Wednesday, 20 March 2019

Writer's Digest newsletters

With details of the Thriller and Mystery Virtual Conference, courses starting soon and more:

New writing webinars, books, collections, and more!

Resource Toolbox at Writer's Digest Shop

Upcoming Webinars

Create an Author Website in 24 Hours or Less


In this NEW live webinar, literary agent Devin Ross discuss some changes that have been taking place over the past year, how to make sure you are writing for the future of YA, not the past, and how to best position your project, query, and first pages for the greatest success.

March 28
Critique Included!

Create an Author Website in 24 Hours or Less


In this NEW live webinar, literary agent Devin Ross discuss some changes that have been taking place over the past year, how to make sure you are writing for the future of YA, not the past, and how to best position your project, query, and first pages for the greatest success.

April 11
Critique Included!


Featured Collection

Product 5

There IS a formula for writing a novel that sells! Learn the insider secrets from agents, editors and authors for writing a novel that hooks readers from the very first sentences. In this value pack, you’ll find seven resources to help you write a breakout novel and get published.

Get Published - Get Paid

Bundles & Value Packs

Series
$244.93   $59.99
The Show Don't Tell Collection
$180.90   $39.99
Series
$559.93   $89.99
Series
$539.94   $89.99

Show Your Readers Your World

New Products

Feb 28
Writing Picture Books Revised and Expanded Edition Ebook
Product 1
How to Write a Page
Turner
Ebook
New Book
Smash
Poetry
Journal
Ebook
Feb 28
The Author's Guide to Marketing on Amazon

Get Published - Get Paid

Best Sellers

Critique Services
$3.00/Page
Product 3
$18.99   $14.99
Critique Services
$39.99 Critique
Writer's Market Subscription
1 Year for $39.99



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Register to receive a critique of your query and first 5 pages


Shop Writer's Digest

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Writing Young Adult (YA) in 2019 is tricky. The market is ever-changing and at times, overcrowded. Everyone seems to have an opinion on what is NOT working, but not on what IS working.

In this live webinar, literary agent Devin Ross will demystify the current market. She will discuss some changes that have been taking place over the past year, how to make sure you are writing for the future of YA, not the past, and how to best position your project, query, and first pages for the greatest success.

Before becoming an agent, Devin was mentored by YA agent superstars Joanna Volpe and Suzie Townsend. For years, she has navigated the market with world-renowned YA authors. Now she is actively seeking YA authors to grow her client list.

What you'll learn
All registrants are invited to submit your query and first 5 pages. Please wait until after the live webinar date to submit your critique material. This allows you to make changes to your query and first 5 pages based on the presentation and will ensure you receive the most helpful critique possible. All submitted queries and first 5 pages are guaranteed a written critique by Devin Ross.

What you'll learn
• 
Writing for today’s market
• 
YA Audience and Trends
• 
Tips for writing YA: Voice, character, plotting for today’s market
• 
How to navigate the querying process

Who should attend
• 
Writers who are interested in learning about the YA market
• 
Writers who want to learn more about YA trends
• 
Writers who need tips on writing YA
• 
Writers who need tips for the first pages


Thursday, March 28, 2019 at 1:00 PM EDT

$99.99


Instructor: Devin Ross
Devin Ross earned her B.A. in English from Lawrence University and her Publishing Certificate from the Denver Publishing Institute. She began her publishing career as an author’s assistant, helping authors grow their platforms and meet their deadlines. Her next career move landed her in the Subsidiary Rights department at Crown Publishing Group before she found her home at New Leaf Literary & Media. As an agent she works in Adult and YA fiction.

EXPERT INSTRUCTORS     |     CONVENIENT ACCESS
INVALUABLE FEEDBACK



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See what's new and coming up


Writer's Digest University

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Our writing online workshops cover every aspect of writing, from how to get started all the way to getting your writing published. Writer’s Digest University features writing classes online for every skill level of writer and our professional instructors are dedicated to helping you achieve your writing goals.
Click here to view course schedule >>

Courses Starting This Week:

Copyediting Certification Course
Instructor: Kim Catanzarite
This workshop will provide you with the practical and marketable workplace skills you need to get ahead as an aspiring copy editor. Once you complete all the assignments and pass the comprehensive test, you will receive documentation of completion.

Fearless Writing
Instructor: William Kenower
In this workshop we’ll look at several techniques you can you use to keep yourself in the creative flow and out of the trouble and misery fear always causes.

Focus on the Short Story
Instructor: John DeChancie
Whether you are a writing novice or a published professional, the short story genre is a unique and challenging medium that offers you amazing opportunities. By the end of this workshop, you’ll improve your creative writing skills and write two complete short stories.

Grammar and Mechanics
Instructor: Kelly Boyer Sagert
Grammar is an important first-step to having a successful writing career. After completing this course, you will become a master of the fundamentals of grammar and mechanics.

Outlining Your Novel
Instructor: Elizabeth Huergo
This course will teach you how to write an outline, including what type of outline is right for you, brainstorm plot ideas, and discover your characters. If you have an idea for a book but are having trouble knowing what comes next, this is the course for you!

Writing Historical Fiction
Instructor: Donna Russo Morin
Whether history is a backdrop to your story or the focus of the story itself, this workshop will provide you with the tools to find the facts you need, organize the data in a functional manner, and merge that data seamlessly into your novel.

Writing Personal Essays
Instructor: Gloria Kempton
This course guides beginning and intermediate writers through elements of how to write a personal essay, helping them identify values expressed in their stories and to bring readers into the experiences described.

Featured:

Literary Agent Boot Camp: Perfecting Submission Materials
Dates: March 19 - 22
In this boot camp from Fuse Literary Agency, attendees will learn how to put together a short yet effective query letter, a one- to two-page book synopsis (fiction), and a nonfiction book proposal. They’ll also learn some best practices for submitting their query, pages, and synopsis and/or proposal to agents. Learn More >>

5th Annual Mystery and Thriller Virtual Conference
Dates: April 12 - 14
On April 13th and 14th, our 5th Annual Mystery and Thriller Virtual Conference will provide expert insights from SEVEN award-winning and best-selling authors on the finer points of how to write within the mystery and thriller genres. Join us for the live event and have a chance to get written feedback on your query letter from a literary agent who works with mystery or thriller authors (or both). Learn More >>




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Please click here to contact us.
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Join Writer’s Digest in NYC this August!

WDC19


The Writer’s Digest Annual ConferenceAugust 23–25 in New York City—offers everything you need to advance your writing career creatively and professionally, and here are 5 reasons you should join us.

1. Get mentored & inspired by the best
You’re ready to take your writing to the next level, right? This year’s roster of speakers is rich with successful authors and industry insiders to help improve your craft, explore publishing options and learn how to establish a sustainable career—including an opening keynote from N.K. Jemisin, and the closing keynote from Min Jin Lee.

2. Connect with fellow writers
In addition to our insightful speakers, you’ll meet hundreds of writers like you—at various stages in their craft and careers—sharing insights, experiences and advice between sessions, over lunch, during the cocktail reception and after hours exploring New York City. Plus, connect ahead of time via our attendee-only Facebook group and keep in touch after the conference. (2018’s group is still regularly chatting!)

3. Customize a program that meets your specific needs
Five tracks of programming over three days will cover the fundamentals of craft in fiction, nonfiction and screenwriting, along with the business of being a writer, from traditional and self-publishing paths, promotion and marketing strategies, and managing a sustainable career. Whatever your unique goals are, we’ll have you covered.

4. Find an agent or publisher
If you’re ready to find a publisher, more than 50 agents and editors will be looking for new voices, eager to hear your pitch! Get immediate feedback directly from industry professionals who are acquiring in your chosen genre; actionable advice on improving your storyline or nonfiction premise; and an opportunity to submit your work for consideration, land representation, or perhaps even get a book deal.

5. Indulge yourself
New York City offers a variety of things to do while you’re in town, whether it’s a great meal, a stroll through nearby Central Park, or more adventurous literary sightseeing. Book your room now to lock in the discounted rate!

Join us at the writing community’s must-attend conference and load up on enough inspiration to fuel your writing all year. Seats are limited, so be sure to register before March 26th and save $150!



Sponsored By

Publish Drive



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Join Jeffrey Somers in NYC at #WDC19 this August!


Writer's Digest

Vintage Paperback



Here’s an awkward confession from a writer trying to make a living from his work: I love a good used bookstore. Nothing beats walking out with a stack of books for pennies apiece. One of the most overlooked aspects of a secondhand store, however, is how it acts as a time machine.

Every writer is admonished to read widely. This is usually interpreted to mean that you should read outside your preferred genre—and that’s true enough. But it also means you should read outside your current time period. It’s easy to become locked into a chase for what’s modern and hot, the trends that are getting published right now, today. But the books being published today are the tail end of trends that started two years ago; the past has a lot to teach you; and it’s all happening at the used bookstore.

Good writing wasn’t invented in the year 2000. These old novels and collections, many of which you’ve probably never heard of, are chock-full of writing lessons. If you want to learn how to pen a great story, you could do a lot worse than to study old paperbacks and see what the past masters were doing decades ago—which is exactly what I’ve done in my own career. The following 10 paperback books were purchased in funky, dimly-lit used bookstores over the years, and each one has taught me something vital I employ in my own writing every single day.

Paperback: Fail-Safe by Eugene Burdick and Harvey Wheeler (1962).
Lesson: Good storytelling is future-proof.

This story of accidental nuclear war (which was so similar to Stanley Kubrick’s film Doctor Strangelove and the novel it was based on, Red Alert, that Kubrick sued) should in theory be dated. Instead, it’s a gripping, tense story that keeps you flipping pages even though we’re no longer as worried about atomic Armageddon (for the most part) as we were at the height of the Cold War. Burdick and Wheeler teach a very important lesson: Stakes matter. Not only is the entire world in danger, but each character has something personal at stake that weighs their actions with real gravitas—and that’s an evergreen lesson for any writer.
   Read More...

Advertisement
WIN A FREE EVALUATION OF YOUR MANUSCRIPT’S FIRST 30 PAGES by acclaimed story coach and bestselling author Barbara Kyle. THREE WINNERS will be drawn on Saturday, March 23 - SO ACT NOW! Winners will have three months to send their 30 manuscript pages. No fee to enter the draw. Enter here.

Read More


WDC19

The Writer’s Digest Annual Conference offers everything you need to advance your writing career creatively and professionally. Gain invaluable tips to improve your craft, explore publishing options and learn how to establish a sustainable career—all while being inspired by successful authors and your fellow attendees. And it’s all brought to you by Writer’s Digest, the experts at nurturing and developing writers at every stage of their career for 100 years. Register today for your best price and join us at the Hilton Midtown in New York City from August 23-25, 2019!




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Create your story map and start writing


Writer's Digest University

Product 5
What is my novel missing? How can I develop this single idea?
Is my story structure complete?

Sounds like you need a story map to help you with plot development and outlining a novel. Just as a road map helps you plot your travel plans, a story map serves as a visual outline that helps you see the direction your story is taking and whether you’ve overlooked any major points of interest along the way while you’re writing plot structure.

Here are three keys to successfully navigating your own:

INTRODUCE A STORY MAP AT ANY STAGE OF YOUR WRITING PROCESS.If you’re just beginning your story, implementing a story map will help you see where to start and where to spin off ideas to move your piece forward. As you map your ideas, you’ll discover that they help to propagate more ideas. Especially if you’re stuck at a particular point in your novel, you may want to update or create a new map so it reflects—or creates—fresh ideas and story structure. If you’ve already outlined or written most of your story, a story map may point out where your structure is weak or not fully developed by what you can’t fill in, or by what you’re struggling to answer.

BE LOOSE. You’re simply placing on a chart what you understand about your story. Everything you write can be considered a placeholder until you develop a stronger idea. Sometimes what you think is the beginning hook may change to be the climax or a conflict once you better understand your story. For now, write what you know—and put it where you think it belongs. You can always change it once you have a clearer understanding of what you’re writing about.   Read More...

Outlining


Writers often look upon outlines with fear and trembling. But when properly understood and correctly used, the outline is one of the most powerful weapons in a writer's arsenal. With the help of this course you will learn how to write an outline, including what type of outline is right for you, brainstorm plot ideas, and discover your characters.

Course Starts This Thursday





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It's all in the formula.

Writer's Digest


Jess Zafarris
In this week's edition of the Writer's Digest newsletter, learn the differences between a crime, a thriller and a mystery novel, discover the secrets to better book cover typography, and learn what it means for MFA students to have their work stored in a digital repository.
– Jess Zafarris
        Follow @jesszafarris

GENRE SECRETS

The Differences Between a Crime Novel, Mystery Novel and Thriller Novel

Every writer’s job is to give the reader what she wants in a way she doesn’t expect. (And it’s wise to remember that every agent and editor is foremost a reader, too.)

One of the first things to consider when setting out, therefore, is what kinds of expectations your story creates, so you can go about gratifying readers in surprising ways.

This is particularly true of writing in a genre, where conventions can seem ironclad -- or all too often degrade into formula. And formula, by definition, surprises no one.

The suspense genres in particular have a number of seemingly hard and fast rules that a writer defies at his peril. And yet the most satisfying mysteries, thrillers and crime stories find a way to create a new take on those rules to fashion something fresh, interesting, original. In other words, while you don’t want to mistakenly pitch your cozy mystery to an agent who wants only high-octane thrillers, you also want to make sure that when you connect with that cozy-loving agent, she’ll be jumping to sign you because your cozy stands out from the rest.

Here’s a map to help you navigate subgenre subtleties.
[Join us for our 5th Annual Thriller & Mystery Virtual Conference, with live presentations by: Paula Munier, Gar Anthony Haywood, Naomi Hirahara, Hank Phillippi Ryan, James Scott Bell, Larry Brooks, and Jane K. Cleland! Register now.]


Mystery Novels
A crime is committed -- almost always a murder -- and the action of the story is the solution of that crime: determining who did it and why, and obtaining some form of justice. The best mystery stories often explore man’s unique capacity for deceit -- especially self-deceit -- and demonstrate a humble respect for the limits of human understanding. This is usually considered the most cerebral (and least violent) of the suspense genres.

Thematic emphasis: How can we come to know the truth? (By definition, a mystery is simply something that defies our usual understanding of the world.)

Structural distinctions: The basic plot elements of the mystery form are:
  1. The baffling crime
  2. The singularly motivated investigator
  3. The hidden killer
  4. The cover-up (often more important than the crime itself, as the cover-up is what conceals the killer)
  5. Discovery and elimination of suspects (in which creating false suspects is often part of the killer’s plan)
  6. Evaluation of clues (sifting the true from the untrue)
  7. Identification and apprehension of the killer.

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Advertisement
WIN A FREE EVALUATION OF YOUR MANUSCRIPT’S FIRST 30 PAGES by acclaimed story coach and bestselling author Barbara Kyle. THREE WINNERS will be drawn on Saturday, March 23 – SO ACT NOW! Winners will have three months to send their 30 manuscript pages. No fee to enter the draw. Enter here.

Read More


WHAT'S NEW

Story 1
This post via Reedsy dives into one of the most crucial components of a book cover. Read on to find out how to handle book cover typography -- and how to make yours stand out and sell your book. Read More...

Story 2
Many MFA programs require students to submit an electronic thesis into their library's digital repository, where it's available online. How can these students protect their work?Read more...

Story 3
With the pursuit of a career in film, it's always important to evaluate when it might be time to throw in the towel. Or can you? Christopher Schiller examines the when and how to call it quits... or if you even should. Read More...

Story 4
Complete the following sentence and write a scene or story that begins with it: "It's strange to think that I never would have known about ____________ if I hadn't taken that left turn." Post your response (500 words or fewer) here...

Story 5
Writer’s Digest Books is releasing the Smash Poetry Journal, a collection of 125 poetry prompts and other poetic fun, later this month. Author Robert Lee Brewer gives us an inside look. Learn more and register...


Story 7
Spiritual nonfiction author and professor Anthony Maranise shares a thoughtful essay about the unique considerations of writing for audiences affected by cancer. Read More...

Story 5
This workshop will provide training for aspiring copy editors in order to give them practical and marketable workplace skills. This certification course incorporates critiqued writing assignments and tools to communicate directly with your instructor and fellow students—to make sure that you are grasping the content. Learn more and register...

WDVC




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See what an agent thinks of your mystery/thriller


Writer's Digest University

WDVC


Writer's Digest University is pleased to present an exclusive online event for mystery & thriller writers! On April 13th and 14th, our Thriller Virtual Conference will provide expert insights from SEVEN award-winning and best-selling authors on the finer points of how to write within the mystery and thriller genres. Spend the weekend learning techniques for honing your craft from seven different published authors*, then (if you choose) pitch your novel via query letter to a literary agent specifically looking for material in the mystery or thriller genre. The agent will provide you with a personalized critique of your query – and maybe ask to see more.

Experience the education, camaraderie, and opportunities provided by a live writing conference without ever having to leave your home!

All participants will benefit from:
  • SEVEN all-new, one-hour webinar presentations provided by award-winning and bestselling mystery & thriller authors*, all examining different aspects of writing novels in these genres. Each session will include an opportunity for live Q&A with the authors!
  • A critique (with written feedback) of your query letter from an agent with experience in the mystery and thriller genres.
  • A bonus 90-minute On Demand webinar covering how to write a query letter so you're prepared when pitching your novel to agents. (A $79.99 value!)
  • The ability to network with mystery and thriller writers via discussion boards that will be open throughout the weekend. Share ideas, and even your work if you choose.
  • Unlimited OnDemand viewing! All conference sessions will be made available for download in the week following the live presentations. Even if you can't attend every session live, you will be able to view each lecture on your own whenever you choose.

Pitch Your Mystery or Thriller Novel to a Literary Agent

Join us for the live event and have a chance to get written feedback on your query letter from a literary agent who works with mystery or thriller authors (or both).

Thursday, April 12 - April 14, 2019

$199.99


Instructor: James Scott Bell
JAMES SCOTT BELL is a winner of the International Thriller Writers Award and the author of numerous bestsellers. He served as fiction columnist for Writer's Digest magazine and has written many popular craft books, including Plot & Structure, Conflict & Suspense, Just Write, and Write Your Novel From the Middle. He attended the University of California, Santa Barbara where he studied writing with Raymond Carver, and graduated with honors from the University of Southern California law school.

Instructor: Larry Brooks
Larry Brooks is the author of four Writers Digest books on fiction craft, including the bestselling STORY ENGINEERING, named by Signaturereads.com as the third best writing book of the modern era. He is a frequent speaker at WD events and other conferences, and his website, www.storyfix.com, is a well-known resource for authors at all levels of the fiction trade. His new WD book, THE CRITERIA-DRIVEN NOVELIST, will be released Fall 2019.

Instructor: Jane K. Cleland
Jane K. Cleland writes the multiple award-winning and bestselling Josie Prescott Antiques Mysteries [St. Martin’s Minotaur]. The 13th in the series, Hidden Treasure, will be published in spring 2020. Her short stories are published by Alfred Hitchcock Mystery Magazine. Jane also writes about the craft of writing, including the Agatha award-nominated Mastering Plot Twists and the Agatha Award-winning and bestselling Mastering Suspense, Structure & Plot, both from Writer’s Digest Books. She is also a Contributing Editor for Writer’s Digest Magazine and chairs the Wolfe Pack’s Black Orchid Novella Award in partnership with AHMM.

Instructor: Gar Anthony Haywood
GAR ANTHONY HAYWOOD is the Shamus and Anthony award-winning author of twelve crime novels, and has been called by Booklist "a writer who has always belonged in the upper echelon of American crime fiction." His short fiction has been included in the "Best American Mystery Stories" and anthologies, and he has written for network television and both the New York Times and Los Angeles Time.

Instructor: Naomi Hirahara
Naomi Hirahara is the Edgar Award-winning author of two mystery series set in Southern California. Her Mas Arai series, which features a Hiroshima survivor and gardener, ended with the publication of HIROSHIMA BOY in 2018. The books have been translated into Japanese, Korean and French. The first in her Officer Ellie Rush bicycle cop mystery series received the T. Jefferson Parker Mystery Award. She has also published noir short stories, middle-grade fiction and nonfiction history books. Her new mystery set in Hawai’i, ICED IN PARADISE, will be released in September 2019.

Instructor: Paula Munier
Paula Munier is an agent and authors whose roots in the mystery writing community run deep. As Senior Literary Agent and Content Strategist for Talcott Notch Literary, she specializes in crime fiction, representing many great crime writers. She’s author of the Mercy Carr series, the first of which, A BORROWING OF BONES, was just nominated for the Mary Higgins Clark Award. The second in the series, BLIND SEARCH, will be published in Fall 2019. She’s also written three popular books on writing: the bestselling Plot Perfect, The Writer’s Guide to Beginnings, and Writing with Quiet Hands.

Instructor: Hank Phillippi Ryan
Hank Phillippi Ryan is the on-air investigative reporter for Boston's WHDH-TV. She's won 34 EMMYs and dozens more journalism honors. The nationally bestselling author of 11 mysteries, Ryan's also an award-winner in her second profession—with five Agathas, three Anthonys, two Macavitys, the Daphne, and for The Other Woman, the coveted Mary Higgins Clark Award.

EXPERT INSTRUCTORS | CONVENIENT ACCESS
INVALUABLE FEEDBACK



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