Wednesday 11 December 2019

Script Magazine newsletters and Script Pipeline, 15 December deadline

Here are the lateset Script Magazine newsletters:

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Letter from the Editor

On Script's site this week, our writers share an interview with the editor of Parasite, insights into the critical ingredients for storytelling, and much more!
Need a gift for the hard-to-buy person on your list? There's still time to grab a Gift Card to The Writers Store in time for the holidays.
Now get reading and get writing!
Jeanne
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SCRIPT SECRETS: The Emotional Journey, Part 1

What are the key ingredients to a great story? William C. Martell examines the box-office hit, Jumanji: Welcome to the Jungle, showing how the writers take the audience on an emotional journey. Read More...
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MEET THE READER: Should I Write for Art? Or Commerce?

Ray Morton shares guidelines on choosing if you should write a screenplay for art or for commerce. Read More...
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INTERVIEW: Parasite Editor Jin-Mo Yang

Susan Kouguell speaks with Parasite editor Jin-mo Yang about his collaboration with Director Bong Joon Ho, defying the rules of genre, and finding the rhythm of the film. Read More...
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Screenwriters University Course: Creating the Viral Web Series

In recent years, the Internet has created the space for an entirely new storytelling format: the web series. Cheap to make and easily accessible for viewers, a web series can be the perfect way for you to get started as a filmmaker and be noticed for your talent. All you need is the right set of tools and skills. Learn More...
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Advanced Script Editing: Flashbacks & Voiceovers

Michael Tabb demystifies the use of flashbacks, why they don't always work, and how to create more effective and compelling flashbacks and voiceovers in your screenplays. Read Now…
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Jeanne Veillette Bowerman

Jeanne is the Editor-in-Chief of Script, Senior Editor at Writer’s Digest, and co-founder of Twitter’s #scriptchat and @WritersStrong. Her screenplays, including the adaptation of the Pulitzer Prize-winning book, Slavery by Another Name, were selected as Top 25 Tracking Board Launch Pad, CSExpo Finalist, Second Round Sundance Episodic Lab, and PAGE Awards TV Drama Finalist. Twitter @jeannevb
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A Special Offer from our Trusted Partner
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DEADLINE: December 15th, 2019

The 17th Great Movie Idea and 15th Great TV Show Idea contests are searching for original feature film and television series concepts.

Any genre, studio-level or indie, is accepted. Completed scripts are not reviewed, nor are entrants required to have a screenplay or pilot, as we help develop the winner and runner-up.

Every entrant receives brief feedback from a judge with remarks on the pitch's marketability and originality, sent after final judging is completed.

For the winner, Script Pipeline provides additional, long-term assistance to refine the pitch, or help the writer draft a polished screenplay. Our execs review the project and offer feedback at all stages of development. When the work is ready for circulation, we send the material to specific producers who would be a good match.

All writers retain the rights to their pitch, and development assistance for the winner is entirely optional.

Awards & Prizes

- $2,000 (each winner for Movie and TV receives $1,000)
- Extensive development sessions with Script Pipeline to get your concept ready for circulation
- Assistance in completing a screenplay or TV pilot†(optional)
- Long-term exposure to producers and other companies for potential development
- Review of additional pitches and material

Submit a Screenplay Pitch


Submit a TV Pilot Pitch


*Follow Script Pipeline on Twitter to get an early heads up on announcements. We're expanding in 2020 to offer no-cost opportunities for screenwriters, additional article series, and a new way for writers to connect with industry.
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How to Process Feedback On Your Work

In this week's screenwriting tip, TV writer and showrunner Ross Brown shares invaluable advice on how to process feedback on your script to improve the story without taking it personally.
If you need feedback before tackling your next rewrite, our ScriptXpert team delivers top quality notes for a great price.
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By: Ross Brown

We all do it. We finish a draft of a script, are excited about it, and want to get some feedback. We give it to a few people and tell them to be honest – maybe even brutally honest (a phrase I hate, but that’s another topic for another day).

Yet despite our requests for honesty, we all secretly, in our heart of hearts, want to hear one thing and one thing only: This is the best script I’ve ever read. You are a freaking genius. Don’t change a comma. But do clear space on your desk for the Oscar you’re destined to win.

This never happens. And if by some once-in-a-millennium alignment of the planets it did happen, it wouldn’t be helpful. Because none of us are geniuses. Not you, not me, not even (insert name of your favorite screenwriter). We’re just working writers.

Our second choice for feedback, barring the you’re a freaking genius fantasy, is a precise list of eleven things in the script that need fixing accompanied by eleven perfect suggestions for how to fix them.

Yeah, not so much that, either.
Read More...
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Jeanne Veillette Bowerman

Jeanne is the Editor-in-Chief of Script, Senior Editor at Writer’s Digest, and co-founder of Twitter’s #scriptchat and @WritersStrong. Her screenplays, including the adaptation of the Pulitzer Prize-winning book, Slavery by Another Name, were selected as Top 25 Tracking Board Launch Pad, CSExpo Finalist, Second Round Sundance Episodic Lab, and PAGE Awards TV Drama Finalist. Twitter @jeannevb
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Letter from the Editor

This week on Script, Susan Kouguell interviews the talented 19-yr-old filmmaker, Phillip Youmans. Variety says of the film, "Every moment of Burning Cane is of consequence - the consequences of living and being." We also have a fantastic interview of writing partners and showrunners of CBS' Evil.
If you need feedback on your screenplay, put your script in the reputable hands of  the ScriptXperts.
Now get reading and get writing!
Jeanne
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INTERVIEW: 19-Year-Old Tribeca Film Festival Winning Burning Cane Filmmaker Phillip Youmans

Susan Kouguell interviews 19-year old Phillip Youmans about his journey as a writer and filmmaker, and bringing Burning Cane to the screen. Read More...
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Exploring the Roots of Evil, a New Series on CBS

Heather Taylor gives an overview of Evil, a new CBS series by the Robert and Michelle King, featured at the 2019 Tribeca TV Festival in New York City. Read More...
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Understanding Screenwriting: Crash! Run! Invasion! Riot!

In his continuing column, Understanding Screenwriting, Tom Stempel analyzes Fast & Furious Presents: Hobbs and Shaw; Brittany Runs a Marathon; Official Secrets, and The Big House. Read More...
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Screenwriters University Course: Seven Weeks to Your TV Spec Script

In this workshop, writers will learn all the key elements to a successful “episodic spec,” and will receive ongoing instructor guidance in building their own—from basic idea through finished outline. It begins with knowing how to choose the right kind of show to spec, then understanding which elements to study, in order to really grasp how a typical episode functions well enough to write one. Learn More...
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Free Screenwriting Resources

If you’re looking for FREE screenwriting tips and advice to help kick-start your writing career, then you’ll LOVE our vast selection of free downloads from the experts. From learning how to write a script the right way to how to beat writer’s block, you’ll find something that will help you increase your chances of success! Download Now…
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Jeanne Veillette Bowerman

Jeanne is the Editor of Script, Senior Editor at Writer’s Digest, and co-founder of Twitter’s #scriptchat and @WritersStrong. Her screenplays, including the adaptation of the Pulitzer Prize-winning book, Slavery by Another Name, were selected as Top 25 Tracking Board Launch Pad, CSExpo Finalist, Second Round Sundance Episodic Lab, and PAGE Awards TV Drama Finalist. Twitter @jeannevb
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Exploring the Roots of Evil, a New Series on CBS

Heather Taylor gives an overview of Evil, a new CBS series by the Robert and Michelle King, featured at the 2019 Tribeca TV Festival in New York City. Read More...
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By: Heather Taylor

In its third year, the Tribeca TV Festival celebrates the pioneers who have broken boundaries in episodic storytelling, and those who will continue to do so this fall and beyond. Over four days in September, this newer festival focuses on bringing the small screen to the big screen, with a full roster of creators and stars present to support their work. On the docket this year, was a preview the first episode of the new CBS series Evil from the husband-wife duo Michelle and Robert King best known for creating The Good Wife and The Good Fight. Read More...
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Jeanne Veillette Bowerman

Jeanne is the Editor-in-Chief of Script, Senior Editor at Writer’s Digest, and co-founder of Twitter’s #scriptchat and @WritersStrong. Her screenplays, including the adaptation of the Pulitzer Prize-winning book, Slavery by Another Name, were selected as Top 25 Tracking Board Launch Pad, CSExpo Finalist, Second Round Sundance Episodic Lab, and PAGE Awards TV Drama Finalist. Twitter @jeannevb
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Letter from the Editor

This week on Script, we tackle the proactive approach to selling a script without an agent, William Martell gives tips on creating a "slow burn" in your story, and Stewart Farquhar continues his series analyzing structure vs. formula.
Every month we have an extraordinary sale, saving you hundreds of dollars on a bundle of products. There's still time to save on our TV Writing Kit! Sale ends October 31st! 
Now get reading and get writing!
Jeanne
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Focus and Hustle Can Sell a Screenplay without an Agent

While it requires an enormous investment of time and energy, it is possible to network your way to a screenwriting career. Read More...
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SCRIPT SECRETS: Slow Burns… Are Still On Fire

William C. Martell dives into what a "slow burn" movie is by analyzing horror films, including Midsommar, which was recently re-released. Read More...
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WHY SPEC SCRIPTS FAIL: Formula vs. Structure – Part 3

Stewart Farquhar's concession to selected formats does not mean all writers need to write in the restrictive style of this happens on this page to be a success. Success as a writer depends on your own creativity. Read More...
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Screenwriters University Course: Mastering the Conventions of Horror Writing

This genre is truly a writer’s medium: If you can present a new version of an old concept and scare us on the page, your script can sell. Plus, there is always room for innovation and creativity within the field. That’s why horror is a natural choice for many a screenwriter. Learn More...
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Free Screenwriting Resources

If you’re looking for FREE screenwriting tips and advice to help kick-start your writing career, then you’ll LOVE our vast selection of free downloads from the experts. From learning how to write a script the right way to how to beat writer’s block, you’ll find something that will help you increase your chances of success! Download Now…
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Jeanne Veillette Bowerman

Jeanne is the Editor-in-Chief of Script, Senior Editor at Writer’s Digest, and co-founder of Twitter’s #scriptchat and @WritersStrong. Her screenplays, including the adaptation of the Pulitzer Prize-winning book, Slavery by Another Name, were selected as Top 25 Tracking Board Launch Pad, CSExpo Finalist, Second Round Sundance Episodic Lab, and PAGE Awards TV Drama Finalist. Twitter @jeannevb
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