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Comedy writing is
sometimes compared to songwriting: in music, every note is important;
in comedy, every word, even every syllable can be critical.
There are lots of classes about writing funny; this one is about what
funny is – its mechanics, its principles. And while comedy
people certainly vary in their ability to articulate those principles,
they all take them seriously and refer to them constantly (“Call-back’s
too soon”; “Set-up’s got too many words”).
This talk has no direct instruction but rather takes a deep dive into
the comedy principles which are, in fact, the basic principles
of every art form: tension and resolution, pattern
disruption, misdirection and surprise. And we’ll see how these
principles achieve their effects by looking at examples ranging from
Buster Keaton to Richard Pryor to Amy Schumer.
You will receive a
copy of the webinar recording in an e-mail that goes out within 24-48
hours after the live event. The answers to questions not covered in the
live presentation will be included in this e-mail as well.
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- The
roles of persona, contrast, and timing
- How
single letters can make a line funny, or not
- How
showing less can result in more
- Why
comedy and logic are bitter enemies
- Why
punchlines can be bad
- The
thin line separating comedy and tragedy
- Why
your body is hilarious
- The
secret life of jokes
- and
much
more!
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- Writers
at all levels
- Comedy
writers
- Drama
writers, because while the class is about comedy it shows how
comedy principles not only apply to but can actually enhance drama
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April 29, 2021
1:00 pm - 3:00 pm PT
4:00 pm - 7:00 pm ET
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Instructor: David Misch
David Misch is
an author (“Funny: The Book,” “A Beginner’s Guide To Corruption”),
screenwriter (“Mork & Mindy,” “Saturday Night Live,” “The Muppets
Take Manhattan”), teacher (his own courses on comedy at USC and musical
satire at UCLA) and lecturer (Sony Pictures, Walt Disney Studios,
Lucasfilm, Yale, the Smithsonian, Oxford, University of Sydney,
Raindance Film Festival (London), Austin Film Festival, American Film
Institute, Second City, Actors Studio).
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Active Interest Media
P.O. Box 20730 Boulder, Colorado, 80308 United States
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There are few
feelings more exciting than sitting in the back of a dark theatre
watching live actors perform your words, while an audience laughs and
cries or even shifts uncomfortably in their seats — and eventually
bursts into applause. It’s like watching a chemical reaction that
produces an incredible energy, an energy unique to the live stage. An
energy that all begins with the playwright.
Whether you’ve never written anything before, you’re experienced
in another kind of writing, or you’re a playwright looking to sharpen
your skills, “Introduction to Playwriting” offers clear, step-by-step
guidance in the basics: character, conflict and structure, setting,
dialogue and formatting. But that’s not all. Need to make that good
script great? We’ll study more than a dozen elements you can use in the
rewriting process to move your script up a level and then discuss what
to do next in the development and submission process. And since many of
the principles of playwriting apply to all forms of dramatic writing, taking
“Introduction to Playwriting” is a great idea for screenwriters too.
Not only will you come back to your screenwriting with fresh insight,
but you might find that you like writing plays too.
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- Three
models for creating compelling characters
- About
four different play structures & which to use for your play
- A
guideline of events that occur in a play’s beginning, middle, and
ending
- and much
more!
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- For
writers of all levels looking to learn the basics of writing for
the stage.
- Guides
students through the process of writing a play from start to
finish.
- Discover
the basics of the stage, the structure of a play, the proper
format for your work, and how to prepare it for submission.
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Course Starts Thursday!
April 29 - May 27
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Instructor: Paul Peditto
Paul Peditto is an
award-winning screenwriter and director. His low-budget film Jane Doe starring
Calista Flockhart won Best Feature at the New York Independent Film
& Video Festival. Six of his screenplays have been optioned
including Crossroaders to
Haft Entertainment (Emma,
Dead Poets Society). Over the past decade, Mr. Peditto has
consulted with over 1,000 screenwriting students around the world. He
has appeared on National Public Radio and WGN radio, and reviewed in
the Chicago Tribune, Chicago Sun-Times, L.A. Times, and the New York
Times.
Peditto is an
adjunct professor of screenwriting at Columbia College. Under his
guidance his students have written and produced films that have
appeared in major film festivals, have semifinal placings at Nicholl Fellowship,
and have won awards and screened at film festivals around the
country.
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Active Interest Media
P.O. Box 20730 Boulder, Colorado, 80308 United States
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Whether you're
completely new to writing screenplays or you're an experienced
screenwriter looking to add a new skill, Script University has a course
for you, all from the comfort of your home! Click
here to view
the full course schedule >>
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Courses
Starting This Week:
The Fundamentals of Screenwriting: Give your
Script a Solid Foundation
Instructor:
Donald H Hewitt
Have an amazing idea for a movie, but don’t know how to begin writing
it? Get your screenplay on the track to success with the Fundamentals
of Screenwriting online course. This four-week class is the perfect
introduction to the fantastic world of writing a script, from the
fundamentals of the story down to the revision process. In this course,
you will gain the tools to structure your scenes, your acts, and your
plots.
Creating
the Viral Web Series
Instructor:
Rebecca Norris
In recent years, the Internet has created space for an entirely new
storytelling format: the web series. Cheap to make and easily
accessible for viewers, a web series can be the perfect way for you to
get started as a filmmaker and be noticed for your talent. All you need
is the right set of tools and skills.
Introduction
to Playwriting
Instructor:
Paul Peditto
There are few feelings more exciting than sitting in the back of
a dark theatre watching live actors perform your words, while an
audience laughs and cries or even shifts uncomfortably in their seats —
and eventually bursts into applause. It’s like watching a chemical
reaction that produces an incredible energy, an energy unique to the
live stage. An energy that all begins with the playwright.
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Upcoming
Webinars:
How Comedy Works
with David
Misch
April 29 -- A Special 3-Hour Event!
Comedy writing is sometimes compared to songwriting: in music, every
note is important; in comedy, every word, even every syllable can be
critical. There are lots of classes about writing funny; this one is
about what funny is – its mechanics, its principles. This talk has no
direct instruction but rather takes a deep dive into the comedy
principles which are, in fact, the basic principles of every art form:
tension and resolution, pattern disruption, misdirection and surprise.
Breaking Into Hollywood
with Jeanne
Bowerman
June 17, 2021
When screenwriters ask an industry insider for advice, the most common
response writers hear is, “Move to L.A.” But Jeanne Veillette Bowerman
says, “Not so fast.” Jeanne has built a strong network for herself
right from her country home in New York State while only making a
handful of trips to L.A. a year. She’ll show you her key secrets that
have led her to be successful outside of Hollywood.
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EXPERT INSTRUCTORS | CONVENIENT ACCESS
INVALUABLE FEEDBACK
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