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Agent One-on-One: First 10 Pages Boot Camp
As many writers know, agents and editors won't give your work more than
ten pages or so to make an impact. If you haven't got them hooked by
then, it's a safe bet you won't be asked for more material. Make sure
you've got the kind of opening they're looking for!
May 20-23,
2021
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Writing & Selling the Historical Novel
Writing and Selling the Historical Novel is a crash course jam-packed
with advice from the start of your novel to the finish, from picking a
concept with immediate appeal to pitching your finished product to the
agents and editors who will take it to publication.
April 29, 2021
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Social Media Bliss
Just about every writer has a love-hate relationship with social media,
and for some it serves as a serious distraction from important writing
work. This class focuses on how to take a holistic and fits-for-you
approach to social media that’s based on long-term reader engagement
and sound principles of online marketing.
May 13, 2021
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Upcoming Virtual
Conference
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Short Story Virtual Conference
Spend the weekend learning techniques for honing your craft skills,
marketing your short fiction, editing, and getting the tools you need
to advance your career as a writer from seven different published
authors, then (if you choose) submit up to 500 words of a short story
to an editor for critique.
May 21-23,
2021
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Active Interest Media
P.O. Box 20730 Boulder, Colorado, 80308 USA
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10 Rules of Writing a Novel
There are lots of
lists out there for how to be a writer, but most seem
for newly minted MFA grads trying to keep up spirits
and output in the sudden absence of grades and semester
deadlines. I'm not one of them. I'm one of you. Here
are a few things I learned along the way to writing a
novel between stints as a copywriter. Read the full article...
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Plot Twist Story Prompts: Give Order
For this week's
prompt, have a character give an order. That is, have
one character tell another character(s) what to
do...and maybe how to do it. It should be noted that
this is not a polite request, though it doesn't
necessarily have to be a mean-spirited command.
(Mistakes
Writers Make: Refraining to Revise Writing.)
For
instance, a teacher may tell his students to write a
report or a parent may order her child to take out the
trash. In both instances, the "order" could
be very matter of fact and without too much emotion on
the part of the person giving the order. But the
reaction from the character(s) receiving the order may
vary.
In
one of my favorite short stories, Herman Melville's
"Bartleby," the character Bartleby is often
given orders, and his classic response is, "I
would prefer not to." And that's where the
potential for conflict enters the story: Between giving
the order and whether the order is followed (or how
it's followed). Read More...
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Robert
Lee Brewer
Robert Lee Brewer is a senior editor for Writer's
Digest and former editor of the Writer's Market book
series. He is also the author of Smash Poetry
Journal and Solving
the World's Problems. Find him on Twitter at @RobertLeeBrewer
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A Special Offer from our Trusted Partner
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*use code WDBP21 during registration--an exclusive rate for
Writers Digest subscribers
The Workshop,
a new editing service from Book Pipeline, provides a broad
analysis of your unpublished work. Both fiction and nonfiction
accepted.
Strengths and
weaknesses of the material are critiqued in the following
categories:
Concept /
Marketability
Plot / Structure / Characters
Voice
Mechanics
Emotional Resonance
"Recommend"
material is considered for circulation to agents and
publishers.
Learn more about
our team of editors
and other criteria:
WRITERS: Pipeline Artists
is currently accepting short
fiction and poetry submissions for
publication. There is no fee to submit, and all accepted
authors are paid (from $75-150 and up, depending on the piece).
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In this issue, we look at 25 publishing FAQs
for writers (and share the answers), reveal 4 tips for
writing about family grudges, investigate writing
different timelines, and more!
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25 Publishing FAQs for Writers
After more than 20 years of working with
writers and other publishing professionals, I've learned
a thing or two about how the industry works. But I've
also learned a thing or two about which questions writers
frequently have about writing and publishing. Because
they ask me at live events, on social media, or via
email.
(Common
publishing terms.)
As
such, I thought it would be a great idea to start
answering those questions in individual posts. Then, it
occurred to me that another great idea would be to
collect those posts in one spot that makes it easy for
writers to find answers to common publishing questions. Read the full
article...
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Craft & Business of Writing
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On Writing a Thematic Short Story Collection
For my first collection, Children of
the New World, I like to say that I had a
decade to write the stories. It was my debut, and since
it was my first publication, I could take as long as I
wanted! Read More...
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The Past Is Never Past
By the time I graduated from college, I had
lived in four states and three countries outside of the
U.S., yet had still not quite learned to appreciate how
very fortunate I was. Maybe it was because I wasn't a
writer back then and had no aspirations whatsoever to
write a book, much less 29 of them. Read More...
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Writing Multiple Timelines and Points of
View
I love to write in multiple timelines and
points of view. I think it has something to do with my
authorial attention span. I get tired of being in a
certain character's head or in a given time and place for
too long. I need to escape and write differently for it
to feel fresh. Read More...
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Send Your Work to
2nd Draft Critique Services!
No matter your style or genre, Writer's
Digest Shop offers a high-level view of your writing.
Gain a critique of your manuscript, query letter,
synopsis, and more! Click here
to learn more >>
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4 Tips for Writing About Family Grudges
When using a real family grudge as
inspiration but you think someone might get hurt or
insulted, change all the identifying details. And I mean
everything. The character descriptions, the locations,
the words used in conversations. The idea is to use the root
of the grudge, not the details. Read More...
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Robert
Lee Brewer
Robert Lee Brewer is a senior editor for Writer's
Digest and former editor of the Writer's Market book
series. He is also the author of Smash Poetry
Journal and Solving the World's Problems.
Find him on Twitter at @RobertLeeBrewer
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This week, we're celebrating the winners of
our 8th Annual Self-Published E-Book Awards and
the Personal Essay Awards.
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Congratulations to
the winners of the 8th Annual Self-Published
E-book Awards! Discover the titles that placed in the
categories of contemporary fiction, fantasy, memoir,
mystery, and more. Read the full article...
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If you love to write and have a story you want
to tell, the only thing that can stand between you and the
success you’re seeking isn’t craft, or a good agent, or
enough Facebook friends and Twitter followers, but fear.
Fear that you aren’t good enough or that the market is too
crowded or that no one wants to hear from you. Fortunately,
you can’t write while being in the flow and be afraid
simultaneously. The question is whether you will write
fearlessly. Read More...
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Moriah
Richard is an editor at Writer’s
Digest with a particular interest in discussing
craft and genre. As a reader, she’s most interested in
horror, fantasy, and romance, although she will read just
about anything with a great hook. Find Moriah on Twitter @MoriahRichard93.
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