Sunday, 4 February 2018

McKee Seminars

Details of upcoming McKee Seminars for my followers to peruse:


Ask yourself: "What is more important to me in my life? My career, or my future as a writer?"


STORY
GENRE
STORYNOMICS
LOS ANGELES  March 23-25
NEW YORK  April 12-14
LONDON  May 17-19
MOSCOW  May 24-26
BEIJING  June 1-3
TV SERIES DAY
NEW YORK  April 15
MOSCOW  May 27
COMEDY DAY
LONDON  May 20
CRIME + LOVE STORY + TV DAY
BERLIN  June 8-10
LOS ANGELES  March 22
WASHINGTON DC  April 4
NEW YORK  April 11
MOSCOW  May 23
BEIJING  May 31
BOSTON  June 15

How Do You Balance Writing With a Career?
It's unlikely you'll make money in your early days as a writer. The cold truth is that you may go years before your first pay day. This means balancing your passion with your job. The secret to this is simple, but certainly not easy.
You have to make an absolute commitment to yourself and create a weekly writing timetable. Furthermore, rather than posing the number of hours per week you're going to write, set up a writing schedule to fit around your job. For example, if you don't work weekends, the obvious choice to write is Sunday.
Set yourself a timetable. Write from 9 until 1 o'clock, take 30 minutes for a bite to eat, then continue from 1:30 - 5:30. This is a strenuous day. But if you were to do that every Sunday, and were absolute in your commitment, you'd be productive. The only caveat with a schedule such as this is the potential loss of momentum during the week. The ideas you have one Sunday might wither after 7 seven days, resulting in constantly playing catch up with yourself. The answer here would be to timetable a second session midweek to bridge the gap.
However, before any of this, you must sit down and ask yourself: "What is more important to me in my life? My career, or my future as a writer?" If you put your career first in your mind, you will break your promises and not show up for writing work. You have to organize your head, and feelings, in such a way that you turn yourself into a writer and keep your promises. In other words, you have to show discipline.

From the McKee Library

Once I Start Writing, I Keep Getting Ideas. How Do You Stop Writing a Story?
Robert McKee discusses a unique form of writer's block, and the difficulty in knowing when your story is finished.

Cartoon of the Week


McKee Returns to the US/UK in Spring 2018!

LOS ANGELES
In March 2018, McKee is back by popular demand, bringing his essential STORY Seminar back to L.A. (March 23-25).

NEW YORK CITY
In April, McKee brings the STORY Seminar and sought-after TV Series Day to N.Y.C. (April 12-15).

LONDON
In May, McKee returns to London (May 17-19) with the legendary STORY Seminar. Writers also have the unique opportunity to master the codes and conventions of "the angry art" at the Comedy Genre Day (May 20).

Look out for next week's newsletter:
'How Does Globalization Affect Our Storytelling?'
Robert McKee's new book STORYNOMICS
NOW AVAILABLE FOR PRE-ORDER! →


Join McKee's first-ever online course! DIALOGUE: ONLINE →


Follow McKee Seminars:
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McKee Seminars | Two Arts, Inc. PO Box 681 Sherman, Connecticut 06784 United States (928) 204-2323

Hello McKee Tribe,
"We are all apprentices in a craft where no one ever becomes a master."
- Ernest Hemingway
A writer seeks to better themselves with every word, sentence, paragraph and page. Take whatever opportunities you can to learn.
McKee Seminars are proud to be partnered with Screencraft, who present The Screencraft Writers Summit, with The Atlanta Film Society in April.
The McKee Team
Write the Truth

 

The Atlanta Film Society and ScreenCraft are proud to partner in 2018 to co-present The ScreenCraft Writers Summit, to take place at the 2018 Atlanta Film Festival (ATLFF). Atlanta is the entertainment industry's busiest city for film and TV production, outpacing Los Angeles last year!
Image
Three writers were signed by managers at our last conference and we look forward to building on those success stories with this unique event! The Summit will kick-off Friday, April 13th 2018, the shared opening day for both the ScreenCraft Writers Summit and the 2018 Atlanta Film Festival. The Summit will continue for three days of programming on Saturday April 14th, Sunday April 15th, and close Monday April 16th.
 
Visit our event page and grab your badge now!
 
Confirmed speakers include:
 
  • ​Eric Heisserer (Oscar-Nominee, Arrival)
  • Doug Jung (Star Trek Beyond, Banshee)
  • Malcolm Spellman (Empire)
  • Keya Khayatian (Senior Literary Agent at UTA, clients wrote Stick It, Dallas Buyers Club, Brokeback Mountain, Serendipity, etc)
  • Eric Fineman (Producer, Spiderman: HomecomingMiracles From Heaven)
  • Hannah Ozer, (Literary Manager at Kaplan/Perrone)
  • Michael Lucker (Lilo & Stitch 2, 101 Dalmations II, Vampire in Brooklyn)
  • Jacob Krueger (The Matthew Shepard Story, founder and Instructor Write Your Screenplay)
  • ...and many more to be announced soon.   
 
Programming will include:
 
  • Panels and keynotes.
  • Workshops, live table reads and small-group mentorship.
  • A closing mimosa brunch.
  • A pitch competition where writers and filmmakers can compete for prizes and the chance to pitch to agents, producers and A-list screenwriters.
  • Social hours and shared evening galas that will bring Summit writers together with filmmakers and over 25,000 film enthusiasts and industry professionals attending the Atlanta Film Festival.
 
Panels and workshops will include:
 
  • Screenplay Craft and Structure
  • Adapting Intellectual Property
  • Writing the Television Pilot
  • How to Secure and Work With an Agent/Manager
  • Producing Independent Film
  • The Failure Panel (returning attendee favorite)
  • ...and more.
 

The ScreenCraft Writers Summit will be a unique opportunity to learn from the best in Hollywood, in a small-scale environment where meaningful, long-term par tnerships can be forged. Hollywood heavyweights are coming to Atlanta in 2018 to share stories and insight over Southern hospitality – join us!
Rounded Rectangle: CLICK HERE TO SIGN UP!

 






McKee Seminars | Two Arts, Inc. PO Box 681 Sherman, Connecticut 06784 United States (928) 204-2323





A masterful, complex tale of revenge. Congratulations to THREE BILLBOARDS on their 4 Golden Globes!

STORY
GENRE
STORYNOMICS
LOS ANGELES  March 23-25
NEW YORK  April 12-14
LONDON  May 17-19
MOSCOW  May 24-26
BEIJING  June 1-3
TV SERIES DAY
NEW YORK  April 15
MOSCOW  May 27
COMEDY DAY
LONDON  May 20
CRIME + LOVE STORY + TV DAY
BERLIN  June 8-10
LOS ANGELES  March 22
WASHINGTON DC  April 4
NEW YORK  April 11
MOSCOW  May 23
BEIJING  May 31
BOSTON  June 15


Robert McKee's Works / Doesn't Work Film Review
 
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
McKee says: IT WORKS (Spoiler Alert!)
Congratulations to THREE BILLBOARDS on their 4 Golden Globes! This film works wonderfully for these reasons:
1
Excellent Dialogue:
 
Because writer/director Martin McDonagh is also a superb playwright, his talk sings. When you see the film, listen closely to the elevated language in Frances McDormand's long speeches and Woody Harrelson's voice-over letter.
2
Complex Characters:
 
Just to remind you: A dimension reveals itself when a character's choice of action exposes a sharp contrast or direct contradiction at one of three levels: (1) between two opposed surface traits (sexy eye makeup versus a squeaky voice). (2) Between a surface trait and a hidden truth (a charming criminal). (3) Between two irreconcilable forces at war in the character's inner life (a secret savage desire versus a guilty conscience).
 
Note how McDonagh uses contradiction to dimensionalize the film's parallel mothers: he plays good versus evil in Momma Dixon (Sandy Martin), then kindness versus violence in Mildred Hayes (Frances McDormand). Also note how he dimensionalizes the two gay characters by pitting them against one another: one is in the closet and vicious; the other is out and kind.
3
Surrogate Revenge Plot:
 
What makes this film exceptional is McDonagh's insight into the human psyche and the new twist he puts on an ancient subject.
 
The Revenge Plot is as old as the myth of the princess Medea who murdered her children to take revenge on her philandering husband. Euripides' The Tragedy of Medea enthralls to this day; this was the most frequently produced Greek classic in the 20th Century...


Congratulations to our McKee Alumni
on their many 2018 Golden Globe Nominations and Wins!

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
WINNER - Best Motion Picture (Drama)
Sandy Martin - Actress - "Momma Dixon"
COCO
WINNER - Best Motion Picture (Animated)
·         Jason Katz - Original Story Writer
·         John Lasseter - Executive Producer
·         Michael Giacchino - Music Scoring
·         Kevin Reher - Casting
IN THE FADE
WINNER - Best Motion Picture (Foreign Language)
·         Michael Weber - Associate Producer
LADY BIRD
WINNER - Best Motion Picture (Musical or Comedy)
·         Jordan Thaler - Casting Director
·         Chris Jones - Production Designer
THE MARVELOUS MRS. MAISEL
WINNER - Best Television Series (Musical or Comedy)
·         Jack O'Connell - Actor - "Jerry"
·         Steve Rosen - Actor - "Marty Kahn"
BIG LITTLE LIES
WINNER - Best Television Limited Series
·         David Rubin - Casting
THE HANDMAID'S TALE
WINNER - Best Televisions Series (Drama)
·         Floria Sigismondi - Director
·         Nina Fiore - Writer
·         Adam Taylor - Music
·         Christopher Donaldson - Film Editor

Write Compelling Dialogue
that takes your Characters and Story to the Max


For the very first time, McKee is making one of his programs available as a digital course. Learn to write memorable, award-winning dialogue for the page, stage, and screen.
"Love the DIALOGUE online course. It's wonderful.
A great companion to McKee's book, DIALOGUE!"
 
— Joe Martarella, Screenwriter

Look out for next week's newsletter:
'How do you balance writing with a career?'
NOW AVAILABLE FOR PRE-ORDER! →




Follow McKee Seminars:
FacebookTwitterLinkedInYouTubeSubscribe







McKee Seminars | Two Arts, Inc. PO Box 681 Sherman, Connecticut 06784 United States (928) 204-2323

Hello McKee Tribe,
"There is no greater agony than bearing an untold story inside you."
- Maya Angelou
As a writer, you must love yourself with a strength that doesn't need to be constantly reassured, one that never doubts that you are indeed a writer. You must love to write and bear the loneliness.
Your goal must be a good story well told. The story inside you.
The McKee Team
Write the Truth

 


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McKee Seminars | Two Arts, Inc. PO Box 681 Sherman, Connecticut 06784 United States (928) 204-2323


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