Here are the latest Writer's Digest University newsletters:
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Children's books—young adult, middle grade, and picture
books—have taken over the publishing industry (in a good way). Readers
of all ages are devouring the books that used to mainly take up space
in libraries, children's bedroom bookshelves, or school classrooms. In
this WDU Boot Camp, the agents of P.S. Literary Agency will show you
how to make your submission stand out.
Work directly with
an agent from the comfort of your home!
Your Registration Includes:
- 4 exclusive online
tutorials presented by agents Maria Vicente and Eric Smith
- Online Q&A session
hosted by the P.S. Literary Agency
- Networking
opportunities with your peers
- Feedback from an agent
on your query letter plus your picture book or first chapter of
your MG or YA novel
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Active Interest Media, 5720 Flatiron Parkway, Boulder,
CO 80301, USA
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Next
Weekend's Virtual Conference
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WDU Annual
Science Fiction & Fantasy Virtual Conference
Spend the weekend honing your science fiction and fantasy craft with
six different published authors! Then, pitch your novel to a science
fiction or fantasy literary agent.
Learn how
it works >>
May 15-17,
2020
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Publishing
Your Children's Book
Agent feedback your query letter plus your picture book manuscript or a
sample from your middle grade/young adult manuscript’s first chapter.
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The Complete Guide of Poetic Forms
100+ Poetic Form Definitions and Examples for Poets
To celebrate National Poetry Month, WD Senior Editor Robert Brewer has
compiled more than 100
poetic forms to serve as both an informative resource and
inspiration for new writing.
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Active Interest Media, 5720 Flatiron Parkway, Boulder,
CO 80301, USA
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Without ever
having to leave your home, spend the weekend learning techniques for
honing your science fiction and fantasy craft from six different
published authors! Then (if you choose) pitch
your novel via query letter to a literary agent specifically
looking for material in the science fiction or fantasy genre. Click
here to learn more and enroll!
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SESSION 1:
How to Give Your Sci-Fi or Fantasy Universe a Lived-In Feel
World-building is a special challenge in SFF literature
because it’s easy to slide into something that feels artificial and
'made up.' There are a few simple rules to follow that will help. In
this session, Jeff will look at avoiding shmeeping, revealing imperfections,
and more.
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Instructor:
Jeff Somers
Jeff Somers has
published nine novels, including the Avery Cates series of noir-science
fiction novels from Orbit Books. He also writes about books for Barnes
and Noble and About.com and about the craft of writing for Writer’s
Digest, which also published his book on the craft of writing Writing
Without Rules in 2018.
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SESSION 2:
Punch Them in the Face: Writing Realistic Martial Arts!
Most novels have physical conflict in them somewhere.
But how do you make a fight scene believable, especially when your
character is supposed to know a specific style of martial art? This
session will go over how to write accurate fight scenes, as well as
incorporate existing or imagined martial arts into your story.
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Instructor:
Charlie N. Homberg
Charlie N. Holmberg
is the award-winning author of the Numina series, The Fifth Doll, and
many others. Her Wall Street Journal bestselling Paper Magician series,
which includes The Paper Magician, The Glass Magician, and The Master
Magician, has been optioned by the Walt Disney Company. Charlie’s
stand-alone novel, Followed by Frost, was nominated for a 2016 RITA
Award for Best Young Adult Romance.
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SESSION 3:
Using Sets and Props in Science Fiction and Fantasy
Writing has often been described as being more like
acting than it is like directing. Let's talk for an hour about how we
as writers can use the environments and objects in our stories — our
characters' "sets" and "props" — to help define the
characters and convey their emotions.
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Instructor:
David D. Levine
David D. Levine is
the Hugo- and Nebula-winning author of three novels, including the Andre
Norton Award winner Arabella of Mars, and over fifty short stories. In
researching his stories he has flown a hang glider, experienced zero G,
and spent two weeks at a simulated Mars base in Utah.
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SESSION 4:
A Hero, an Anti-hero, and a Villain Walk into a Bar…
The main cast of characters in your science fiction or
fantasy novel should be well-developed and multi-faceted. Each one has
a journey and a backstory. Let’s break down character archetypes, and
explore ways to bring depth and complexity to these fictional
personalities. We’ll discuss how to create a compelling hero and a
villain we love to hate. We’ll talk about character arcs, goals, and
motivation, and learn effective ways to incorporate our characters'
backstories into our tale.
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Instructor:
Tabitha Lord
Tabitha Lord's
HORIZON series has received several independent book awards including
the Writer’s Digest Grand Prize in 2016. Her short fiction has been
featured on podcasts including Star Ship Sofa and Tales to Terrify, and
in anthologies published by World Weaver Press, Grimbold Books, and
more..
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SESSION 5:
Controlling Pacing in Your Science Fiction/Fantasy Novel
Worldbuilding and character arc are key elements in any
SFF novel. But what happens when these elements overshadow or bog down
your pacing? This session will explore how to use the 3-Act Structure
to create fluid, natural pacing with a familiar scaffolding that still
keeps readers hooked at every turn.
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Instructor:
Kaitlyn Johnson
Kaitlyn Johnson is
literary agent for Belcastro Literary Agency, she is also a freelance
editor at her own company, K. Johnson Editorial. She has written
various articles for Writer’s Digest and has had a flash fiction story
published in the anthology A Box of Stars Beneath the Bed.
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SESSION 6:
Bound in a Nutshell—On Writing Narratives of Confinement
From Margaret Atwood's The Handmaid's Tale to Shirley
Jackson's We Have
Always Lived in the Castle, tales of confinement bring out
both an intense fascination and an intense revulsion. When writing
fiction, we are encouraged to free our minds; what happens when we use
that freedom to explore the stories that grow out of oppressive
restriction? In this session, Nghi will discuss ways to bring the most
out of confined worlds and worldviews.
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Instructor: Nghi Vo
Nghi Vo, the author
of The Empress of Salt
and Fortune, lives on the shores of Lake Michigan. Her
short fiction has appeared in Strange
Horizons, Uncanny
Magazine, PodCastle,
and Lightspeed,
and her short story, “Neither Witch nor Fairy” made the 2014 Otherwise
Award Honor List.
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Active Interest Media, 5720 Flatiron Parkway, Boulder,
CO 80301, USA
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There are a lot of ways not to do
something. Like the new boat owner a few years ago who
was filling up his pleasure craft with fuel for that
first time out. Only he mistook the tube meant to hold
fishing poles for the gas tank. After completing his work
he started up the engine.
The
gas fumes ignited and blew the boat owner into the sky.
He came down in the drink and was rescued, but the boat
was a goner.
You
can be just as creative in finding ways not to
write your novel. With a little thought and not much
effort, you can easily devise methods to prevent yourself
from actually finishing a book—or finishing a book that
has a chance to sell.
So
if not finishing or not selling are your goals, I'm here
to help you with the following seven tips. Read the full article...
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Maybe it's not exactly writer's block, but
sometimes we sit with a blank screen or notebook and wait
for a bolt from the blue, a way to begin a new piece.
When that happens, it's time to play. Here are seven fun
ways to kickstart your creativity. Read More...
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This Week in Writing
5/5—Søren Kierkegaard born 1813
5/6—Sigmund Freud born 1856
5/6—Henry David Thoreau died 1862
5/6—Randall Jarrell born 1914
5/6—Orson Welles born 1915
5/6—L. Frank Baum died 1919
5/7—Robert Browning born 1812
5/7—Peter Tchaikovsky born 1840
5/8—Thomas Pynchon born 1937
5/8—Peter Benchley born 1940
5/8—Robert A. Heinlein died 1988
5/9—J.M. Barrie born 1860
5/9—Richard Adams born 1920
5/9—Joy Harjo born 1951
5/10—Shel Silverstein died 1999
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Robert
Lee Brewer
Robert Lee Brewer is a senior editor for
Writer's Digest and former editor of the Writer's Market book
series. He is also the author of Smash Poetry Journal and Solving the
World's Problems. Find him on Twitter at @RobertLeeBrewer
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Courses
Starting This Week:
Advanced
Blogging
Instructor:
Naveed Saleh
Do you want to dig deeper into what makes a successful and
unique blog? Perhaps your blog isn't performing the way you would like?
By the end of this course, you will have the confidence and the
know-how to build your blog into something extraordinary.
Breaking Into Copywriting 101
Instructor:
Naveed Saleh
Writing is
your passion. Why not make it your day job, too? Whether you’re an
aspiring screenwriter, novelist or playwright, or even just an avid
reader, you can turn your love for words into a lucrative career as a
professional copywriter.
Fitting Writing Into Your Life
Instructor:
Terri Valentine
Finding the
time, energy, and motivation to get the writing done—day after
day—stumps even the most seasoned writer on occasion. Get a glimpse
into the life of a professional writer and set realistic writing goals
for yourself with this online workshop.
Introduction to Copyediting
Instructor:
Kim Catanzarite
If you’ve
thought about becoming a copy editor but you’re not sure how to go
about it, this is the course for you. Not only will students learn what
a copy editor does and how she does it, they will also learn the
crucial grammatical rules that will put them at the top of their game.
Marketing Your Magazine Articles
Instructor:
Jack Adler
Do you have a
great idea for an article but don’t know what publication would be the
best fit? Develop the skills you need to market your writing through
this online writing workshop.
Outlining Your Novel
Instructor: G.
Miki Hayden
Writers often
look upon outlines with fear and trembling. But when properly
understood and correctly used, the outline is one of the most powerful
weapons in a writer's arsenal.
Short Story Fundamentals
Instructor: Mark
Spencer
The short story is a unique and challenging medium that offers you
amazing opportunities. Throughout this four-week workshop, you will
have feedback and support while you write and hone an entire short
story from beginning to end, and you'll leave with a polished draft of
your story.
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May Virtual Conference:
WDU
Annual Science Fiction & Fantasy Virtual Conference
with Kaitlyn
Johnson, Charlie N. Homberg, Tabitha Lord, Jeff Somers, Nghi Vo, and
David D. Levine
May 15-17,
2020
Enroll in this one-of-a-kind online event and you'll receive expert
insights from SIX award-winning and bestselling authors as well as
written feedback on your pitch from a sci-fi/fantasy literary agent.
Experience the education, camaraderie, and opportunities provided by a
live writing conference without ever having to leave your home!
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May Boot Camp:
Publishing
Your Children's Book: How to Write and Pitch Young Adult, Middle Grade,
and Picture Book Manuscripts
with Maria
Vicente & Eric Smith of P.S. Literary
May 19-22,
2020
Children's books—young adult, middle grade, and picture books—have
taken over the publishing industry (in a good way). In this WDU Boot
Camp, the agents of P.S. Literary Agency will show you how to make your
submission stand out. You’ll have the chance to submit your query
letter plus your picture book manuscript or a sample from your middle
grade/young adult manuscript’s first chapter for critique.
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Featured Screenwriters University Webinar:
Writing
the Micro-Budget Screenplay
Instructor:
Paul Peditto
May 13,
4:00 PM EDT
There has never been a better time to break into the business.
All you need is a script that can be shot for a micro-budget price and
producer with knowledge of how to make the film. Register for this
webinar and write your film!
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EXPERT INSTRUCTORS | CONVENIENT ACCESS
INVALUABLE FEEDBACK
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Active Interest Media, 5720 Flatiron Parkway, Boulder,
CO 80301, USA
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Each Flashback
Friday throughout 2020, we'll be sharing an article from our archives
to celebrate our 100th anniversary. Tweet your favorite WD memory to us
@WritersDigest using the hashtag #WritersDigest100. Thanks for
celebrating with us!
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By Richard Matheson, Writer's Digest April 1956
Go ask
his ubiquitous majesty—the man in the street. Ask him what science
fiction is. Conditioned by the movies, stultified by television, he may
be unable to fashion a coherent reply. So probe gently. Give him a word
association test. |
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Say “science fiction” and he’ll say “monsters.” Say
“science fiction” and he’ll say “invasion from space.” Say “science
fiction.” His tongue will loosen. “Buck Rogers,” he’ll say; or “Flash
Gordon,” or “Captain Video.”
How many of you potential science fiction writers are
like him?
Too many, I’d say. Perhaps bursting with new thoughts,
with fresh ideas, with inborn furies of ambition and needing an outlet
for these writers’ blessings and curses. Perhaps you are unaware of a
field, small but eager, which needs and welcomes them. And all because
no one has told you.
Science fiction is more, much more, than elemental
comic-book hokum. It’s a form of literature in which no theory is too
advanced, no idea too bizarre, no concept beyond the borders of
presentation, in which every aspect of existence lies within the
writer’s province. Here you can write a story that actually says
something about people that actually means something.
When I left college, I was, like so many young
graduates, burning with indignations I wanted to cry abroad. Science
fiction didn’t ask for concessions. It demanded only that I garb my
indignation with colorful, interesting clothes. I called that fair
enough and we formed a partnership.
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A Chance to Shout
I have sold science fiction stories about adultery and
pregnancy, about sex and old age and dope addiction and insane
frustration. I have sold anti-war stories, anti-race prejudice stories,
social comment stories and even delved into metaphysics.
This is a brag not for me but for science fiction. It
not only gave me a chance to write these stories but compelled me to
give them an interest they would have lacked otherwise.
One thing is certain. They never would have sold
otherwise.
But they did
sell—and there’s no reason on earth why you can’t do the same thing if
you want to.
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Amy Jones is the editor-in-chief of Writer’s Digest
and the former managing content director for WD Books. Prior to joining
the WD team, Amy was the managing editor for North Light Books and
IMPACT Books. Find her on Twitter at @AmyMJones_5
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