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Whether you're
completely new to writing screenplays or you're an experienced
screenwriter looking to add a new skill, Script University has a course
for you, all from the comfort of your home! Click
here to view
the full course schedule >>
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Courses
Starting This Week:
Scriptreading
Certificate Program
Instructor:
Brian O'Malley
This course will show you, step-by-step, how to write script
coverage. We will cover key elements of screenwriting coverage,
including analysis of structure, plot, characters, dialogue and genre
through the eyes of a film executive. Get your certification and start
making money!
Professional
Playwriting: Genre, Character, and Voice
Instructor:
Paul Peditto
You’ve written a play or two, maybe three, but you wish to level
up your game, expand your horizons and take playwriting to the next
level. This course will help you sharpen your playwriting tools,
explore the diversity of performance choices for the stage, and develop
an awareness of how you can best use theatre and playwriting to serve
your individual voice.
Powerful Endings to Hook Your Reader
Instructor:
Dave Trottier
Hook your readers with a powerful ending that will convert them into
fans of your screenplay. Write as you learn in this unique course that
provides instruction, tips, online discussion, and relevant homework
assignments, including an evaluation of pages from your ending.
How to Write Based on a True Story
Instructor:
Paul Peditto
To find the best ‘story’ within a ‘true story,’ we need to start with a
clear understanding of what makes for a viable screenplay idea. There
are MANY stories within every true story, and the thrill and challenge
of writing based on a true story is to select the one that will make
the most compelling screenplay. In this workshop, you will go through
the step by step process of building your screenplay from the
foundation of a true story.
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EXPERT INSTRUCTORS | CONVENIENT ACCESS
INVALUABLE FEEDBACK
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A Special Offer from our Trusted Partner
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SPECIAL DEADLINE: Thursday, December 31st
The 2021 Script
Pipeline Screenwriting and TV Writing Competitions connect talented
writers with production companies, agencies, and managers who can
help launch their career. As one of the longest-running and most
successful screenplay contests, we focus specifically on finding
writers representation, supporting diverse voices, championing
marketable, unique storytelling, and pushing more original
projects into production.
Entrants may
register now for a lower entry fee and submit the final draft of
their script later at no additional fee.
Over $8 million in
screenplays and pilots have been sold by Script Pipeline writers, with
numerous scripts produced since 1999. In September 2020,
Legendary picked up finalist screenplay Bring Me Back by
Crosby Selander for seven figures, and over the last few years
alone, Script Pipeline winners and finalists have optioned
screenplays, sold shows, or were staffed on streaming and network
series, including Writers Guild Award-winner Howard Jordan Jr. (Family Reunion, The Unicorn),
Tripper Clancy (Die
Hart, I
Am Not Okay With This), and Laura Bensick (Everyday Insanity). Many
others connected with representation, such as Screenwriting
winner Helen Gaughran signing with UTA and 2020 writers signing
with managers at Kaplan/Perrone, Writ Large, and Zero Gravity.
Submit a Screenplay | Submit a TV Pilot
View Script Pipeline success stories
*follow Script Pipeline on Twitter for
announcements and giveaways. Also join hundreds of other writers
worldwide for Friday night "mixers" under the hashtag
#PipelineWriters.
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Hurry, Last Chance to
Register!
Television pilot
writing was once a carefully guarded inner sanctum limited almost
exclusively to showbiz insiders. With the recent explosion of
successful cable dramas and Internet viewing, it’s now possible for
writers without a strong track record or network connections to get
producers and executives to read and sometimes even buy their pilot
scripts. If you sell a pilot, you’ve reached the pinnacle of TV writing
success. It’s extremely satisfying to see your brainchild come to life
on the screen, and it can lead to an extremely lucrative career in
writing, production, or “show-running.”
In this
workshop, you will learn the tools professional
screenwriters use to finish high-quality scripts under deadlines. By
the end of this workshop, you will have completed and received
professional feedback on a script for your drama pilot.
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- The
steps to follow to crank out a strong pilot script for dramatic TV
- The
structure and pacing of a strong drama pilot
- Tools
writers use to write consistent, high-quality scripts
- How
to amp up the stakes for your protagonist(s)
- How
to write strong, satisfying resolutions
- and
much
more!
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Instructor: William Rabkin
William Rabkin,
author of WRITING THE PILOT and co-author of best-selling book
SUCCESSFUL TELEVISION WRITING, is a veteran showrunner whose executive
producing credits include “Missing,” “Diagnosis Murder,” and “Martial
Law.” He has most recently written for A&E’s new hit show The
Glades. His writing and/or producing credits also include “Monk,”
“Psych,” “SeaQuest,” “Spenser: For Hire,” “Hunter,” “Baywatch,”
“Sliders,” “The Cosby Mysteries,” and “Nero Wolfe,” to name a few. In
addition, Rabkin has directed episodes of “Diagnosis Murder” and
several short films. He has led writing seminars in Madrid and
Stockholm, consulted for broadcasters in Germany, Sweden, and the
Netherlands, and served as an adjunct professor of screenwriting at
Stephens College. He is currently a Visiting Assistant Professor of
creative writing in the University of California, Riverside’s MFA
Program, Palm Desert Graduate Center, and also teaches television
writing at the UCLA Extension.
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