Monday, 11 July 2022

Writers' HQ newsletters

With details of writers retreats and more: 



Have we got some news for you.

No, no, not *that* news.

Yes, yes, we do realise making an announcement at this exact moment is kinda like farting into a gas storage tank but we've had this planned for weeks and frankly we are both more important and more interesting than the ever-disintegrating Government of the UK.

ANYWAY.

The news.

Are you ready?

Here is it.

Two years and an upturned world in the making...

Here we go...

Real. Life. Writing. Retreats. Are. Back.


Yes, that's right. It's time. Let us all gather and eat and write and laugh and share gold stars.

If you wanna skip the pre-amble (or post-amble?) here are the links. You know what to do:



The WHQ Weekender welcome back party and literary weekend of JOY

Tickets here >>

 

Real life writing retreat tickets - currently in Brighton, Birmingham and Edinburgh
Tickets here >>



For those of you who joined Writers' HQ after the world stopped and don't know us in our original form: we used to run a whopping 16 one-day writing retreats across 14 locations every single month.

We'd pile a bunch of awesome writers in a room (10am - 4pm), ply you with tea and pastries and fruit, get you to set your targets for the day, coax any blocks and niggles and grarghs out of you, block the internet, and then write and write and write and win gold stars for progress with more tea and sandwiches and chatting and laughing in between.

They were amaaazinnggg. We've had writers bash out 10,000 words in a day. We've had writers finish novels, short stories, plan new work, make serious progress with existing work, write academic papers, children's books, memoirs, essays, flash fiction, poems, you name it.

And we've helped writers make FRIENDS and find COMMUNITY and CONNECT and all those lovely things we've all been desperately missing over the last two years (and longer tbh).

For those who do know us from the olden days: don't panic! If your favourite location isn't on the list yet, it is coming back. Pls just imagine the logistical nightmare of relaunching 16 events all in one go. We're getting to you though, we promise.

Eeeeeeeeh we're so excited!

To recap:

Rectangle: Rounded Corners: The Writers' HQ Weekender Tickets here >>The Writers' HQ Weekender Tickets here >>

Rectangle: Rounded Corners: Brighton Writers' Retreat Tickets Here >>Brighton Writers' Retreat Tickets Here >>

Rectangle: Rounded Corners: Birmingham Writers' Retreat Tickets Here >>Birmingham Writers' Retreat Tickets Here >>

Rectangle: Rounded Corners: Edinburgh Writers' Retreat Tickets Here >>Edinburgh Writers' Retreat Tickets Here >>

 

Ok we're done. Ish.

We know this isn't the real proper newsletter you'd expect at the beginning of the month but we figured it was a big enough announcement to take over the usual newsletter spot, BUT if you need your monthly pep and support fix try this:

Writing for writing's sake is valuable and important and necessary and you don't have to be on a production line to the publishing industry.

It doesn't make your writing less valid to pootle around in your notebooks with no end goal other than to enjoy it.

You can just write because you love it, because it's a soul-deep calling, because writing is the practice, it's the use of the skill for the joy and moment, it's not the end goal. It's the thing you do on the regular because it's meaningful to you for whatever reason.

Getting published is so often a byword for being a successful economic unit and that in turn is so often anathema to the act of creating. So. Chill on the end goal situ. Write because you love it (at our retreats).

See you IN REAL LIFE very soon

Sarah, Jo and Team WHQ

PS As ever, let us know you've read this far by sharing THIS SPECIFIC GIF on Twitter, hashtag #whqcommunity.


kkloveyoubyeeeeeee




Writers' HQ, Oast Business Centre , North Frith Farm, Ashes Lane , Tonbridge, Kent, TN11 9QU, United Kingdom

 welcome to another Writers’ HQ newsletter.

Here’s what we’re doing today: a kids’ say the darndest things piece, a plea for an anarchist uprising, then circling back to that gosh darn funny kiddo thing as a way to make your writing go
  zwiingggggg 💫. You ready? Let’s go!


I recently had to take my son to the library. I say ‘had to’ like I was under duress because, well, I was. Let me explain. My son, age 6, has a number of special interests. These include, but are not limited to: Lord of the Rings, War of the Worlds (the Jeff Wayne version), and Indiana Jones and the Something of Something. These are pretty all consuming in his world. As in: that is his entire world.

(Extra context: for his school talent contest he performed a one man show he called Indiana Jones Presents Jeff Wayne’s War Of The World where he recited the entire ‘no one could have believed…’ monologue right up to the first BAM BAM BAMMSSSSS word-for-perfect-word).

Anyhoo, a few days previously, his class went on a school trip to the library. It was super sweet. They all put on their little high vis jackets and walked two-by-two holding each other’s hands. The kids who didn’t have library cards were given them and then they could each take a book out. They got to try the touch screen takey-outy machines and had a tour of the new little reading nooks dotted around the childrens’ book area. Then they all held hands again and tiny-person-walked back to school. Wholesome af.

Except my son.

Indiana (my son, not Jones) got the almighty shits with the librarian and kicked the fuck off.

No, Indy!

The librarian’s crime? Not letting him into the adult book section so he could get himself a copy of Lord of the Rings. He didn’t want a stupid kids book, he said. He wanted Lord of the Rings. The librarian and his teacher tried to explain. It’s not that you can’t have LOTR, it’s that we can’t let you loose out there because we need to keep 30 tiny idiots contained in here so as not to, like, lose any of you. No, my son insisted. I want that book.

(Further context: please imagine this all being said by a three-foot tall smoosh-face with cheeks the size of tennis balls, a mane of lush blonde curls and the most angelic, sunshine grin you’ve ever seen.)

The stand-off continued and, eventually, out of time and with heels dug firmly into the civic polyester carpet, Indiana had to return to school bookless.

Later, at home, a small and wholly unreasonable request from me to please put his shoes where the shoes live tipped him over the edge, and unable to contain his rage any more he yelled.

"I don’t want to do your stupid rules. I just want to do what I want to do."

Yes, Indy!

I can’t disagree, ya know?

He has a valid point. The rules are stupid and I also don’t want to do them. It doesn’t matter which rules either. Basically all of it is stupid. Just read the news headlines. See? Stupid. Try to get mental health support for yourself. Stupid. Try to get mental health support for your child. Unbearably stupid. Attempt to apply for a job. Rent a house. Buy a house. Speak to a doctor. Get financial support. Help a relative. Help someone in need. Apply for a passport. Not contribute to climate change or other kinds of exploitation. All those things. Stupid stupid stupid.

But here’s the thing. They’re not stupid by accident or because the people who make the rules are out of touch. They’re stupid on purpose because people who are exhausted, frustrated, and stressed aren’t so good at being creative and people who run out of creativity aren’t so good at, say, fighting for better things. The stupid shit is there to make you tired. The cruelty, as the famous headline says, is the point.

I’m currently into a cultural and political theorist called Mark Fisher who talks about "psychological privatisation" and I’ve never air-punched so hard as when I heard that. Yes, Mark Fisher!

It’s something like this: work and life demands too much of us and because our communities have been decimated we don’t turn to our fellow humans for help or say ‘ya know what? How about we do something better?’. Instead we try to make ourselves more efficient, push ourselves harder, buy into mindfulness and productivity strategies (ahem), bullet journal obsessively (hi, it me!), and think the problem lies with
us and not all the bullshit going on out there. If only we could be more organised. If only we could be faster. If only we were simply better human beings. If only we could just bend our brains a little bit more out of whack and it will be fine. It’s fine. It is. I said it’s FINE.

I know Indy’s teachers weren’t being purposefully obstreperous about Lord of the Rings. Of course they want my absurd kid reading whatever books he wants because, like, that’s literally their job. It’s just that they’re too exhausted, frustrated and stressed to even manage five minutes of 1-1 time to get him the book, or to think of a creative solution to one kid wanting to be over there when there’s 29 of them over here, and that in turn means he won’t be up all night with a torch under his duvet staring at the maps and learning how to sound out Ar-a-go-rn, which in turn makes him exhausted, frustrated and stressed and makes it harder for him to learn and do the cool, creative stuff, which makes my life harder and makes me too exhausted, frustrated and stressed to do etc etc etc.

All of which is to say, there is such a huge amount of stupid going on right now. So much. All the time. Constantly. It’s exhausting and it’s hard. But if we let it kill our creativity we lose everything.

We must protect our creativity. We cannot let tough times dull its magical sheen.

It is only the stories, the music, the art, the joy - the baffling exhilaration of being alive - that will get us out of this mess.

Even when it all feels too much, remember the Indy Rule:

Do not do the stupid rules. Just do what you want to do.

And let it free you up just enough to keep on going.

Go write.

Sarah, Jo and WHQ

PS We eventually found the most unbelievably nerdy history of Middle Earth with a bunch of pull out maps and Indiana is now a very happy little sausage.

PPS If you haven't already, get yourself on board with the full Writers' HQ experience for non-stop writerly shenanigans and a very much un-decimated community of super friendly writer-types.

Ok we're done. As ever, let us know you've read this far by sharing your best INDIANA JONES gif on Twitter, hashtag #whqcommunity.


okwe'redonestaysafeloveyoubyeeeeeee




Writers' HQ, Oast Business Centre , North Frith Farm, Ashes Lane , Tonbridge, Kent, TN11 9QU, United Kingdom




The other day I found myself 149 meters above sea level in the midday sun, on a flint path with a punctured tyre and open toe sandals, and no way home save pushing my sorry flat-biked self 20km.

*record scratch*

*freeze frame*

I bet you’re wondering how I got here?

Also bet you’re wondering what this has to do with writing.

You know how it works. Bear with…

Let’s rewind to the beginning of the bank holiday weekend. The sun was shining and I had the inimitable pleasure of sitting on the M25 and various M offshoots with sticky bored children in the back for approximately six hours. It. Was. Great.

When I finally got home I was kid-free for five whole days, job-free for four whole days, and I really wanted some of that hot sun action.

My gentleman accomplice and I decided that a long ol’ bike ride would be lovely and duly planned a path along the seafront, up the Adur (pronounced Ada for the non-locals, not Adieu), up onto the South Downs Way and over some hills to Cissbury Ring where we would sit with our books and a picnic and read and eat in the sun before rolling down the hill home for beer.

It was gonna be great.

However.

We both have road bikes.

In fact, I have slicks on my road bike because, well, why wouldn’t you? Such a great noise against the tarmac. Tcshhhhhhhhhhhhhhh. Oh yeah.

We discussed this problem. These bikes are wholly unsuited to off-roading. But you know what? The river path would be fine, it’s flat, dry mud. The South Downs Way is pretty well trodden. We walk up Cissbury Ring all the time and it’s FINE. If it gets too crazy we can push the bikes or turn back. It’s fine. Everything is fine. It would be fine. Fine fine fine. We wanted to go. We had to go. The sun was calling us. Idioting through the air in the bright blue sky at stupid speeds like kids was calling us. Sitting on the hillside in the afternoon warmth with Octavia Butler and Deborah Levy was calling us. So we chucked our snacks and books in a bag and sped off.

MID ANECDOTE SEGUE! I’ve finally got round to reading Writing Down The Bones by Natalie Goldberg and I can’t quite believe I’ve never read it before. It’s like reading the things we always talk about at Writers’ HQ, but better and less sweary and written by someone who can focus on one thing for more than 20 seconds.

Goldberg says that before you can write you have to do writing practice. She says give me your time. Give me 20 minutes or 30 minutes or one hour and just write anything. Write a list of things to write and then write until the ideas flow through you onto the page without you being involved all that much, except to steer the pen. Write about the way the clouds look or how you felt when you ran across a busy road or the feeling you get when you read the news and there is literally nothing you can do except hope. Write terribly. Write so poorly you’ll want to burn it all and never look at it again. Write literally any old shit.

We do this so we can find the ideas that become good writing. The honest ideas. The true ideas. The way we really feel when we’re not gatekeeping our own goddam selves. It is not just about learning to write with reckless abandon. It’s about learning to be with reckless abandon.

So we spent a good couple of hours pootling up the river, chatting amiably about nonsense, admiring each other’s butts when one of us dropped behind or sped ahead, and generally enjoying the outsideyness of outside. We pushed up the hills and rounded a farm with sproingy lambs and went up some more and more and more and even the rockier paths were fine and we were getting sweaty and tired when finally Cissbury Ring was the next peak. Yay us! We freewheeled into the valley before the final ascent and oh wait no we didn’t even make it all the way down because psshhhhhhhhhh there goes the air in my tyre. I’d rolled over a sharp bit of flint and that was the end of that.

I called after the Gentleman Accomplice, a much more cycley cycler than me, assuming he’d have a pump and puncture repair kit.

Reader, he did not.


Woops.

He cycled back to the road we’d passed some fields back to get help, and I began the sweaty push back up the hill behind him. Before we knew it we were surrounded by men on expensive mountain bikes all falling over themselves to help.

"I’ll just renounce feminism and let you guys deal with it," I announced, sitting my bum down on the grass and cracking out the snacks.

"It’s your lucky day," said one of the men, "I’m a trained bike engineer. Used to do time trials. I happen to have the thing to fix your bike even though I don’t need it for my bike."

The pay off, of course, was spending the next 20 minutes being told off - in that fine intersection between avuncular and smug - for being ill prepared. For having the wrong tyres, for not having a pump.

I kept saying: but I know.

I know all these things are wrong.

Later, I realised why it was so important for me to tell him that I didn’t need instructing in the way of tyres and pumps.

I wasn’t stupid. I didn’t do it because I didn’t know. I did it on purpose. Actively, consciously. I did it because I was wilfully reckless. Because it was a risk worth taking.

We could have waited until everything was perfect.

We could have researched new bikes or new wheels. Saved up, ordered them, bought them, fitted them.

We could have carefully planned and packed. Let friends know where we were going. We could have trained.

But we chose not to. We chose to just go. To see what adventures happened when we allowed the ideas flow through us without us getting in the way. When we allowed ourselves to recklessly be.

What was the worst that could have happened? Honestly, not a lot. A slow walk down a hill pushing a bike. An expensive taxi ride.

A funny story to tell our friends.

A thing that didn’t go to plan.

What was the best that could have happened?

Imagine that.

Go be reckless. Go write.

Sarah, Jo and Team WHQ


Important disclaimer: We were only ever a 10 minute walk from a proper road and a 20 minute walk from civilisation! West Sussex is small! The hills are not very big! There are people crawling all over them day and night! We both know the landscape very well! I have been climbing mountains since I was a kid! He is like McGyver! We had fully charged mobile phones and enough water and food to keep us for a week! There was genuinely no risk at all apart from a minor inconvenience! We laughed the whole time and it was great! Please - please - do not take this as a call to do something completely fucking stupid like climb Snowdon in slippers and a pipe. Okay thanks.

FIVE RECKLESS THINGS FOR YOUR WRITING

1

Shhh a secret new free thing

Well okay it's not that secret because it's on our website for like several thousand users a month to see but you can now access our four best free courses right now and also any time you like. That's right yes. The Guide To Productivity, Write A Tiny Novel, Editing 101 and Five Days Of Flash are now all available in our freebie membership 24/7. Eek. Bigger announcement coming soon, but we thought we'd give you guys a sneak peek ;)


Newbs: get your freebie membership here >>

Oldbs: Check out the freebies here >>

2

May is feedback month!
Gold Star WHQ members are getting a month of writerly feedback help, starting with the Feedback Workshop on 5 May and then the Feedback Masterclass on 12 May, in which you can watch Sarah and Jo doing some LIVE ACTION FEEDBACK to help you give and receive (ooer) to make you an even better writer.

Book your feedback webinars here >>

3

Online writing retreats all up in your Zoom
Come write with us every weekend and Wednesday, for freebie and Gold Star members. We got your wordy needs covered :)

Get dates and sign up for online writing retreats here >>

4

NEW: Tip jar
Found yourself on a long list or short list? Got your story published? Laughed extra hard at some webinar tomfoolery? Wang us a little extra thank you ;)


Donate your quid here >>

5

New notebook?
Almost certainly, yes. Check out our lovely range of sweary motivational notebooks, inc blank pages for maniacs, lined pages for rule followers, and cross grid for the cool kids with weird-ass brains.

See all our notebooks here >>

Ok we're done. As ever, let us know you've read this far by sharing your best CYCLING gif on Twitter, hashtag #whqcommunity.


okwe'redonestaysafeloveyoubyeeeeeee




Writers' HQ, Oast Business Centre , North Frith Farm, Ashes Lane , Tonbridge, Kent, TN11 9QU, United Kingdom

a question for you:

What do you think writing actually is?

Another question:

Who do you think writers actually are?

We love to romanticise the tortured writer, the lonely writer, the writer for whom everything comes out perfect first time, the writer who sits as their desk head in hands for an entire montage before everything suddenly clicks and they sit up all night with the words flying. That ‘good’ writers immediately get massive publishing deals.

Well. Let us dispel some of this stupid forking nonsense for you.

Artists do not have to be tortured. You can have deep and difficult thoughts and be perfectly content, thank you very much. You do not have to turn yourself inside out to find the truths you want to share. You can be vulnerable and honest and beautiful and strange without also being an absinthe-drenched arse. Sure, artistry from torment is a great story, but it’s not necessarily your story, or even the story. The tortured artist is revered because for years we have allowed abusive men to be our canon and we need to build a mythology around them to justify their behaviour. Just for a moment imagine how much more rich our cultural and artistic history would be if Ernest Hemmingway or Jack Kerouac or William Burroughs or Ezra Pound weren’t allowed to be assholes and the people (women) they shat on were instead-or-also allowed to create their own art and tell their own stories?

Now let’s talk about perfection. Do you know how many drafts Kurt Vunnegut wrote of Slaughterhouse 5? A LOT. Like, many many many. Possibly hundreds. It reportedly took TWENTY THREE FREAKIN’ YEARS.

Here’s what Tom Roston, author of The Writer’s Crusade: Kurt Vonnegut and the Many Lives of Slaughterhouse-Five has to say about it: "He really did write some toilet paper–worthy material…He may have been uniquely gifted but it took so much work to make his writing appear almost childlike and off-the-cuff. The evidence is in all those rough drafts. Vonnegut hammered away at making accessibility an art form."

So. You don’t need to be tortured. You don’t need to be perfect. What about those late night montages where it all just clicks together? Meh not so much.

You know the thing where Kazuo Ishiguro wrote The Remains Of The Day in a month? Yeah he did not. Here’s what’s missing from that story: he’d already spent many many many many many months (years?) researching the novel. He already knew what he was trying to write. He had already tried to write several drafts. He eventually bashed out a shitty zero draft in 30 days, NanoWrimo-style, and then spent many many many many many months editing it.

We are telling you these things because very often writers need permission to be free. Here is your permission to be free. Right here. Here is your permission slip. Free of expectation, free of nagging doubts that you’re somehow not doing it right. Free of the weight of genius of all the writers who came before you. Free of the idea that you’ll ever not be a neurotic mess. Everyone is a mess. No one knows what they are doing. People are often terrible and confused and do things badly. The stories we think we know about the creation of stories are often misrepresented and packaged as much as the stories themselves.

The inner critic will be with you forever so you may as well make friends with it right now.

There is no one way to be a writer.

There is no one way to write.

As Zadie Smith said, "there is no ‘writer’s lifestyle.’ All that matters is what you leave on the page."

What you need considerably more than the intensity of angst, the intensity of perfection, the intensity of the all-night writing binge, is consistency.

Five minutes a day. Ten minutes a day. Fifteen minutes a day. One hour a week. One day a month. Whatever it is that you can do regularly, reliably, and whatever brings you joy and satisfaction and that sense of completeness when you write the thing you’ve been trying to write. Whatever feels like you, and not a romanticised idyll of how you think writing should work. (Disclaimer: we of course recognise that for some people daily writing isn’t possible. The aim is to find a practice you can do, that makes you feel good without thinking you should be doing it another way.)

In the words of the glorious Octavia Butler: "Forget inspiration. Habit is more dependable. Habit will sustain you whether you're inspired or not".

Go flush your writerly preconceptions down the bog and crack out your notebook.

Sarah, Jo, and Team WHQ

FIVE HABITUAL THINGS FOR YOUR WRITING

1

Join an online writing retreat - it's tomorrow! It's free!

Smash your keyboard into writerly oblivion! Squeeze some word juice out of your jittery fingers! Online writing retreats run weekends and mid-week and there's one tomorrow for you lovely lot

Book your retreat place here >>

2

Get your first month of Writers' HQ membership for a tenner!
That's right. 22 webinars every month, 22 creative writing courses (and growing all the time), forum access, and the most word-writing, tea-drinking, story-slinging, biscuit-dunking, productivity-boosting super supportive community for writers this side of the internet.
Get your gold star membership goodies here >>

3

Editing 101 starts on Monday 4 April
You've got a couple more hours to sign up for our next free course. Editing 101 is a practical, adaptable five-day writing course to help you to deconstruct, reconstruct, fine-tune and redraft your work until it’s ready to send out into the world. Go now!
Find out more and sign up here >>

4

NEW: Tip jar
Found yourself on long list or short list? Got your story published? Laughed extra hard at some webinar tomfoolery? Wang us a little extra thank you ;)
Donate your quid here >>

5

The Writers' HQ NFT

We’ve minted the first Writers’ HQ NFT on the Scrotium blockchain! This radical innovation in Decentralised Tea (DeTea) is a real life product which physically exists in time and space. By owning one mug, you own the original and only mug like it. Each mug might look identical, and we can replicate them pretty much infinitely, but given the only world we can comprehend is the one we construct in our minds and reality is inherently unknowable, each one is unique to the owner and can be sold and traded according to the caffeine ledger.

 

Admit it, you want some Nice Fucking Tea.


Get your NFT here >>

Ok we're done. As ever, let us know you've read this far by sharing your best FALLING OVER gif on Twitter, hashtag #whqcommunity.


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