Tuesday, 20 April 2021

Writer's Digest University

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publishing insights

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In this issue, learn how long a book should be, what a pantser is, eight tips for building your supportive writing network, on writing quickly and publishing slowly, and more! 

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How Long Should a Book Be?

Word count for novels and books is something I don't think about too often until I travel to a writers' conference, and then someone asks a simple, innocent question: "How long should a book be?" With that in mind, I've tried to put together the definitive post on word count for fiction (novels, young adult, middle grade, children's books and even memoir).

(20 Literary Agents Actively Seeking Writers and Their Writing.)

The most important thing here is to realize that there are always exceptions to these rules. And man, people love to point out exceptions—and they always will. However, if there is one thing I remember from when my wife dragged me kicking and screaming to He's Just Not That Into You, it's that you cannot count on being the exception; you must count on being the rule. Aiming to be the exception is setting yourself up for disappointment. What writers fail to see is that for every successful exception to the rule (e.g., a first-time 175,000-word novel), there are at least 100 failures if not 300.

Almost always, high word count means that the writer simply did not edit their work down enough. Or—it means they have two or more books combined into one. Read the full article...

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Craft & Business of Writing

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8 Tips to Build Your Supportive Writer Network

Writing is often a lonely activity and the support of a nurturing network can make the difference in how well and how long you persist. A writer needs connections at every level, from beginning writers to booksellers to experts in the industry. To achieve this goal, here are eight tips for creating this network. Read More...

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What Is a Pantser in Writing?

I've been working as an editor with the Writer's Digest writing community for so long that I often take certain terms for granted. While they may have been new to me 5, 10, or 20 years ago, they're just the jargon I know by heart. But not everyone is familiar with the same jargon at the same time, so I'm going to start defining some of these terms for people who are still learning. (Note: I'm always still learning.)

(What Is a Plotter in Writing?)

In this post, I'm going to answer the question, "What is a pantser in writing?" Read More...

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On Writing Quickly and Publishing Slowly

As an aspiring author, I spent most of my time and energy thinking about craft, and not much about promoting and selling books. This has been a shift as I’ve moved from being a writer to an author. In the past, I wasn’t very active on social media, so I’ve been scaling that learning curve in the months leading up to publication. Luckily, I’ve found some amazing author friends along the way, which has made this part of the journey fun. Read More...

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Send Your Work to 2nd Draft Critique Services!
No matter your style or genre, Writer's Digest Shop offers a high-level view of your writing. After an evaluation of your submission, one of the professional 2nd Draft critiquers will provide feedback and advice. Click here to learn more >>

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2021 April PAD Challenge: Day 15

Write a poem each and every day of April (or get started today). Today's prompt is to write a blank story poem. Read More...

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Robert Lee Brewer

Robert Lee Brewer is a senior editor for Writer's Digest and former editor of the Writer's Market book series. He is also the author of Smash Poetry Journal and Solving the World's Problems. Find him on Twitter at @RobertLeeBrewer

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A Special Offer from our Trusted Partner

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Dear Writer,

What are the hottest markets for working writers right now?

If you say romance, you’re wrong.

And it’s not mystery… sci-fi… or even YA.

Sure, all together those are billion-dollar genres.

But you can do better. MUCH better.

The red-hot markets I’m thinking of will hit a total of $656 billion in spending this year.

$656 billion. That’s more than 200x bigger than romance, mystery, and sci-fi combined.

Which is why I’m shocked so many authors still overlook these powerful, high-paying markets entirely.

Especially with the royalty streams, retainer payments, and high per-project fees available.

You could pocket $250… $500… $1,000… or even $2,000+ per assignment in up-front fees and collect thousands more in royalties on the back end (per month!).

Plus, since the typical author is still fixated on the traditional publishing scene, stepping into these overlooked markets means you earn these high rates without subjecting yourself to ruthless competition at every turn.

In fact, you may be surprised at just how eager businesses in these markets are to meet you, work with you, and partner with you for the long term.

That’s why… even if you love your current genre… I encourage you to carefully read the special report I’d like to send you.

It’s free.

Inside, I’ll tell you about nine of the hottest markets for talented writers. Where they are… how to break into them… and even more about what you can expect to pocket when you publish.

Click here to get the report — and every market detail — right now.

There’s a saying in the writing industry… go where the money is.

This report shows you where.

To your success,

Rebecca Matter

American Writers & Artists Institute (AWAI)

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Win $5,000, a feature about you in Writer's Digest and so much more!

For 90 years, Writer’s Digest has honored new and up-and-coming writers in many genres or categories.

And it’s that time again—we’re looking for writing that strikes and grabs us, that we can’t put down. We’re looking for standout writing in any and all of the following categories:

  • inspirational/spiritual
  • memoirs/personal essays
  • print or online article
  • genre short story (think romance, thriller, mystery, sci-fi, etc.)
  • mainstream/literary short story
  • rhyming poetry
  • non-rhyming poetry
  • script (think stage play or television/movie script)
  • children’s/young adult fiction


With so many options, we’re sure something you’ve written or are writing will fit in. And we’ve seen a wide range of winners in the past several years. Just be sure to check our website for entry details—we have strict word count restrictions for each category.

So, how will this competition help you? That’s easy. The grand prize winner will receive $5,000 in cash, a trip to the Writer’s Digest Annual Conference, and an interview for a feature article in our magazine. First place winners in each category receive $1,000, second place winners in each category win $500, and on and on!

Ready to be the next Writer's Digest Annual Competition winner?
Enter by May 7 for the best price!

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