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Winning or placing
in a screenplay competition is a great way to propel your writing
career forward. Since the major writing competitions all receive
thousands of entries, it’s crucial to make yours stand out.
Many contests hire readers (script analysts) to first score the
submissions and they choose which ones will advance to the judges. This
course will teach you specific ways to drastically increase the
readability of your pages, make your dialogue and description sing, and
improve the clarity and structure of your script so you can have a
better shot at advancing to the next round. You’ll also learn common
pitfalls to sidestep that will help your chances of success. Finally,
you’ll be introduced to which writing competitions are most beneficial
to enter, and other resources to make the most of each contest season.
Competitions can be expensive and time-consuming to enter but can open
doors if approached in the right way. Rather than leaving it to chance,
make sure you have a contest strategy and that your script is in the
best shape it can be.
This
workshop is a one week intensive. There are three video
lectures for you to view over the week, and one writing assignment at
the end of the course for your instructor to critique.
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- What
screenplay competitions look for in scripts
- Examples
of categories used for scoring
- How
to help make your script a “fast read”
- Ways
to make your narration brief yet descriptive
- How
to decrease your page count
- Tips
to make your dialogue sound more authentic
- Places
in a script where you can best show off your unique voice
- Proper
script format and adhering to contest requirements
- Common
pitfalls to avoid when submitting to contests
- and
much
more!
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Course Starts Thursday!
March 25 - April 1
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Instructor:
Rebecca Norris
Rebecca Norris is a
script consultant as well as award-winning writer, producer, and web
series creator with her company Freebird Entertainment. Her web series Split won two
Outstanding Achievement Awards at LAWebFest, was nominated for an Indie
Series Award, and was chosen as one of WebVee Guide's Favorite Web
Series of 2015.
Rebecca has analyzed scripts for many companies, including the Sundance
Screenwriters Lab, QED International (Fury, Elysium, District 9), the BlueCat
Screenplay Competition, Screen Queensland, and ScriptXpert (Writers
Store), and worked in script development at Southpaw Entertainment (August Rush, The Space Between
Us). She's proud to announce one of her private consultancy
clients recently won First Place in the Zed Fest Screenplay
Competition!
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Whether you're completely new to writing
screenplays or you're an experienced screenwriter looking to add a new
skill, Script University has a course for you, all from the comfort
of your home! Click
here to view
the full course schedule >>
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This Week's
Webinar:
Sell Your Script Safely: How to Protect Your
Intellectual Property
Instructor:
Jon James Miller
Thursday, March 25, 1:00 PM PDT
Hollywood is ravenous for content and the most desired source is
pre-existing intellectual property, or IP. Many writers don’t realize
the true value of securing IP until it’s too late. This live webinar
will cover the process of how to secure and protect the underlying
rights to your IP with strategies on how to stay attached to it once
you’ve found a buyer.
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Courses
Starting This Week:
Start Your Own Script Reading Business - New!
Instructor:
Brian O'Malley
This course will show you how to launch a script reading business of
your own, from building a website using a simple web platform to
creating your online shop to the basics of marketing online using
social media and writing blog articles.
Prepping
Your Screenplay to Win Competitions Intensive
Instructor:
Rebecca Norris
Winning or placing in a screenplay competition is a great way to
propel your writing career forward. Since the major writing competitions
all receive thousands of entries, it’s crucial to make yours stand out.
This course will teach you specific ways to drastically increase your
odds of making it to the final round and winning. Rather than leaving
it to chance, make sure you have a contest strategy and that your
script is in the best shape it can be
The
Fundamentals of Screenwriting: Give your Script a Solid Foundation
Instructor:
Donald H Hewitt
Have an amazing idea for a movie, but don’t know how to begin
writing it? In this course, you will gain the tools to structure your
scenes, your acts, and your plots. This four-week workshop is the
perfect introduction to the fantastic world of writing a script, from
the fundamentals of the story down to the revision process.
Introduction to Playwriting
Instructor:
Paul Peditto
There are few feelings more exciting than sitting in the back of a dark
theatre watching live actors perform your words, while an audience
laughs and cries or even shifts uncomfortably in their seats. Whether
you’ve never written anything before, you’re experienced in another
kind of writing, or you’re a playwright looking to sharpen your skills,
this course offers clear, step-by-step guidance in the basics.
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EXPERT INSTRUCTORS | CONVENIENT ACCESS
INVALUABLE FEEDBACK
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Active Interest Media
P.O. Box 20730 Boulder, Colorado, 80308 United States
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Today, there are
more film and television productions taking place every day than ever
before. And every studio executive, director, A-List actor, and
literary agent is on the hunt for fresh, original content. It’s up to
you the writer to attract them, and there’s no better way than bringing
them material already suitable for the screen. But with the competition
breathing down your neck, and everyone looking for the next big story -
how do you stay attached to your intellectual property long enough to
sell it? And more importantly, how do you control the rights to your IP
long enough to get a sale and maybe even a screen credit?
This live
webinar spells out in simple terms how to use and protect
content found in the public domain, true stories, TV specials, and
movie remakes; even public domain comic book superheroes you can base
new, copyrightable work on. You’ll learn how to option books and graphic
novels for either little or no money upfront, to adapt into a
marketable spec script. We’ll even discuss how to resurrect a beloved
old trademark that everyone is familiar with in order to rebrand it
into an exciting new property. Each strategy will come with real-time
examples of success, like cover the pitfalls every writer needs to
avoid.
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- How
to protect your intellectual property before marketing your script
- How
to find, option, and sell material to Hollywood
- How
to ensure that you stay attached to your intellectual property
once it’s bought
- and
much
more!
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- Writers
who want to jumpstart their career with fresh and original
intellectual property
- Writers
who want to know how to protect their ideas from being stolen
- Writers
who want to understand copyright, trademark, and fair use
terminology
- Writers
who want to secure intellectual property and then adapt if for the
screen
- Writers
looking to present themselves as a professional to the Hollywood
industry
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Instructor: Jon James Miller
Jon James Miller is
an award-winning screenwriter, novelist, and short story writer. His
debut novel, Looking
For Garbo a noir thriller was published by Amphorae
Publishing Group and is a 2019 INDIES Book Award Finalist and 2019 MiPA
Book Awards Finalist. Jon is represented by Jill Marr at Sandra
Dijkstra Literary Agency.
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Active Interest Media
P.O. Box 20730 Boulder, Colorado, 80308 United States
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New Course from Brian
O'Malley!
This course will
show you how to launch a script reading business of your own, from building
a website using a simple web platform to creating your online shop to
the basics of marketing online using social media and writing blog
articles. If you've completed our popular Scriptreading Certificate
Program, this is the next step!
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- Writers
with a love for script reading who've always wanted to work for
themselves.
- Script
readers who may be frustrated working for low pay at script
contests and festivals.
- Aspiring
and journeyman screenwriters interested in turning their skills
into a home business.
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Course Starts Next Week!
March 25 - May 20
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Instructor: Brian O'Malley
B. O'Malley started
reading scripts in 1994, at the literary agency Media Artists Group. In
1997, he went to work as for legendary B-movie maverick Roger Corman
(Little Shop of Horrors, Death Race 2000, Rock and Roll High School),
and in 1999 assembled a team of top-notch script readers and filmmakers
to launch the script coverage service Screenplay Readers.
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