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The temptation when
writing a film is to think of the big-picture elements first—a
mind-blowing premise or fast-moving plot, the scope and spectacle—and
then to consider characters who’ll allow the spectacle to take place.
But this, of course, is working backward: character isn’t a way to
reveal the world of a film—character is the heart of any film, no
matter the genre or style, and the world, plot, and stakes of the film
exist to reveal and to deepen our understanding of that character, not the
other way around. Elements of story and the story’s world are only
meaningful when filtered through a protagonist’s particular perspective
and motivation, when the audience can see something of him- or herself
in the protagonist’s quest and relationships with the other
characters…allowing us not just to empathize with the quest but to see
our own hopes and desires, our own shortcomings, reflected in the
story, and feeling the stakes as personally as if we were the ones at
risk, the ones victorious when the goal is achieved, or the ones facing
ruin if the goal were lost.
In online lectures, supplemental readings, video clips, and written
assignments and exercises, we’ll consider how character affects all
other aspects of story, including plot, theme, and structure; how to
build a protagonist with whom the audience identifies; the necessity of
empathy and sympathy in crafting character, and how a character’s own
shortcomings allow for these; how to both use and play against
character types and tropes; the relationship between character arc and
plot arc; and more. We’ll also reference—and occasionally take cues
from—such seemingly disparate films as Star Wars, Lord of the Rings, Casablanca, Vertigo, Silence of the Lambs, The Matrix, Fargo, The Breakfast Club, Casablanca, Raiders of the Lost Ark,
and others.
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- How
an effective and sympathetic protagonist is driven by both
external and internal motivations
- The
essentials of character arc and its role not just in structure but
in how an audience connects with the protagonist and feels the
stakes
- How
complex characterizations arise from clear motivations meeting
with conflict
- The
difference between character growth and breaking character
- and
much
more!
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Course Starts Thursday!
November 19 -
December 17
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Instructor: Jenna Avery
Jenna Avery is a
screenwriter, columnist for Final Draft and Script Mag, instructor for
Script University and The Writer’s Store, and story consultant. As a
storyteller, she specializes in sci-fi action and space fantasy. Jenna
is also a writing coach and the founder of Called to Write, an
online community and coaching program designed to help writers make the
work of writing actually happen, where she has helped hundreds of
writers overcome procrastination, perfectionism, and resistance so they
can get their writing onto the page and into the world where it
belongs.
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Whether you're completely new to writing
screenplays or you're an experienced screenwriter looking to add a new
skill, Script University has a course for you, all from the comfort
of your home! Click
here to view
the full course schedule >>
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Courses
Starting This Week:
Ten Weeks
to Your Feature Film
Instructor:
Paul Peditto
The world of the feature film is booming
and you are gushing with ideas. This workshop will give you the tools
to get the ideas out of your head and into a completed screenplay by
introducing you to the methods that professional screenwriters use to
write under deadlines.
Beginning Television Writing
Instructor:
William Rabkin
In this four-week course, an established
executive producer/showrunner will give you an inside look at the world
of dramatic, episodic television. You will explore—and practice—the
actual process involved in successfully writing a spec episodic script
that will open doors across Hollywood.
The
Fundamentals of Screenwriting: Give your Script a Solid Foundation
Instructor:
Donald H Hewitt
Have an amazing idea for a movie, but don’t know how to begin writing
it? In this course, you will gain the tools to structure your scenes,
your acts, and your plots. This four-week workshop is the perfect
introduction to the fantastic world of writing a script, from the
fundamentals of the story down to the revision process.
Mastering
the Conventions of Horror Writing
Instructor:
Neal Stevens
Horror has been one of the staples of film ever since the medium was
invented. This genre is truly a writer’s medium: If you can present a
new version of an old concept and scare us on the page, your script can
sell. Plus, there is always room for innovation and creativity within
the field. That’s why horror is a natural choice for many a
screenwriter.
Construct
Compelling Characters
Instructor:
Jenna Avery
Character is the heart of any film, no matter the genre or style. In
this course, we’ll consider how character affects plot, theme, and
structure. You’ll learn how to build a protagonist an audience can
identify with, how to use and play against character tropes, and the
relationship between character arc and plot arc.
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EXPERT INSTRUCTORS | CONVENIENT ACCESS
INVALUABLE FEEDBACK
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Active Interest Media
5710 Flatiron Parkway Suite A Boulder, Colorado, 80301 United States
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