Here are the latest Writer's Digest newsletters:
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Calling all poets! We’re on the look out
for poems of all styles.
SUBMIT YOUR BEST POEMS in the 14th Annual Writer’s Digest
Poetry Awards for a chance to win $1,000 in cash. The Grand
Prize Winner will be published in Writer’s Digest magazine’s
July/August 2020 issue, and all top winners will gain worldwide
readership on WritersDigest.com!
We want to see poems in all styles-rhyming; free verse, haiku,
and more! Choose your favorite poems of 32 lines or less, and
enter them today for your chance to win..
Enter by November 1, 2019.
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The winners (plural!) of the Booker Prize were announced earlier this week. It's my favorite literary prize even though I know literary prizes, like other prizes that purport to name the best of anything, are highly subjective. Below you'll find my thoughts about the value that literary prizes do offer writers and readers (aside from prize money for the winner). Plus, WD interviews another prize nominee, National Book Award finalist Sarah M. Broom, about her memoir. -AmyFollow @AmyMJones_5
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Building the Yellow House
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The newly drained swampland that became New Orleans East touted a promising future when Sarah M. Broom’s mother bought their family’s shotgun house in 1961. “The Yellow House” became home to the family’s 12 children, as well as the most unruly child and symbol through which Broom viewed herself.
In her debut memoir The Yellow House (Aug. 2019, Grove Press), Broom extends the map of New Orleans beyond the famous sites visited by tourists to include the stories of the city’s natives that came before her; investment in and divestment from New Orleans East and her family’s life growing up there; the journeys she and her family took away from home only to be pulled back again; and the massive storm that changed everything. Broom talked with WD about her process of creating the ambitious new work.
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It's the height of literary award season and WD senior editor Amy Jones considers what prizes like The Booker Prize have to offer readers and writers (other than the prize money). Read More...
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World Mental Health Day has passed but these books have a lasting impact. Here are 20 books, fiction and nonfiction, with mental health as the main subject or playing a background role. Read More...
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Jenna Avery interviews author-writer Jeff Lyons about his book, Rapid Story Development, which uses the Enneagram to help develop stories. Read More...
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Imagine if you were a child sent to the summer camp in Friday the 13th or any of the many horror films that used or made fun of the scary summer camp trope. What kind of letter might you write home to your parents? Start Writing...
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Enroll in one of the most popular courses in Writer’s Digest University! More than 175 authors have purchased and enjoyed the instruction. This premier online course designed to help you maximize book sales at the world’s largest retailer. Learn More...
Not sure if this course is for you? Register for the free webinar here>>
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Your characters are at the heart of your
story—they move the plot, they elicit emotion, they become
people you care about. These individuals you write
about, they deserve all
of your attention,
your detail, and your craft.
So, if you’re interested in improving
your character development, be sure to attend this month’s Writer’s Digest Novel Writing
Conference in Pasadena! Besides building better characters,
you’ll hear keynotes from bestselling authors, create your own schedule, and connect with
other authors to form your very own writing tribe!
Here’s a
look at some of the sessions in the character track you can
look forward to!
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Andrew Sean Greer is the
Pulitzer Prize-winning author of six works of fiction,
including the bestsellers The
Confessions of Max Tivoli and Less. Greer has taught at a number of universities,
including the Iowa Writers Workshop, been a TODAY show
pick, a New York Public Library Cullman Center Fellow, a
judge for the National Book Award, and a winner of the
California Book Award and the New York Public Library Young
Lions Award. He is the recipient of a NEA grant, a
Guggenheim Fellowship, and the 2018 Pulitzer Prize for
Fiction.
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Last
week we revealed the cover of the November/December issue
of the magazine and this week we have another treat in
store from that issue. Below you'll find an online
exclusive from my interview with bestselling author Amor
Towles. It features all the questions we didn't have space
for in the print magazine. Think of this as a teaser for
the real thing! -Amy
Follow @AmyMJones_5
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Literary
sensation Amor Towles didn’t one day decide to quit his job
in the financial sector to try his hand at novel writing.
Quite the opposite, really. He began writing when he was a
child and followed that passion to Yale where he studied
under visiting professor, novelist Peter Matthiessen.
Matthiessen encouraged Towles, who realized, “What I've
imagined could come true. My dream of being a writer is not
just me being crazy. My sense that I could do this well, is
not crazy.”
Following
his time at Yale, Towles then received a writing fellowship
at Stanford where he worked closely with novelist, poet,
and literary critic, Gilbert Sorrentino.
But
from there, his career path took a hard left turn as he
joined a friend who started an investment firm. Towles kept
Matthiessen’s dismay in the back of his mind, recalling him
saying, “I personally spent time with you, hopefully
mentoring you towards becoming a writer, and so it's a
personal disappointment." Towles’s fear was “that I
would fail to return to fiction.”
Neither
Towles nor Matthiessen needn’t have worried.
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Discover (and
debate) the 10 best dystopian novels for writers ever
written (with a few honorable mentions thrown in),
according to Writer’s
Digest Senior Editor Robert Lee Brewer. Read More...
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Twine author
Monica Duncan shares her best revision secret: waiting
and returning to edit a manuscript with fresh eyes. Read More...
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Confident Writing
is S-E-X-Y. Barri Evins tells all: what it is, why you
need it, where to get it, who it turns-on and how to
use it to excite the industry. Read More...
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Think of the many
invitations you receive—party invites, junk mail
offering special deals, and the many events around town
that you may or may not fit in at. What types of
stories might ensue if you accepted every invitation
that you receive? Start Writing ...
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This certification
course incorporates critiqued writing assignments and
tools to communicate directly with your instructor and
fellow students—to make sure that you are grasping the
content. Students who complete all the assignments and
pass the comprehensive test will receive documentation
from Writer's Digest of their completion of the
Copyediting Certification Course. Register Now...
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WRITE SHORT, GET PUBLISHED
SUBMIT YOUR BEST SHORT STORIES in the 15th Annual Writer’s
Digest Popular Fiction Awards for a chance to win $2,500 in
cash, a feature interview in Writer’s Digest magazine, and a
paid trip to the ever-popular Writer’s Digest Annual Conference
in New York City.
If you’re
ready to take the next step in your writing career, choose your
favorite categories and enter your best short stories of 4,000
words or less.
Categories
- Mystery/Crime
- Horror
- Romance
- Science Fiction/Fantasy
- Thriller/Suspense
- Young Adult
Enter by
September 16, 2019
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As you'll see below, WD's editor-in-chief,
Ericka McIntyre reveals our November/December cover and gives
you a sneak peek at all the truth-related topics addressed in
the issue. This means the cat's finally out of the bag: I had
the pleasure of interviewing Amor Towles, author of one of my
favorite novels, A
Gentleman in Moscow (and if you're someone who
reads a lot, you probably know just how difficult it is to
form a list of favorite novels so this is high praise). I
can't wait for you to hear what Mr. Towles had to say.
-Amy Follow @AmyMJones_5
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Is it already time to reveal our next cover to
you? It would appear so. Here it is—for November/December
2019—The Truth Issue.
This issue’s cover star, Amor Towles, is one
of the most fascinating novelists working today. Our own
senior editor Amy Jones did a wide-ranging, deep-diving
interview with him. And the photo of him chosen for the cover
was the subject of lively debate among the editors and
designers here—for some reason, every person on the team
liked a different image better—but this is one of the most
fun parts of putting together each issue.
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Kazuo Ishiguro is the Booker and Nobel
prize-winning author of The Remains of the Day,
When
We Were Orphans, and Never Let Me
Go. In these quotes, Ishiguro covers writing
what you know, building characters, imagination, and
more. Read More...
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In this week's edition of Writer's Digest
Grammar Rules, we'll learn when it's appropriate to use
prophecy vs. prophesy, including a few examples of
correct and incorrect usages. Read More...
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Warning screenwriters! Making a movie isn’t
as simple as you might think. Paul Peditto opens up about
his first directing experience so screenwriters turned
first-time directors learn from his mistakes. Read More...
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The typewriter from Naked Lunch
turns into a talking cockroach. The cows in Click, Clack,
Moo: Cows That Type send a letter to
Farmer Brown demanding electric blankets because the barn
gets cold at night. The furniture and other household
objects in Beauty
and the Beast come to life. What do all
of these stories have in common? Anthropomorphism.
Anthropomorphism is the attribution of human
characteristics to something that isn't human, such as
animal or object. Write a scene or story that includes
anthropomorphism. Start Writing...
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Let one of the most accomplished book
marketing experts in the industry show you the way. When
you know what to do and how to do it right, then you
become the hero of your own author story! Register Here...
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