Monday 4 June 2018

Writer's Digest and Self-Published Book Awards 2018, deadline 4 June 2018

Here are the latest Writers Digest newsletters for my followers to peruse, plus details of the Self-Published Book Awards, deadline 4 June:

DEADLINE: June 4. You could win cash, prizes and a trip to the Writer's Digest Conference.


Writer's Digest Competitions

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Successfully self-publishing a print book takes serious commitment, and Writer’s Digest’s Self-Published Book Awards has been recognizing entrepreneurial excellence for 25 years, long before ebooks made self-publishing easy for anyone.

Is it your turn to be recognized and rewarded for your dedication?
How does $8,000 in cash, national acclaim, and a trip to New York City sound to you?
Then enter your best self-published book in the Writer's Digest’s 26th Annual Self-Published Book Awards for a chance to have the spotlight shine on you!
  • Mainstream/Literary Fiction
  • Genre Fiction
  • Inspirational
  • Life Stories (Biographies, Autobiographies, Family Histories, Memoirs)
  • Nonfiction/Reference
  • Middle-Grade/Young Adult
  • Early Readers/Children’s Picture books
  • Poetry
If you're ready to to take the next step in your writing career, don’t miss Writer’s Digest’s Self-Published Book Awards.

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Plus, learn what to do while waiting for publishers to respond to your book proposal.


Guide to Literary Agents 2017

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Keeping the Writing Faith: Daily Writing Habits of Four Successful Authors

When you're trying to stay motivating through the writing process, it helps to know you're not alone. For instance, Garth Stein, author of The Art of Racing in the Rain, flat-out says "Writing is not fun -- at least not that first draft." But there are things he does (and you can do) to make it fun, even when you're not quite feeling it. Discover what Stein, as well as three other acclaimed authors, do to keep themselves motivated and productive when they process gets challenging. Read more.



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What do you do once you're done submitting a book to potential publishers? Here are four productive activities you can use while you await responses. Read more.

Guide to Literary Agents 2018
The 2018 edition is now available, with listing information for more than 1,000 agents who represent writers!
$29.99       $24.99
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Learn how to write & sell a novel without guidelines, experts, or (occasionally) pants.
$17.99
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Cheryl St. John will help you unlock your skills, guiding you to overcome every hesitation, obstacle, form of writer’s block, and procrastination habit you have.
$18.99
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Christopher Meades is the author of Hanna Who Fell From The Sky. Here, he explains how he earned the interest of Anne Bohner from Pen & Ink Literary. Read More...

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Jess Zafarris
Jess Zafarris
Follow @jesszafarris
Jess Zafarris is an energetic multimedia journalist with more than 7 years of experience writing and editing, and the content director of Writer's Digest.


 F+W, 10151 Carver Road, Suite 300 Blue Ash, OH, 45242 USA 

Don’t miss out; Pitch Slam is filling up!


PitchSlam


Pitch Slam is already 60 percent full, and available spots are going quickly. Worried about making the cut? Now is the time to act!

Here’s how it works: Sign up for a one-hour session with more than 50 agents and editors on-hand to hear about your finished manuscript. During the one hour session, you’ll want to pitch as many agents as you can—each pitch lasts three minutes, with 90 seconds for pitching and 90 seconds for the agent to respond (and to potentially ask for more information!).

So while your nerves will surely tick up a notch, here’s why Pitch Slam regularly sells out: This is a rare opportunity to meet face-to-face with an agent and get real, honest feedback on the merits of your manuscript. While these agents will surely help you tweak your pitch—which is vital should you decide to go the cold-query route—you may also hear advice on your concept, storyline or nonfiction premise.

And—should you find that special connection—you may just land yourself representation!

“The Writer’s Digest Annual Conference played an invaluable role in helping me take the next step in my writing life: getting traditionally published.” —Julie Bogart, author of The Brave Learner: Finding Everyday Magic for Homeschool, Learning, and Life (Tarcher Perigree, August 2018)

Read more about Julie’s story, plus tips from the agent who signed her, here.

Will you be featured in our emails next year? Find out by signing up for one of three remaining sessions!

Register today!




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… and what you should do instead. Learn more from Writer's Digest.


Writer's Digest

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Writers: There is a a good chance you don't need an author blog.

Static author websites are great, and you'd be crazy not to have one. But starting an author blog is a different (and often tragic) story. In fact, your author blog might even kill your writing. There are hundreds of authors who started blogs, churned out posts for a year, and let it come to a dead stop.

Why? Because they realized it wasn’t worth the effort.

We'll show you the five major reasons an author blog can be bad for your writing (with examples). We'll cover some other, better audience-building methods to focus on instead.

And, we'll show you the one and only reason you might want to start one anyway.

Ready? Let’s save your writing…

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Meditation can be a healthy and productive method for overcoming writer's block. Here, Dr. Julie Rosenberg walks you through the steps for meditating your way through that creative slump. Read More...


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An emergency medicine doctor-turned-novelist, Kimmery Martin, author of The Queen of Hearts, discusses her writing journey, what she's learned about writing and publishing, and what's up next. Read More...


Story 4
Here, William Kenower relates the story of a unique writer who began her journey with no expectations. The experience demonstrated how rethinking your writing goals and asking yourself what you really want to write can help you achieve success and happiness. Read more.

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The July/August 2018 issue of Writer’s Digest features four veteran comedians who shared their thoughts on what writers of every genre can glean from stand-up. To explore just a few of their comedy writing tips and see their joke-telling acumen in action, we've included some of their advice here, plus a video clip of each comedian in action. (Note: The following videos include adult themes.) Read More...


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This edition of "Why I Write Poetry" comes from Sari Grandstaff, who writes, "There is no rehab program or 12-step support group that could convince me to stop." Sari Grandstaff is a high school librarian. Her haiku and poetry have been published in many print and online venues. She is a member of the Haiku Society of America and Hudson Valley Haiku-Kai. Sari also is the founder of National Haiku Poetry Day which is now under the auspices of The Haiku Foundation. She is the proud mother of three children and she lives with her husband in the Catskill Mountains/Mid-Hudson Valley of New York State. Read More...

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Timelessness: You have discovered what appears to be an ordinary room. But as soon as you enter the room, time stops for you. When you leave the room, time resumes, picking up right where you left off. What do you use this room for?
Post your response (500 words or fewer) in the comments here ...

Jess Zafarris
Jess Zafarris
Follow @jesszafarris
Jess Zafarris is an energetic multimedia journalist with more than 7 years of experience writing and editing, and the content director of Writer's Digest.


 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA


How to Write and Pitch Young Adult, Middle Grade, and Picture Book Manuscripts



Writer's Digest University


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Children's books—young adult, middle grade, and picture books—have taken over the publishing industry (in a good way). Readers of all ages are devouring the books that used to mainly take up space in libraries, children's bedroom bookshelves, or school classrooms. Now, children's books are celebrated for their enchanting prose, their relatable characters, their beautiful illustrations, and their fantastic stories that transcend age categories and genres. The growth of the children's book sector has been unprecedented this past decade—so how can you make your manuscript stand out in these crowded categories and genres?

In this Writer's Digest Boot Camp starting June 18, the agents of P.S. Literary Agency will show you how to make your submission stand out. How do you write a children's book with commercial appeal? How do you decide what category and genre your book belongs in? How do you find agents and publishers to submit your manuscript to? How can you attract both child and adult readers (and buyers)? The agent instructors will answer these questions—and more! They will also critique your work and answer any questions you have about writing and selling books for children.

As a registrant, you’ll have access to four children’s book-focused presentations: Publishing Picture Books; Publishing Middle Grade; Publishing Young Adult; and Writing Query Letters. Then, you’ll have the chance to submit your query letter plus your picture book manuscript or a sample from your middle grade/young adult manuscript’s first chapter for critique. Every critique submission will receive personal feedback from Maria Vicente, Kurestin Armada, or Eric Smith. This program children’s book boot camp will cover the following topics:
  • What the difference is between the picture book, middle grade, and young adult categories
  • What the biggest genres are in picture books, middle grade, and young adult—and how to decide where your manuscript fits in
  • How to come up with a commercial idea that’s character- and plot-driven
  • How to create engaging characters that agents, editors, and readers will love


Here's How it Works:


On June 18, you will gain access to four special 30-minute online tutorials presented by literary agents from the P.S. Literary Agency: Publishing Picture Books; Publishing Middle Grade; Publishing Young Adult; and Writing Query Letters.

After listening to your choice of presentations, attendees will spend the next three days revising materials as necessary. Also following the tutorial, writers will have two days in which to log onto the course website and ask the agents questions related to the presentations or revising your materials. The agents will be available on the course website from 1-3 p.m. (ET) on both Tuesday, June 19 and Wednesday, June 20.

No later than Friday, June 22, attendees will submit a query letter plus their completed picture book text or a sample from the first chapter of their middle grade or young adult manuscript. Manuscript submissions may not exceed 1000 words. Only one submission per attendee is permitted. The submissions will receive feedback directly from one of the P.S. Literary Agency agents.

Maria Vicente, Kurestin Armada, and Eric Smith will spend up to two and a half weeks reviewing the critique materials and providing feedback to attendees. (The agents reserve the right to request more materials if they feel a strong connection to the work and want to read more; note that multiple agents have signed writers before from WD boot camps.) No later than July 9, agents will send their feedback to writer attendees.

Please note that any one of the agents may ask for additional pages if the initial submission shows serious promise.



June 18 - June 22, 2018

$199.99



About the Agents:


Maria Vicente
Maria Vicente is a literary agent at P.S. Literary, specializing in children’s fiction—young adult, middle grade, and picture books—and cool nonfiction projects for readers of all ages. As an editorial agent, she provides support to her clients through all stages of the writing and publication process. She is actively looking for young adult, middle grade, illustrated picture books, and nonfiction in the following categories: pop culture, science, design, and lifestyle. She has affinities for literary prose, diverse characters, original storytelling formats, and anything geeky.


Kurestin Armada
Kurestin Armada began her publishing career as an intern with Workman Publishing, and spent time as an assistant at The Lotts Agency before joining P.S. Literary. She holds a B.A. in English from Kenyon College, as well as a publishing certificate from Columbia University. Kurestin is based in New York City, and spends most of her time in the city’s thriving indie bookstores. She reads widely across genres, and has a particular affection for science fiction and fantasy, especially books that recognize and subvert typical tropes of genre fiction.


Eric Smith
Eric Smith is a literary agent at P.S. Literary, with a love for young adult books, sci-fi, fantasy, and non-fiction. He began his publishing career at Quirk Books in Philadelphia, working social media and marketing on numerous books he absolutely adored. Eric completed his BA in English at Kean University, and his MA in English at Arcadia University. A frequent blogger, his ramblings about books appear on Book Riot, Paste Magazine, Barnes & Noble’s blog, and more. As an author, he’s been published by Bloomsbury, Quirk, and Flux.


EXPERT INSTRUCTORS | CONVENIENT ACCESS
INVALUABLE FEEDBACK




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Discover the key areas that need tension building


Writer's Digest Tutorials

Feature


In this 70-minute tutorial, author Jordan Rosenfeld walks you through the key areas that need tension building, from character to plot, but it also delves deeper, to the subterranean places in a story where tension is often lacking: into the inner conflicts of a character's deepest psyche, to the breath beats between the very words you write, to the mechanics of how you reveal information to the reader. Read More...


All TUTORIALs
Writer's Digest Tutorials Members enjoy full access to all tutorials featured in this newsletter, as well as every tutorial on the site. For only $199 you gain access to all Writer's Digest's writing tutorials for an entire year. That means you have access to all 350+ current tutorials and all the new tutorials created throughout the year. 

New Releases



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Writer's Digest Membership Options


350+ WD Tutorials are immediately available for viewing, and at least one new tutorial is added weekly.

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Sue Johnson
Sue is an Instructional Designer for Writer's Digest. She lives with her Corgi/Dachshund (Dorgi), Dori, and three kitties. Follow her on Twitter @sueajohnsonco.


 F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA



Plus, discover tips for pitching agents at pitching events.



Writer's Digest


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Learning how to do magic tricks taught Michael Kardos several important lessons about performance and technique that have served him well when writing suspense novels. Read More...


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Politics can be a contentious topic to address in any scenario these days—but that doesn't mean you should avoid including politics in fiction if the story warrants it. Here, Aimee Agresti offers her best tips for writing about politics in a novel. Read More...


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Author headshots might be more important than you think. Photographer Sharona Jacobs explains the importance and process of creating exceptional author photos that can even improve the performance of the book. Read More...




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Many writers are paralyzed at the prospect of pitching their stories, but Script's editor, Jeanne Veillette Bowerman, wants to push you past those fears with concrete tips on how to successfully pitch agents at pitching events. Read more.

Next up, take these valuable tips and apply them to the exciting Pitch Slam at the Writer's Digest Annual Conference, August 10-12 in NYC!


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Not only has Alex Segura's book Blackout earned attention from the crime fiction community far and wide, but his Pete Fernandez Miami Mystery novels -- which include Silent City, Down the Darkest Street and Dangerous Ends -- have recently been optioned for TV. Read More...




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According to literary agent Donald Maass, a protagonist is defined as the subject of a story, whereas a hero is someone with extraordinary qualities. Here, Dustin Grinnell offers examples of such extraordinary heroes and dissects what it takes to write them. Read More...


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wd-logo
Fourth Wall: Write a story or scene in which one or more of the characters knows that they are in a story. How long have they known? Do they care? If you want, take it a step further: The narrator absolutely hates one of the characters.
Post your response (500 words or fewer) in the comments here ...


Jess Zafarris
Jess Zafarris
Follow @jesszafarris
Jess Zafarris is an energetic multimedia journalist with more than 7 years of experience writing and editing, and the content director of Writer's Digest.




F+W, 10151 Carver Road, Suite 300, Blue Ash, OH, 45242 USA



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