Here are the latest Writer's Digest newsletters for my followers to peruse:
|
|
|
|
|
|
Yesterday
was Election Day in the United States and marks one year
before the highly anticipated, already contentious 2020
presidential election. So, when we found the article,
"What Is the Writer's Social Responsibility?"
from our January 1970 issue, and recognized its continued
relevance, we had to share it with you. -Amy
Follow @AmyMJones_5
|
|
|
|
By Norman Cousins, Writer’s Digest
January 1970
When I refer to the social responsibility of
the writer, I do not mean to suggest that he must be preoccupied
with urban decay, teenage acidheads, thermonuclear
warheads, and population bomb. What I do mean is that the
writer should try to keep his windows and his options open.
That is, he should not separate himself from major social
influences. Whatever his literary field or approach, he
will be a better writer if he is properly sensitive to the
principle issues of the times.
An author—whether novelist, essayist, or
poet—should write out of the richest possible mix: a mix
that should by all means include a keen awareness of the
main forces at play in the world. The writer’s mind is, or
should be, a kind of burning lens that bends inward and
brings to a white-hot focus a great variety of previously
unconnected facts, experiences, and impressions. The wider
the cone of rays he brings to that focus, the more heat,
light, and penetrating power he is likely to generate.
To me, then, the sin is not failure to write
explicitly about this or that major social fact; the sin
is, rather, to be so completely unaware of the phenomenon’s
importance that the question never comes up. It is also a
sin, of course, to be perfectly aware of such facts, but to
avoid them in one’s writing because the fashionable subject
this year is something else, or because Big Brother does
not want certain things mentioned out loud. Read the full article...
|
|
|
|
|
|
Unlock the potential of
your manuscript! Helga Schier, PhD,
published author and professional editor offers effective,
personalized, constructive and comprehensive editorial
services.
Contact:helga@withpenandpaper.com,
www.withpenandpaper.com, 310.828.8421
|
|
|
|
Author Jane
Bernstein shares five thoughts on how to use place to
move your story forward by showing how setting affects
characters and characters affect setting. Read More...
|
|
|
|
|
|
|
|
Enjoy 8 Debbie
Macomber quotes about writing including the goals she
has for her books and readers, and a bit of motivation
for writers who have busy families. Read More...
|
|
|
|
|
|
Heather Taylor
gives an overview of Evil, a new CBS
series by the Robert and Michelle King, featured at the
2019 Tribeca TV Festival in New York City, by analyzing
the antagonists, considering the expanding world of the
series, and understanding how the show delves into the
many facets of evilness. Read More...
|
|
|
|
|
|
|
|
A knock on your
door reveals a stranger who hands you their business
card, claiming they are The Lesser of Two Evils. Write
a scene or story that reveals what happens next. Start Writing...
|
|
|
|
|
|
If you are looking
for a way to easily navigate Amazon and sell more of
your books, be sure to register for this week's premium
online course with Rob Eager. Not only have over 175
authors benefitted from this course, you will gain two
special bonuses when you purchase today. Register Now...
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
With
Halloween imminently upon us let's take this as one more
opportunity to enjoy the unsettling parts of writing. For
some of you that may be reading suspense stories (you'll
find a few of my recommendations below), or outlining (if
you're not used to it), or connecting with literary agents
(try Twitter!). If you want to create something to unsettle
others, give this week's writing prompt a try! -Amy Follow @AmyMJones_5
|
|
|
|
Improve Your Writing With Reading
|
|
|
|
|
|
I
can’t watch horror movies and I can’t read horror books.
The jump-out-to-try-to-scare-the-audience/reader tactic
works a little too well on me. But, give me a great
suspense story or film in the vein of Alfred Hitchcock and
I’m sold. I’m talking about books that give you an
underlying sense of dread, perhaps due to something
supernatural (or at least supernatural feeling until it’s
explained away in the conclusion), or those books where you
know things could go very wrong, very quickly.
In
these types of suspenseful stories the author creates an
atmosphere where the protagonist perhaps loses their
ability to think rationally because of unsettling
circumstances or ghost stories they're told, but Freddy
Kruger and his ilk don’t ever make an appearance. The
characters’ own imaginations get the better of them for a
period of time and readers come away both entertained and
amazed at the tricks the mind can play on otherwise
rational people.
This
Halloween, curl up with one of these disturbing, perhaps
discomforting, suspense stories. No one will jump out and
yell “Gotcha!” But you may think twice about the scratching
at the window or the sound behind the door.
|
|
|
|
|
|
|
New York Times bestselling
author and Pulitzer Prize finalist S.C. Gwynne shares
the secret to a high-quality nonfiction writing:
spending time on an outline. He says, "One of the
most common questions I am asked, and one of the most
perplexing, is: How much time do I spend writing each
day? I always try to be polite and circumspect when
answering, but it is hard not to reply with another
question: How do you define 'writing?'" Read More...
|
|
|
|
|
|
One easy way to
keep track of literary agents on a daily basis is to
find and follow them on Twitter. Besides gaining a
deeper understanding of the likes and dislikes of
specific literary agents, following agents on Twitter
often leads to a better understanding of the publishing
business and trends in the industry in general. Follow
these 25 literary agents on Twitter to learn about
their interests specifically and the business of
writing in general. Read More...
|
|
|
|
|
|
William C. Martell
dives into what a “slow burn” movie is by analyzing
horror films, including Midsommar,
which was recently re-released. Read More...
|
|
|
|
|
|
You are a ghost or
demon who is about to be exorcised. How will you avoid
this horrid fate? Start Writing...
|
|
|
|
|
|
Picture books are one
of the most delightful—and important—genres in all of
literature. In this course, you'll learn how to write a
winning picture book narrative, envision it with
illustrations, and put together a picture book package
that a publisher will really notice.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Why do
you write? One answer I hear often is "because I have
to." Sure, many of us would be unhappy if we weren't
able to put pen to paper or clack away on the keyboard. But
when you go deeper than that and really consider why
writing is interesting enough to you that you'd be unhappy
not doing it—what are those
reasons? George Orwell wrote his answer in the 1946 essay
"Why I Write" and below you'll see the modern day
take on the essay by writer Keith Wain. -Amy Follow @AmyMJones_5
|
|
|
|
We had
just ended a productive critique group. Each of us had
taken our turn lauding each other’s writing strengths and
gently prodding the open sores of our stories. I am
fortunate to have a critique group wherein discussions are
valuable and enjoyable. Nonetheless, over the past few
months I have left the group feeling disheartened and
hassled by a punky little question: Why do I keep writing?
Until
recently, I had been able to keep this question at bay,
assuring myself with trite expressions like Persistence spares
no idling. Or the dreamier, I have a story to
tell. Sometimes I kept it practical with I want to write
well, so I must keep practicing.
But I
have been a successful writer only in that I have finished
many writing projects I started.
So why
do I, why do most writers, want to write?
|
|
|
|
|
|
|
Author D.M. Pulley
shares her five tips for building a house or setting
that comes alive for readers based off her experience
working as a structural engineer. Read More...
|
|
|
|
|
|
"When I start
a draft, I write every day so the story never leaves my
head. And it can leave your head if you take even a
weekend off." Read more inspirational Michael
Connelly quotes about writing from his two previous WD
interviews. Read More...
|
|
|
|
|
|
Barri Evins
interviews writers David Diamond & David Weissman,
revealing their unique techniques that elevate scripts
and propelled them to career success. Read More...
|
|
|
|
|
|
October wouldn't be
complete without a writing prompt about candy! Write a
scene or a story that includes a piece of candy. Start Writing ...
|
|
|
|
|
|
Enroll in one of
the most popular courses in Writer’s Digest University!
More than 175 authors have purchased and enjoyed the
instruction. This premier online course is designed to
help you maximize book sales at the world’s largest
retailer. Learn more...
Not sure if this course is for you? Register for the
free webinar here>> Read More...
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Writer's
Digest is excited to announce the start of a new
reader-driven column in our upcoming January/February 2020
issue! Read more about how you can submit your responses
for the column below. Plus, you'll also find an article
about what I learned about writing from re-reading Amor
Towles's A
Gentleman in Moscow and our newest writing
prompt. -Amy Follow @AmyMJones_5
|
|
|
|
Read More for Better Writing
|
|
|
|
|
|
As I
was preparing to interview Amor
Towles for the November/December 2019 issue of Writer’s Digest,
I set my first task as re-reading A Gentleman in
Moscow. It’s a book I truly love and can’t stop
recommending to others to read (I used to work at Borders
Books—once a bookseller, always a bookseller!).
This
time reading the book I was reading it with the goal of
creating questions to ask the author, but because it was a
close, second reading, I also started making observations
about what readers of WD—that is, writers—could learn about
writing from reading the book. While reading the book for
the sheer joy of it is a valuable experience on its own,
there’s added depth for writers looking to improve their
writing. Here are four things A Gentleman in Moscow can
teach you about writing.
|
|
|
|
|
|
|
Beginning with our
January/February 2020 issue, a new Writer's
Digest column, From Our Readers, will be
featured in each issue. Each issue will pose a question
about writing and we'll print our favorite reader
responses. Check out our first question and submit your
response by November 1. Learn More...
|
|
|
|
|
|
|
|
Leigh Bardugo's
newest novel was released this week. Get inspired to
create fantastical worlds with these 8 Leigh Bardugo
quotes about writing from the March/April 2018 issue of
Writer's
Digest. Read More...
|
|
|
|
|
|
Barri
Evins interviews writers David Diamond and David
Weissman on their new book revealing the art and the
elbow grease essential to a successful career. Learn
more from all three at their joint
screenwriting for novelists session at the upcoming
Writer's Digest Novel Writing Conference.
|
|
|
|
|
|
|
|
Who is your
favorite horror movie monster? The creature from the
black lagoon? Freddie Krueger? Dracula? Mike Wazowski?
This week’s prompt will explore our most favorite and
frightening monsters. Start Writing...
|
|
|
|
|
|
Whether you're
writing a novel, short story, memoir, stage play, or
screenplay, this boot camp will show you how to craft a
great narrative scene-by-scene. It's a hands-on event
with the agents of Talcott Notch Literary Services
providing personalized feedback on your story structure
and plot. Register now...
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
No comments:
Post a Comment