featuring Tara Gelsomino of One Track Literary Agency, Inc.) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list. Read more to find out what Tara is seeking and how to submit...

Story 5

Jess Zafarris
Jess Zafarris
Follow @jesszafarris
Jess Zafarris is an energetic multimedia journalist with more than 7 years of experience writing and editing, and the content director of Writer's Digest.


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New Categories; $13,000 in Prizes.



Writer's Digest Competitions


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You’ve chosen the independent route and self-published your ebook, now take the next step and be recognized for your great work.
Submit your self-published ebook(s) in the Writer’s Digest’s 6th Annual Self-Published Ebook Awards for a chance to win $5,000 in cash, a featured interview and excerpt in Writer’s Digest magazine, and a paid trip to the ever-popular Writer’s Digest Annual Conference in New York City.
In addition to $13,000 in total cash prizes, all entrants will receive a brief commentary on their work from one of Writer’s Digest’s judges.
  • Contemporary Fiction
  • Romance
  • Fantasy
  • Science Fiction
  • Mystery/Thriller
  • Young Adult
  • Memoir
  • Nonfiction
If your ebook deserves special recognition, submit it to Writer’s Digest’s Self-Published Ebook Awards today!


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Discover what's new, what's old, and what's right for you


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Over the last decade, the publishing industry has undergone tremendous evolution due to the growth of online retail and digital books, as well as the power of any author to publish and distribute their work at the click of a button. But which path is right for you and your book—and how do you sift through the increasing number of hybrid publishers and services that make a lot of promises, but cost you a lot upfront?

Jane Friedman discusses everything you need to know about how book publishing operates today, in plain English, to help you understand the pros and cons of every major publishing path available. She'll cover New York traditional publishing and what projects are well-suited to being represented by literary agents; the capabilities of mid-size publishers and independent publishers; how to evaluate small presses, micro-presses, and digital-only presses; what "hybrid" publishing is (or thinks it is) and how to evaluate such companies; and all forms of self-publishing and e-publishing practiced today. Register today!

What you'll learn
• 
How to determine if your project is commercial enough to be appealing to a New York publisher—and what rights you'll have to give up
• 
About the traditional publishing process, how it's different from self-publishing, and how long you can expect any process to take
• 
What type of contract, advance and royalty you can expect with all types of publishers and services
• 
How to identify the qualities of a "hybrid" publisher and determine if a hybrid is offering you something meaningful that you can't accomplish on your own
• 
What is expected when it comes to the marketing and promotion of your work for every type of publishing path
• 
How print and digital books get bought and sold in today's retail ecosystem across all forms of publishing

Who should attend
• 
Writers new to the book publishing industry
• 
Writers who aren't sure how to publish their next project
• 
Anyone confused by the many publishing options available
• 
Anyone seeking to better understand the publishing industry

Tuesday, June 19, 2018 at 1:00 PM EDT

$79.99


Instructor
Instructor: Jane Friedman
Jane Friedman is a full-time entrepreneur (since 2014) and has 20 years of experience in the publishing industry. In addition to being a columnist with Publishers Weekly and a professor with The Great Courses, Jane maintains an award-winning blog for writers at JaneFriedman.com.


 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA

New rules, new strategies, new paths to success


indieLAB


Writers today have myriad options to get paid for their work—including traditional and self-publishing; journalism, copywriting and content marketing; education and public speaking—and no one is better equipped than Writer’s Digest to teach you how to take full advantage of those abundant opportunities.

Are you a published author?
If you’ve successfully published a book or three, traditionally or independently, and you’re looking to grow your readership, improve your marketing or start publishing other authors, indieLAB is the conference you’ve been looking for.

Are you a freelance writer?
If you’re tired of hustling and being paid in “exposure” and are looking for ways to turn your expertise and social-media following into a steady living, learn more about the publishing industry or self-publish your own book, indieLAB is the conference you’ve been looking for.

Are you a small independent publisher?
If your books or literary journals have a modest audience and you’d like to grow your readership, explore alternative revenue models, or expand into print and/or physical bookstore/library distribution, indieLAB is the conference you’ve been looking for.

Are you an aspiring novelist?
If you’re confident in your craft and are ready to explore self-publishing options, or are looking for ways to earn a living with your writing beyond book sales, indieLAB is the conference you’ve been looking for.

indieLAB—the newest conference from Writer's Digest—is curated especially for entrepreneurial authors, freelance writers and independent publishers seeking to develop a publishing strategy, build a platform, grow an audience and get paid for their work.

If you’re ready to move beyond the hustle and start publishing smarter, join us in our hometown of Cincinnati on September 29–30 for an insightful weekend of innovative strategies, actionable insights and invaluable networking.

Learn more at WritersDigest.com/indieLAB


indieLAB


Sponsored By





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Identify your errors and pitfalls! 5-page critique included



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Upon completion of a novel, many writers think that's it; it's done, time to query! But the reality is, there's still a long road to submission. Agents and editors don't see your manuscript until multiple drafts after the first THE END. So, what are the real next steps?

As both agent and freelance editor, Kaitlyn Johnson has had years of experience helping writers learn editing techniques and writing strategies to propel their pages to the "ready for readers" mark. From spelling and grammar to plot holes and pacing, this brand new live webinar will help clarify how self-editing targets common errors and pitfalls in first draft pages, as well as instruct what elements to focus on to strengthen the big picture. Learn how to identify key areas of your novel that lack clarity, consistency, voice and apply practices that ready the story for beta readers, critique partners, or even the query trenches.


About the critique
All registrants are invited to submit your first five pages (double-spaced, Times New Roman 12pt font) for critique. If you would like your first page to be considered for the LIVE critique during the webinar, they must be received before 5pm EDT Wednesday, June 20. If you do not wish your materials to be considered for a live critique, please note this in the submission email. Your name and contact information will be removed, but your work will be visible to all webinar participants. All submitted pages are guaranteed feedback and direction from Literary Agent Kaitlyn Johnson.


What you'll learn
• 
How to differentiate the types of editing to apply during self-editing
• 
How to make your first pages "reader ready"
• 
How to identify weak opening scenes or slow starting points
• 
Tips to establishing strong, natural voice
• 
How to avoid passive voice and repetition
• 
How to keep dialogue necessary


Who should attend
• 
Writers who have recently completed their first draft
• 
Readers who are contemplating being a beta reader/critique partner for others
• 
Writers needing to identify problem areas in their novel
• 
Writers preparing to hire professional editors for their manuscript


Thursday, June 21, 2018 at 1:00 PM EDT

$89.99



Instructor
Instructor: Kaitlyn Johnson
As well as being a junior agent for Corvisiero Literary Agency, Kaitlyn is also a freelance editor at her own company, K. Johnson Editorial, and has worked as a copyeditor for academic publisher codeMantra, a YA editor for Accent Press, and a Conference Assistant for GrubStreet, Boston. She has written various articles for Writer's Digest and has had a flash fiction story published in the anthology A Box of Stars Beneath the Bed.




 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA

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Whether you are just getting started or want to hone your craft, Writer’s Digest can help with proven tips on how to get and stay inspired, how to make time for writing, master essential writing techniques, and how to get published. Your subscription includes:
  • Must-have tips and publishing secrets to stay inspired, creative and motivated
  • Inspirational stories of writers who are living the dream, and how they got there
  • The latest (and greatest!) markets for print and e-publishing
  • Technique articles geared towards specific genres… and so much more!
Subscribe now and get a FREE INSTANT GIFT - Writer's Yearbook: Your Annual Guide for Writing Success. This annual review includes 100 book and magazine markets for writers, the top writer websites to know, insider tips and what authors need to know about the industry this year.


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Discover how to add science concepts to create gripping storylines.



Writer's Digest Tutorials


Feature



In this 38-minute tutorial, bestselling author Joe Hart provides examples and tactics to meld complicated science concepts into gripping storylines that sell. Read More...




All TUTORIALs
Writer's Digest Tutorials Members enjoy full access to all tutorials featured in this newsletter, as well as every tutorial on the site. For only $199 you gain access to all Writer's Digest's writing tutorials for an entire year. That means you have access to all 350+ current tutorials and all the new tutorials created throughout the year. 


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350+ WD Tutorials are immediately available for viewing, and at least one new tutorial is added weekly.


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Sue Johnson
Sue is an Instructional Designer for Writer's Digest. She lives with her Corgi/Dachshund (Dorgi), Dori, and three kitties. Follow her on Twitter @sueajohnsonco.




 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA





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