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Children's Picture
Books are one of the most difficult categories to write. It takes a
tremendous amount of practice and an understanding of the contemporary
market to break into the publishing industry as a picture book author.
Writing a complete story with a full narrative arc-in under 1000 words
can be a daunting task. But we know from the number of cherished
picture books on readers' bookshelves that it is possible. What can you
learn from bestselling picture books? What picture book writing
strategies can you implement to better your story? How can you
effectively pitch your picture book manuscript to literary agents?
The Picture Book Puzzle: Writing, Revising, and Querying Your Picture
Book Manuscript covers all these topics, providing you with information
that will help take you from concept to first draft, and from final
manuscript to pitching. This live webinar includes a live presentation,
a Q&A session, and a critique of your children's picture book
manuscript.
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- The
common elements and proper formatting of a picture book
- What
the picture book market looks like in today's publishing industry
- What
readers and buyers are looking for in a picture book
- How
to improve your own writing by looking at bestselling picture
books
- How
to turn your picture book idea into a marketable concept
- How
creative word choice and word placement elevates your picture book
- The
importance of engaging and diverse picture book characters
- and
much
more!
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- Writers
who want to better understand the picture book category
- Writers
who want to learn about the picture book publishing market
- Writers
interested in improving their picture book manuscript
- Writers
interested in creating unique, adventurous books for children
- Writers
who are ready to revise their picture book manuscripts
- Writers
who want to understand the connection between text and
illustrations in picture books
- Writers
who want to write an effective query letter
- Writers
looking for publishing resources for the picture book market
- Writers
who want a professional critique of a picture book manuscript
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This Thursday!
April 1, 1:00 PM ET
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Instructor:
Maria Vicente
Maria Vicente is a
literary agent at the P.S. Literary Agency. She provides support to her
clients through all stages of the publication process and is dedicated
to managing authors' literary brands for the duration of their careers.
Her reading preferences vary across categories and genres, which is
reflected in her client list. She specializes in children's books
(picture books, middle grade, and young adult), graphic novels, and
nonfiction projects in the pop culture, design, and lifestyle
categories.
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The Picture Book Puzzle
Join Maria Vicente and get your picture book on the shelves. This
webinar includes a live presentation, a Q&A session, and a critique
of your children's picture book manuscript that will help you write,
revise, and pitch your picture book long after the webinar is over.
Thursday!
April 1, 2021
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How to Craft Query Letters & Other Submission
Materials
When your submission materials – a query letter, synopsis, manuscript,
or book proposal – arrive in an agent's inbox, they land among hundreds
of others. Get valuable agent feedback on your submission materials and
more!
April 20-23,
2021
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Writing & Selling the Historical Novel
Writing and Selling the Historical Novel is a crash course jam-packed
with advice from the start of your novel to the finish, from picking a
concept with immediate appeal to pitching your finished product to the
agents and editors who will take it to publication.
April 29, 2021
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Active Interest Media
P.O. Box 20730 Boulder, Colorado, 80308 USA
Do you daydream
about distant worlds and mythical creatures? If so, take this
six-week workshop and transform your ideas into creative
science fiction and fantasy novels. You'll discover the essential
elements of fictional worlds, how to write a science fiction novel with
intriguing characters and plot, and write up to 2,500 words for your
science fiction or fantasy story.
You'll take an in-depth look at How
to Write Science Fiction & Fantasy by Orson Scott
Card and learn how to break into the field of science fiction and
fantasy writing, the basics of science fiction and fantasy, tips for
creating imaginative settings, and ways to develop winning story ideas.
Plus, discover how to get your work published.
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Course Starts Thursday!
April 1 - May 13
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Instructor:
John DeChancie
John DeChancie is
the author of two dozen books, both fiction and nonfiction. His novels
in the science fiction and fantasy genres have been attracting a wide
readership for more than fifteen years, and over a million copies of
his books have seen print, many in foreign languages. His humorous
fantasy series, beginning with Castle Perilous, became a best seller
for Berkley/Ace. Booklist described John’s novel MagicNet (William
Morrow) as “a welcome sigh of comic relief…shamelessly droll, literate,
and thoroughly entertaining." His latest book is a small press
short story collection A Little Gray Book of Alien Stories published by
Borderlands Press, Maryland.
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Write a Poem a Day in April!
Join poets from
around the world in the 14th annual April PAD
(Poem-A-Day) Challenge! Early each morning (US Eastern
time) in April, Robert Lee Brewer will post a new
poetry prompt and a poem to get things started on his Write
Better Poetry page.
(168 poetic
forms for poets.)
30
days, 30 prompts, 30 poems. This free poetry challenge
is open to all skill levels. Join the fun and poem
along. Read the full article...
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Plot Twist Story Prompts: Mistaken
Identity
For this week's
prompt, share a case of mistaken identity. Have a
character (or characters) honestly believe someone is
somebody who they are not. There are a few ways you can
accomplish this.
(Mistakes
Writers Make: Neglecting Research.)
First,
it could be an honest case of mistaken identity.
Someone is sure they spot Elvis on the streets of
Davenport, Iowa. They may decide to tell the person
they think he's Elvis, or they may "know"
he's Elvis but not say a word, which could lead to some
humorous situations. But eventually, the person either
says something or the "Elvis who isn't Elvis"
realizes what's going on and says, "No, I'm not
Elvis."
A
second option is to have a character take on the identity
of another person, so that the mistaken identity is
actually intentional (on the part of the person taking
on the identity). A top secret lab is expecting a
scientist, who arrives. But guess what? The
"scientist" is actually a spy.
Read More...
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This Week in Writing
3/31—Nikolai Gogel
born 1809
3/31—Charlotte Bronte died 1855
3/31—Octavio Paz born 1914
3/31—Slaughterhouse-Five published
1969 (12 Kurt
Vonnegut Quotes)
4/1—Milan Kundera born 1929
4/1—Brad Meltzer born 1970 (10 Brad
Meltzer Quotes)
4/2—Giacomo Casanova born 1725
4/2—Hans Christian Andersen born 1805
4/3—Washington Irving born 1783
4/4—Maya Angelou born 1928 (Analyzing I
Know Why the Caged Bird Sings)
4/4—Dan Simmons born 1948
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Robert
Lee Brewer
Robert Lee Brewer is a senior editor for Writer's
Digest and former editor of the Writer's Market book
series. He is also the author of Smash Poetry
Journal and Solving
the World's Problems. Find him on Twitter at @RobertLeeBrewer
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This month, we're focusing on #WDmystery,
#WDthriller, and #WDsuspense. Here are some tips from
industry experts on these popular genres.
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Surprise and suspense are literary devices
employed by authors of all genres, especially in mystery
and thriller. But how do you know which is best for your
work-in-progress? In this article from 2018, author Jane
Cleland lays out the answers in an excerpt from her book Mastering
Suspense, Structure & Plot.
Jane Cleland,
WritersDigest.com, October 2018
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In 1962, Alfred Hitchcock and François
Truffaut discussed their work during a marathon session
that lasted for days. The two great directors and their
French/English interpreter barely paused for meals. It was
during this conversation that Hitchcock outlined his famous
surprise versus suspense scenario—the bomb planted in the
café. He used this example to demonstrate that, contrary to
popular belief, suspense is far more engaging than
surprise.
Here’s how it goes:
Say you have a scene where two characters are
talking in a café, and a bomb suddenly goes off under the
table.
The unexpected action will make the audience
experience surprise. Your readers’ emotional and
physiological reactions are likely to be similar to the
heart-stopping adrenaline rush a child feels the first time
he opens a jack-in-the-box. Can you remember your first
time? If you’re like most people, you were startled, and
for a few seconds the experience was all-consuming. You
didn’t think of anything else; you didn’t notice anything
else. Your entire focus was on processing what just
happened. That’s the power of surprise.
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Contrast that experience with this one:
You witness a man approach a café where two
people are drinking coffee, enjoying a pleasant morning
chat. You see the man step behind a column and turn an
old-fashioned alarm clock to 1:00. It’s taped to a bomb. A
clock mounted on a nearby wall informs you it’s 12:45. You
watch as the clock ticks down the time. Now it’s 12:49. The
people keep chatting. Now 12:52. The woman laughs. It’s
12:57. They finish their coffee. And now it’s 12:59.
How do you feel now? If you’re like most
people, you’re holding your breath, waiting for the
explosion—or for a hero to rush in and save the day. This
approach, revealing to the viewer or the reader what’s
going on while the unsuspecting characters chatter on,
translates into 15 minutes of suspense. All the immediate
explosion bought us was 15 seconds of surprise.
Read
the full article on our website...
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Moriah Richard is an editor at Writer’s Digest
with a particular interest in discussing craft and genre.
As a reader, she’s most interested in horror, fantasy, and
romance, although she will read just about anything with a
great hook. Find Moriah on Twitter @MoriahRichard93.
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7th Annual Mystery and Thriller Virtual
Conference
It's not too late!
Gain expert insights from SEVEN award-winning
and best-selling authors on the finer points of how to
write within the mystery and thriller genres. Spend the
weekend learning techniques for honing your craft from
seven different published authors, then pitch your novel
via query letter to a literary agent specifically looking
for material in the mystery or thriller genre.
Join in on the
fun >>
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