Here are the latest SCRIPT newsletters for my followers to peruse:
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JUDITH
JAMES -
20 producing credits, 30+ options. Experienced in what works, what attracts,
what matters, what still earns a "pass". Writing coach for your
almost final draft.
"Judy James is a game-changer
if you want to figure out the heart of your story and make it work. Her
insights are priceless to me. There is no-one out there like her. She is
truly unique among story/script consultants.” Anthony Buono,
screenwriter, optioned TV Series Writer
www.whatdoesaproducerdo.com/for-screenwriters
judith@djprods.com
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Most writers create a pitch after their script is written, but
Anne-Cecille Ville shares that learning how to pitch your story before
you even outline it can help you find the flaws and bang out a more
solid draft.
Read More...
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When you're starting out in Hollywood you have to learn the ropes
quick. Sometimes, it's the people you trust that turns out to be a "scam
artist."
Read More...
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Conventional wisdom says, “Write what you love.” Barri Evins’ “Ten
Reasons You Must Love What You’re Writing” proves that is wrong. “Love
what you write.”
Read More...
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The Access Screenplay Contest was
founded with the express goal of discovering new talent and connecting
those emerging writers with Industry decision makers. Enter your
feature film, television pilot, web series, or short film. Use code A10
to get 10% OFF submission fee! Over 100 prizes, including the Grand
Prize Winners in each category winning a trip to L.A. for meetings! Submit Now...
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If you wish to level up your game,
expand your horizons and take playwriting to the next level, Paul
Peditto can help you sharpen the tools of the trade, explore the
diversity of performance choices for the stage and develop an awareness
of how you can best use theatre and playwriting to serve your
individual voice.
Enroll Now...
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Our webinars include both access to
the live webinar where you may interact with the presenter and the
recorded, on-demand edition for your video library. You do not have to
attend the live event to get a recording of the presentation.
See full list of upcoming live online webinars here.
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One of the best ways to learn story structure is to analyze successful
films. Salva Rubio beats out the film, "Lost in Translation" in
his new book 'Save the Cat Goes to the Indies.' Read More...
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Meet George the writer. She does does everything about breaking into TV
writing the wrong way and in so doing, hopefully shows you the right
way. Here, she attempts to break through the fourth wall – out of
theatre and into television... Read More...
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Westerns suffer the same naysaying slathered all over romcoms that “Westerns
are dead.” Except great Western films are out there just like any other
genre. Read More...
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Ashley Scott Meyers talk with screenwriter Tylor Bohlman about his low budget
feature, Jake's Dead and how he and his partners were able to get this
film finished on a micro-budget. Read More...
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In life, I typically function with the belief “no news is good news.” But
in this industry, the exact opposite is true. If an exec has your
script and loves it, they will call… immediately. If they didn’t love
it, they toss it into a pile, and you’ll never hear from them again.
Assume you are not the exception to the rule. Read More...
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Staton Rabin sees many writers not understanding the differences
between dreams, visions and fantasies. There’s a big difference between
keeping your audience guessing and confusing them. Read More...
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Jeanne
Veillette Bowerman
Jeanne is the
Editor of Script
and adapted the Pulitzer Prize-winning book, Slavery by Another Name.
Her screenplays were selected as Top 25 Tracking Board Launch Pad,
CSExpo Finalist, Second Round Sundance Episodic Lab, and PAGE Awards TV
Drama Finalist. Twitter @jeannevb.
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by: F+W, 10151 Carver Road, Suite 200 Blue Ash, OH, 45242 USA
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This week on ScriptMag.com, our family of
contributors shared interviews, insights from the WGA negotiations,
tips for finding a writing partner and more! Check out our full list of contributors and
follow them on Twitter
too.
There's still time to submit your script to Access Screenplay Contest.
Each category winner (short film, feature, TV pilot, and webseries)
will win a trip to L.A. for meetings with executives! Final deadline is
May 31st.
Now get reading and get writing! Read More...
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Paula Landry his the writing gym with ideas about how to improve your
screenplays by applying workout concepts to your writing. Read More...
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Marty Lang explains how the recent Writer's Guild negotiations garnered
screenwriting lessons for beginning screenwriters and filmmakers. If
you studied the way this negotiation played out, there are some
undeniable truths that can help you in your work. Read More...
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Spalding University offers a Top Ten low-residency MFA in screenwriting.
Prizewinning faculty with East and West Coast sensibilities. Flexible
scheduling, cross-genre study, travel abroad. Alums have sold
full-length features, TV episodes, more. For information: mfa@spalding.edu
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Dave Trottier, AKA Dr. Format, demonstrates how to make your script a
faster read and keep executives turning the page! Learn better ways to
write character description and action in your screenplay. Read More...
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The Access Screenplay Contest was
founded with the express goal of discovering new talent and connecting
those emerging writers with Industry decision makers. Enter your
feature film, television pilot, web series, or short film. Use code A10
to get 10% OFF submission fee! Over 100 prizes, including the Grand
Prize Winners in each category winning a trip to L.A. for meetings! Submit Now...
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In this four-week course, an
established executive producer/showrunner will give you an inside look
at the world of dramatic, episodic television. You will explore—and
practice—the actual process involved in successfully writing a spec
episodic script that will open doors across Hollywood. Enroll Now...
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Our webinars include both access to
the live webinar where you may interact with the presenter and the
recorded, on-demand edition for your video library. You do not have to
attend the live event to get a recording of the presentation.
See full list of upcoming live online webinars here.
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Currently the big family film debate around Denny Schnulo's house is
when can the kids watch R-rated movies? And which movies? And why those
movies? Read More...
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Ashley Scott Meyers talks with screenwriter, director, and producer
Matt Drummond about his CGI heavy film, My Pet Dinosaur, and how doing
effects in TV and features helped him break out as a filmmaker. Read More...
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The first step to getting your project
made is developing a rock-solid pitch. At Produced By, you will have the
opportunity to test out your pitching skills on a stellar panel of
experienced producers. You'll be pitching to Gloria Calderon-Kellet (One
Day at a Time, How I Met Your Mother), DeVon Franklin (Miracles from
Heaven, The Star), Marshall Herskovitz (The Last Samurai, Blood
Diamond) and Sarah Schechter (Riverdale, Supergirl).
If you are interested in offering
a pitch for critique, sign
up. Deadline for pitches is May 22nd! Please note that a full release
will need to be signed and returned to the PGA along with your submission.
Whether you are selected to deliver your pitch or simply watch from the
audience, you'll be receiving invaluable information and insider
perspectives you just can't get anywhere else. Note: You don't need to be registered to attend
Produced By to submit a project for consideration. Learn More...
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Claudia Johnson & Matt Stevens explore the best ways to find the
right writing partner—and the crucial qualities to look for in a
prospective co-writer.
Read More...
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Denny Schnulo reviews Save the Cat! Goes to the Indies, where
Salva Rubio uses Blake Snyder's Beat Sheet to analyze 50 independent
films. Read More...
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Nashville Film Festival, plus Southern food and phrases, top the list
of Top 5 Reasons to Travel Nonstop to Nashville and promise to
jumpstart your travels. Read More...
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Multiple Emmy Award-winning screenwriter Erik Bork (BAND OF BROTHERS)
defends SAVE THE CAT and other story "paradigms" as helpful
tools, but not panaceas. Read More...
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Jeanne
Veillette Bowerman
Jeanne is the
Editor of Script
and adapted the Pulitzer Prize-winning book, Slavery by Another Name.
Her screenplays were selected as Top 25 Tracking Board Launch Pad,
CSExpo Finalist, Second Round Sundance Episodic Lab, and PAGE Awards TV
Drama Finalist. Twitter @jeannevb.
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Getting your script ripped apart can be heartbreaking. Vicky Hinault
gives 6 tips for dealing with honest feedback. Read More...
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Claudia Johnson & Matt Stevens explore the best ways to find the
right writing partner—can a friend be a prospective co-writer? Read More...
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Judy Burns has been a reader and a writer who, like many others, had to
network to get noticed. She shares advice on choosing contests for
screenwriting contest success. Read More...
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The Access Screenplay Contest was
founded with the express goal of discovering new talent and connecting
those emerging writers with Industry decision makers. Enter your
feature film, television pilot, web series, or short film. Use code A10
to get 10% OFF submission fee! Over 100 prizes, including the Grand
Prize Winners in each category winning a trip to L.A. for meetings! Submit Now...
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Jump start your comedy screenplay! A
spec comedy screenplay is a great calling card for any screenwriter,
and in this course we’ll tee you up to create a successful one. Writers
will learn the tools professional comedy writers use to create funny
screenplays, and how to use those tools to get started on your own
script. Enroll Now...
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Our webinars include both access to
the live webinar where you may interact with the presenter and the
recorded, on-demand edition for your video library. You do not have to
attend the live event to get a recording of the presentation.
See full list of upcoming live online webinars here.
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David S. Cohen goes behind the scenes with Seth Rogen and Evan
Goldberg. Superbad, the script they started on a whim, became a
summer release from Sony some 11 years later. Read More...
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We all struggle with the issue of quantity versus quality, but most of
us do not fully appreciate how essential it is to be able to write a
lot of material quickly. How much is enough? Read More...
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Secure your spot to engage with hundreds of producers and get one on one
connections through the Mentoring Roundtables. For the first time, Produced
By presents, the Producers Mashup, an exciting new networking event giving
attendees the chance to ask direct questions of a variety of veteran
producers and development executives. Register Today!...
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Ashley Scott Meyers talks with filmmakers Anna Mehle and Molly Reynolds
about their new web series, Baked Goodes. They share how they found
their collaborators, wrote the scripts and shot the series. Read More...
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Contrary to a lot of thinking, words aren’t universally defined and
meanings can change. Words can mean different things according to the
context they’re used within or the group who uses them. Read More...
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Stitchers comes back with its third season on Monday, June 5 at 9
p.m. Kirsten (Emma Ishta) and the Stitchers team hack into the minds of the
recently deceased to investigate diverse and unusual cases spanning from
international relations to within their own families. New relationships
will develop while others will end, and the true purpose of the Stitchers
program will be revealed. Along with Ishta, Stitchers stars Kyle
Harris, Ritesh Rajan, Salli Richardson-Whitfield, Allison Scagliotti and
Damon Dayoub.
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Screenwriters going for their big break in Hollywood is not unlike an
athlete's pursuit of Olympic dreams. See what it takes to win on both
counts. Read More...
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Ray Morton offers some random notes on spec scripts from the
perspective of a screenwriting contest judge. Read More...
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Jeanne
Veillette Bowerman
Jeanne is the
Editor of Script
and adapted the Pulitzer Prize-winning book, Slavery by Another Name.
Her screenplays were selected as Top 25 Tracking Board Launch Pad,
CSExpo Finalist, Second Round Sundance Episodic Lab, and PAGE Awards TV
Drama Finalist. Twitter @jeannevb.
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This week's screenwriting tip is from
ghost writer, Unknown Screenwriter, who gives you a step-by-step guide
into creating a high-concept idea for your next screenplay.
Don't miss Peter Russell's webinar on Thursday, June 8th on Write Your TV Bible: Creating a
Sexy, Powerful Story For Your Series. You do not have to attend
the live event to get a recording of the presentation.
By Unknown Screenwriter
Too many screenwriters... Especially newbie
screenwriters simply do not understand high concept. Some think it's
selling out. Others think it's formulaic. Still others believe it's
contrary to their "art."
I can't believe it but I've been writing screenplays for thirty years
now and no, I haven't kept track of how many newbie scripts I've read
over the years but I can tell you it's a lot. Out of all those specs, I
can count on one hand how many were in fact, high concept.
From my own observation, most newbie screenwriters, and even old hands
who've yet to get paid, often end up writing something that's been done
before and even if they spend a year on that spec rewriting, tweaking,
and polishing-they usually end up with nothing more than a decent
writing sample.
Notice I said, "decent." Not good. Not outstanding. Not
amazing.
Decent because it's competently written but the concept is really no
different from other movies we've seen before. No HOOK. Nothing unique.
Nothing original... Read More...
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Jeanne
Veillette Bowerman
Jeanne is the
Editor of Script and
adapted the Pulitzer Prize-winning book, Slavery by Another Name. Her screenplays were
selected as Top 25 Tracking Board Launch Pad, CSExpo Finalist, Second
Round Sundance Episodic Lab, and PAGE Awards TV Drama Finalist. Twitter
@jeannevb.
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This week's screenwriting tip is from
senior contributor Staton Rabin, debunking common excuses writers make
for not selling a script.
Don't miss out on saving hundreds of dollars with The Writers Store Product Bundles.
Every month we offer new bundles to save you time and money! Bookmark
the link.
By Staton Rabin
Writers give me excuses all the time for why their
scripts haven’t sold. The only one I haven’t heard yet is: “The
velociraptor ate my screenplay.”
The good news is that if you have a great screenplay, pitch it
effectively, and have emotional intelligence and persistence in
marketing it, selling a script (or being hired to write one) is a very
achievable goal. But first you’ve got to be willing to ditch the
excuses, and replace them with a more effective way of thinking.
Here are the ten worst excuses for why your screenplay hasn’t sold
(yet!) and how to talk yourself out of them... Read More...
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Jeanne
Veillette Bowerman
Jeanne is the
Editor of Script and
adapted the Pulitzer Prize-winning book, Slavery by Another Name. Her screenplays were
selected as Top 25 Tracking Board Launch Pad, CSExpo Finalist, Second
Round Sundance Episodic Lab, and PAGE Awards TV Drama Finalist. Twitter
@jeannevb.
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Polish a
Screenplay Like a Pro
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This
week's screenwriting tip is from Dave Trottier, AKA Dr. Format, on tips
for making your screenplay a "fast read" so the exec just
can't put it down!
Don't miss Dave's online class that starts today on Proper Formatting Technique.
Even if you're a day late, there's still time to sign up!
____________________
by Dave Trottier
Big blocks of black ink are guaranteed to discourage any reader. Let’s
see if we can’t whittle them down without losing anything important. At
the same time, we’ll be specific in describing images and actions...
Read More...
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Jeanne
Veillette Bowerman
Jeanne is the
Editor of Script
and adapted the Pulitzer Prize-winning book, Slavery by Another Name.
Her screenplays were selected as Top 25 Tracking Board Launch Pad,
CSExpo Finalist, Second Round Sundance Episodic Lab, and PAGE Awards TV
Drama Finalist. Twitter @jeannevb.
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