Wednesday, 7 October 2020

Writer's Digest

With details of courses and more, here are the latest Writer's Digest newsletters:


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75 Grammar Rules for Writers

If you're anything like me, you have a love-hate relationship with grammar. On one hand, grammar rules are necessary for greater understanding and more effective communication. On the other hand, there are just so many rules (and so many exceptions to the rules). It can be overwhelming.

(21 authors share one piece of advice for writers.)

But fear not! We are here to share a plethora of grammar rules for writers that we've tackled over the years. If you have a question, we may have the answer. And if we don't, be sure to share your question in the comments below.

So let's dig into these grammar rules together. Read the full article...

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SHARPEN YOUR SKILLS.  CONNECT WITH YOUR CRAFT. DO GOOD.

WRITING SUCCESS SERIES webinars with Donald Maass, Lisa Cron, Christopher Vogler, and other industry experts. A portion of proceeds benefit World Central Kitchen. Just $39 per session. Or use code WDFX10 for 10% off the entire series.

Learn more

Plot Twist Story Prompts: Release the Monster

For this week's prompt, release a monster into the story. If you enter "release the" into Google, you're likely to see autofill results of "release the kraken" and "release the hounds." These are monsters in those contexts, but there are so many other monsters a writer could release.

For instance, the monster could be a virus, whether biological or technological. The monster could be a person. Or vampires. Or zombies. Maybe the monsters are a group of adults (or 4-year-olds) who didn't have their lunch. So yeah, don't forget that monsters can mean humor as much as it can lead to horror.

(5 Ways to Surprise Your Reader Without It Feeling Like a Trick.)

Speaking of zombies, any Night of the Living Dead fan knows that the most interesting thing about the living dead is not the zombies but the actions and reactions of the main characters. Do they band together? Do they tear each other apart? Monsters are great for exposing the best and worst of humanity. Read More...

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This Week in Writing

10/7—Edgar Allan Poe died 1849 (10 Edgar Allan Poe quotes)
10/7—William Zinsser born 1922
10/8—Frank Herbert born 1920
10/8—R.L. Stine born 1943 (4 lessons on writing horror from R.L. Stine)
10/9—John Lennon born 1940
10/10—Nora Roberts born 1950 (5 Nora Roberts quotes for writers)
10/10—Orson Welles died 1985
10/11—Elmore Leonard born 1925

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Robert Lee Brewer

Robert Lee Brewer is a senior editor for Writer's Digest and former editor of the Writer's Market book series. He is also the author of Smash Poetry Journal and Solving the World's Problems. Find him on Twitter at @RobertLeeBrewer

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A Special Offer from our Trusted Partner

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Hello Writer’s Digest Subscriber,

If you’re a good writer, you should be paid well (very well) for your services …

You have a rare natural talent.

Not everyone can do what you do … and not everyone wants to.

So rather than accepting $5, $50, or even $100 for your time and talent, you should be writing for the thousands of companies who expect to pay you more …

I’m talking about $250 … $500 … $1,000 … even $2,000+ per assignment.

Like I said, there are thousands of companies looking to hire good writers today. You just need to know what the projects are …

I cover 9 of the best in my report:

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And you can get a copy of it free, right now, simply by clicking here.

In it, you’ll discover the top 9 unique opportunities for writers … the standard project fees … the types of companies and projects you’ll be able to write for … and exactly how to get started.

That’s NINE different ways to turn your incredible talent into a legitimate and lucrative freelance writing career.

Getting paid well to write is not a far-off dream. (The writers you’ll meet in the report are proof of that.)

If you’re ready to see what your talent is really worth … and position yourself to start writing from home, in your spare time, whenever and wherever you want …

Simply click here, and I’ll send your FREE 9 Ways special report immediately.

To your success,

Rebecca Matter
President, American Writers and Artists Institute (AWAI)

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In this issue, we look at 39 query letters that worked for writers in multiple writing genres, what type of books writers should write, the thin line between fact and fiction, and more! 

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39 Queries That Worked for Writers

Whether trying to hook a literary agent or editor at a book publishing company, writers need to master the art of writing effective query letters. The reason queries carry so much weight is simple: Time—and the fact that most agents and editors don't have much of it.

(20 literary agents actively seeking writers and their writing.)

The mission of your query letter is to convince an editor or agent that they want to invest time in you and your writing project. In that sense, a query letter is the first impression you make in what will hopefully blossom into a much longer professional relationship. No pressure.

In this post, I've attempted to share tips on what needs to go into a query letter and provide links to several queries (across several writing genres) that were successful. Read the full article...

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SHARPEN YOUR SKILLS. CONNECT WITH YOUR CRAFT. DO GOOD.

WRITING SUCCESS SERIES webinars with Donald Maass, Lisa Cron, Christopher Vogler, and other industry experts. A portion of proceeds benefit World Central Kitchen. Just $39 per session. Or use code WDFX10 for 10% off the entire series.

www.free-expressions.com

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Craft & Business of Writing

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Write the Book You Want to Read

"The biggest and best surprise is how much I fell in love with the writing of this book. Writing is—as we all know—fraught with difficulty, confusion, disappointment. But every once in a while you hit the sweet spot with a project where the challenge and the joy of the work are equally matched, and you look forward to opening the document every morning, and you delight in imagining events for your plot. You smile on the bus when you think about the story you are building." Read More...

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The Thin Line Between Fabricated Fact and Real Fiction

When does a memoir stop being a memoir? There is no definitive answer since many memoir authors (Memoirist? Memorialist? Nope, sounds wrong.) acknowledge filling in the gaps with fictitious dialogue and details. But, there comes a tipping point, when too much inventive narrative creates a book of fiction. While Chasing North Star is officially a novel, when asked if I wrote a memoir, the answer is a hesitant, "Kinda." Read More...

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Plot Twist Story Prompts: Divine Act

For today's prompt, have something unexpected and uncontrollable happen. Some may call this an act of God or a divine act. In ironic cases, it may be dubbed cosmic irony. But whatever you call this thing that happens, it should be unexpected and something outside the control of the main characters.

For instance, a couple is enjoying a nice walk together on a trail with the sun out and no wind...when a tree suddenly falls. Maybe it lands on one of them. Or the tree could take out a bridge they needed to cross to get back to civilization. If not a tree, maybe the bridge just collapses when no one is on it, or there's a landslide. You know, just something random.

(5 Ways to Surprise Your Reader Without It Feeling Like a Trick.)

I had this happen in my life once when I was driving on a sunny day through a neighborhood and a utility pole fell across the road...right...in...front...of...me. Like if it had waited a few more seconds (or I'd driven a mile over the speed limit), I'd have been a goner. Super random. Read More...

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Send Your Work to 2nd Draft Critique Services!
No matter your style or genre, Writer's Digest Shop offers a high-level view of your writing. After an evaluation of your submission, one of the professional 2nd Draft critiquers will provide feedback and advice. You’ll not only learn what’s working in your writing, but what's not, and—most important—how to fix it. Gain a critique of your manuscript, query letter, synopsis, and more! Click to continue.

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Writing the Personal and Profound Novel

"Publishing is perhaps a little too focused on genre, forgetting that many of its customers read widely and eclectically. As a reader, I am as likely to read a Jodi Picoult as a Karin Slaughter, so as a writer, why shouldn't I slide between the two? It's been a relief, but also a surprise, to see that switching genres for After the End hasn't been an issue with retailers or with readers."
Read More...

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Robert Lee Brewer

Robert Lee Brewer is a senior editor for Writer's Digest and former editor of the Writer's Market book series. He is also the author of Smash Poetry Journal and Solving the World's Problems. Find him on Twitter at @RobertLeeBrewer

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