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Tuesday, 31 December 2013
New Writing North newsletter December 2014
Thought my followers would be interested in the latest New Writing North newsletter:
Monday, 30 December 2013
Good Housekeeping Novel competition, deadline 28 February 2014
Thanks to my fellow blogger Blog About Writing for the following competition information:
If you buy the January 2014 edition of Good Housekeeping (UK
only, the one with the new, slimline Clare Balding on the cover), you'll
see there's an entry form on page 71 for their latest novel-writing
competition.
They're asking entrants to send in: the entry form (so you have
to buy the magazine); a full synopsis of your story in 2 pages at the most; 5000
words of the novel and a 100 word 'mini biography' of yourself .
You can't be considered if you've already had a novel published
and/or if you've got an agent.
First prize is publication, an advance of £25,000, plus advice
from a literary agent and the editorial team at Orion. But even if you're not a
winner, there's a day of workshops for the 10 shortlisted writers and laptops
for 3 runners-up.
You've got until 28th Feb
2014 to submit your work.
Sunday, 29 December 2013
BBC Radio Drama Reading Unit Opening Lines submissions 6 Jan - 14 Feb 2014
Thanks to my fellow blogger Sally Jenkins for the following competition information:
Submission guidelines
The BBC Radio Drama Readings Unit welcomes submissions from writers
new to radio* for their annual series, Opening Lines
which is broadcast on BBC Radio 4.
The next window for sending in material is January 6th – February 14th 2014. We are unable to respond to unsolicited stories submitted outside this time-frame.
As well as broadcasting the three strongest stories we publish transcripts of the best stories submitted within this period on the Opening Lines programme pages. The three successful writers will be invited to London for an afternoon in Broadcasting House and the chance to see their stories recorded.
*Writers who have previously had a story/stories broadcast on network radio or have substantial writing credits in other areas of radio (e.g. comedy and drama) are not eligible for this series.
CONTENT & FORMAT
We are looking for original short stories which work being read out loud i.e. with a strong emphasis on narrative and avoiding too much dialogue, character description and digression. Pay particular attention to how the story opens and closes. We’ll be looking to see whether the beginning of a story successfully links to how it ends.
We are interested in seeing stories which cover a broad range of subject-matter but material which explores particularly dark, harrowing themes is not best suited to Opening Lines. We recommend visiting the Opening Lines programme pages to read transcripts of stories which have featured in recent series (bbc.in/r4openinglines).
Stories must not contain defamatory, obscene or any other unsuitable material which is likely to cause offence to a wide audience of all ages.
The time allotted for each story is up to 14 minutes, which means submissions must be between 1,900 and 2,000 words in length. We are unable to consider stories which fall outside these parameters.
SUBMISSION DETAILS & PROCESS
When submitting your work, you must include a brief covering letter giving your name, e-mail address (if applicable), the story’s title, word count and details of writing track record. Please could you also tell us how you heard about the creative window and Opening Lines. Stories can be submitted either electronically or typed and double-spaced on A4 paper. We regret that we can only accept one submission per writer. Please send us a copy of your story, not your original work as we are unable to return submissions.
We will read all eligible submissions and get in touch with those writers whose stories have been shortlisted for the 2014 series of Opening Lines by Friday 16th May, 2014. We regret that we are unable to respond to those writers whose stories haven’t been selected.
If you would like to submit work to the London office you can e-mail your story to us at OpeningLines@bbc.co.uk or you can send it to BBC Radio Drama Readings, Room 8015, Broadcasting House, Portland Place, London W1A 1AA.
The next window for sending in material is January 6th – February 14th 2014. We are unable to respond to unsolicited stories submitted outside this time-frame.
As well as broadcasting the three strongest stories we publish transcripts of the best stories submitted within this period on the Opening Lines programme pages. The three successful writers will be invited to London for an afternoon in Broadcasting House and the chance to see their stories recorded.
*Writers who have previously had a story/stories broadcast on network radio or have substantial writing credits in other areas of radio (e.g. comedy and drama) are not eligible for this series.
CONTENT & FORMAT
We are looking for original short stories which work being read out loud i.e. with a strong emphasis on narrative and avoiding too much dialogue, character description and digression. Pay particular attention to how the story opens and closes. We’ll be looking to see whether the beginning of a story successfully links to how it ends.
We are interested in seeing stories which cover a broad range of subject-matter but material which explores particularly dark, harrowing themes is not best suited to Opening Lines. We recommend visiting the Opening Lines programme pages to read transcripts of stories which have featured in recent series (bbc.in/r4openinglines).
Stories must not contain defamatory, obscene or any other unsuitable material which is likely to cause offence to a wide audience of all ages.
The time allotted for each story is up to 14 minutes, which means submissions must be between 1,900 and 2,000 words in length. We are unable to consider stories which fall outside these parameters.
SUBMISSION DETAILS & PROCESS
When submitting your work, you must include a brief covering letter giving your name, e-mail address (if applicable), the story’s title, word count and details of writing track record. Please could you also tell us how you heard about the creative window and Opening Lines. Stories can be submitted either electronically or typed and double-spaced on A4 paper. We regret that we can only accept one submission per writer. Please send us a copy of your story, not your original work as we are unable to return submissions.
We will read all eligible submissions and get in touch with those writers whose stories have been shortlisted for the 2014 series of Opening Lines by Friday 16th May, 2014. We regret that we are unable to respond to those writers whose stories haven’t been selected.
If you would like to submit work to the London office you can e-mail your story to us at OpeningLines@bbc.co.uk or you can send it to BBC Radio Drama Readings, Room 8015, Broadcasting House, Portland Place, London W1A 1AA.
Saturday, 28 December 2013
Short Story YA fiction competition, deadline 3 March 2014
Mardibooks are offering up to 30 IdeasTap members the chance to have their work published in a young adult fiction IdeasTap/Mardibooks e-book anthology sold on Amazon.
Judging
The Mardibooks team
The judges are looking for an original idea, well devised, with an interesting story and developed characterisation. It should be cogent and with an intriguing use of imagery, setting and atmosphere. There should be an interesting use of language and considered and appropriate structural devices.
Deadline
03/03/14 05:00 PM
6
5
days to go
Description
Are you the new JK Rowling or Suzanne Collins? Well we’ve got just the opportunity for you...
Our pals at Mardibooks are offering up to 30 IdeasTap members the chance to have their work published in a young adult fiction IdeasTap/Mardibooks e-book anthology sold on Amazon.
Young adult fiction is usually prose written for readers aged 16 to 25, and so the tone and construction of your short story will need to fit this demographic.
The Mardibooks team is looking for an original idea, well devised, with an interesting story and developed characterisation. Your stories need to show an interesting use of language and considered and appropriate structural devices. Submissions should be from 1,200 to 5,000 words in length.
About Mardibooks
Mardibooks was set up by writers Martin Godleman and Belinda Hunt in 2011 to publish and promote writers with talent, but with no access to the publishing world.
Mardibooks primarily give their time to writers providing advice, editing, proof reading and preparing texts for publication as ebook and/hard copy. They then manage the publishing and distribution including showing writers how best to promote themselves.
This brief closes on Monday 3 March 2014 at 5pm and is open to IdeasTap members aged 16 and over. If you have any technical queries, visit the help centre. Late entries will not be accepted under any circumstances, including technical issues – so make sure you don’t leave your application to the last minute.
Image used under Creative Commons from Christchurch City Libraries.
Our pals at Mardibooks are offering up to 30 IdeasTap members the chance to have their work published in a young adult fiction IdeasTap/Mardibooks e-book anthology sold on Amazon.
Young adult fiction is usually prose written for readers aged 16 to 25, and so the tone and construction of your short story will need to fit this demographic.
The Mardibooks team is looking for an original idea, well devised, with an interesting story and developed characterisation. Your stories need to show an interesting use of language and considered and appropriate structural devices. Submissions should be from 1,200 to 5,000 words in length.
About Mardibooks
Mardibooks was set up by writers Martin Godleman and Belinda Hunt in 2011 to publish and promote writers with talent, but with no access to the publishing world.
Mardibooks primarily give their time to writers providing advice, editing, proof reading and preparing texts for publication as ebook and/hard copy. They then manage the publishing and distribution including showing writers how best to promote themselves.
This brief closes on Monday 3 March 2014 at 5pm and is open to IdeasTap members aged 16 and over. If you have any technical queries, visit the help centre. Late entries will not be accepted under any circumstances, including technical issues – so make sure you don’t leave your application to the last minute.
Image used under Creative Commons from Christchurch City Libraries.
Follow this brief to download the application form
How to apply
To apply, first click the Follow this brief button. A link to download the application form will then appear - download it and fill it out thoroughly.
Once you've saved your application form, click Apply now – and then just follow the instructions on the page.
Please upload supporting material to your IdeasTap portfolio – the judges will look at this when evaluating your application.
And make sure that you have a photo on your profile. As with all IdeasTap briefs, you have to have a profile photo or image to be eligible. It doesn't have to be a headshot, and you won't be judged on the quality of the image.
This brief closes on Monday 3 March 2014 at 5pm and is open to IdeasTap members aged 16 and over. If you have any technical queries, visit the help centre. Late entries will not be accepted under any circumstances, including technical issues – so make sure you don’t leave your application to the last minute.
Once you've saved your application form, click Apply now – and then just follow the instructions on the page.
Please upload supporting material to your IdeasTap portfolio – the judges will look at this when evaluating your application.
And make sure that you have a photo on your profile. As with all IdeasTap briefs, you have to have a profile photo or image to be eligible. It doesn't have to be a headshot, and you won't be judged on the quality of the image.
This brief closes on Monday 3 March 2014 at 5pm and is open to IdeasTap members aged 16 and over. If you have any technical queries, visit the help centre. Late entries will not be accepted under any circumstances, including technical issues – so make sure you don’t leave your application to the last minute.
Friday, 27 December 2013
Mumsnet/Gransnet/Walkers Writing Competition and Writers Bureau Monthly Competition
Thanks to my fellow blogger Blog About Writing for the following competition information:
Mumsnet/Gransnet and Walker books have just announced details of another free-to-enter children’s story competition. The ten chosen stories (which have to have an ‘animal’ theme), will be published in a new book and will earn their authors a lovely £500.
Mumsnet/Gransnet/Walkers Writing Competition (c/d 6th Jan 2014)
Mumsnet/Gransnet and Walker books have just announced details of another free-to-enter children’s story competition. The ten chosen stories (which have to have an ‘animal’ theme), will be published in a new book and will earn their authors a lovely £500.
All the details are here and you haven’t got long, as the
closing date is 6th January 2014.
Writers Bureau Monthly Competition
(c/d 31st Dec 2013)
But if writing for children’s not your thing (or you’re not
eligible to enter), then don’t despair. The Writers Bureau have announced the
winner of last month’s competition and published the details of their new December competition – which is a treasure
hunt!
From past experience,
these are tricky but if you want to get your hands on a Comprehensive Writing
Course, just in time for the New Year, then here are all the details. It’s free to
enter and open to anyone, anywhere.
Thursday, 26 December 2013
The Time of the Doctor Christmas Special review
As a family of Whovians, we were very much looking forward to the Dr Who Christmas Special this year, though with sadness too as Matt Smith makes his exit. We have come to really love Matt's incarnation of the Dr, though for us David Tennant will always be our favourite. Matt Smith is a very close second though, ably helped by excellent storylines and better villains.
It was a little bit of a shock to see the Dr naked though :)
For those of you that missed it:
And who would have thought that the church of the future would mean you have to go nude. Well, I suppose it is one way to get bums on pews.
Seriously though, with most of the enemies of the Dr gathered at Trenzalore, including our personal favourites the Daleks, Cybermen, Silence and Weeping Angels, we knew this wasn't going to be an ordinary trip. Once Clara (Jenna Coleman of Captain America: The First Avenger, Emmerdale) was whisked away from her Christmas family dinner (with a lovely surprise treat of Benidorm's Madge, Sheila Reid (Brazil, The Dresser) as her Grandma) the last thing she was thinking of was what they must have thought to her new 'Swedish' boyfriend.
The 'head psycho space nun' Orla Brady (Wuthering Heights, Fringe) sends him down to protect a planet, where he has to keep saving the town of Christmas over and over again from constant attacks from all of his enemies.
It was so lovely to see a cameo from Karen Gillan (Not Another Happy Ending, Outcast) as Amy Pond saying goodbye to her raggedy man.
With nods to River Song (loved that he 'went and married her' and that he 'wouldn't be where he was now if it wasn't for River Song'), other Drs ('the tenth Dr had vanity issues' and 'let's not forget Mr Grump') and to the omnipotent Time Lords, it had pretty much everything a Whovian could wish for on Christmas Day. When it came to the regeneration (as established in the Deadly Assassin, the Dr can only regenerate 12 times or 13 incarnations of the Dr in total), those pesky Time Lords came in handy as they passed power onto the Dr they loved (thanks Impossible Girl) to enable him to regenerate once more.
For me, I did wonder about Matt's last line 'I will always remember when the Dr was me' if it was referring to how Matt felt about this star-making role or if it was a nod to the Dr now no longer being the Dr. When this was followed up by Peter Capaldi (World War Z, The Thick of It) asking Clara how to fly the Tardis, I thought it was less a nod to Capaldi's age in the role (Alzheimers setting in now he is over 900 years old) but rather to the possibility of him now being an amalgamation of the remaining Time Lords (this would be one way to get into a world being protected by The Time Lord and attacked by all of the worst species in the Universe). What does anyone else think?
We were so sad to see Matt go but are interested to see what Capaldi does with the Dr now.
http://www.youtube.com/watch?v=njNnTDiLOd4&feature=player_embedded
#MattSmith #TheTimeOfTheDr #DrWho
Wednesday, 25 December 2013
Tuesday, 24 December 2013
The Hobbit: The Desolation of Smaug movie review
Went to see this movie yesterday and apart from the spiders, I really enjoyed it.
IMDB says: The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug. Bilbo Baggins is in possession of a mysterious and magical ring.
Peter Jackson's film is very dark and epic, as it should be and there has been a lot added to this movie that was not there in the book.
Ian McKellan (Stardust, X-Men) stars as Gandalf once more and Martin Freeman (Sherlock, Love Actually) as Bilbo Baggins. Richard Armitage (Captain America: The First Avenger, Robin Hood) stars as Thorin the rightful King of the Dwarves wanting to reclaim his homeland and he has his faithful comrades Balin (Ken Stott of Shallow Grave, King Arthur), Dwalin (Graham McTavish of Columbiana, Rambo), Bifor (William Kircher of Out of The Blue, Send a Gorilla), Bofur (James Nesbitt of Bloody Sunday, Murphy's Law), Bombur (Stephen Hunter of Ladies Night, All Saints), Fili (Dean O'Gorman of The Almighty, Young Hercules), Kili (Aidan Turner of Being Human, The Mortal Instruments: Coty of Bones), Oin (John Callen of The Man Who Lost His Head, Love Birds), Gloin (Peter Hambleton of The Last Tattoo, The Rainbow Warrior), Nori (Jed Brophy of District 9, The Warrior's Way), Dori (Mark Hadlow of Meet the Feebles, King Kong) and Ori (Adam Brown of Minimum, The Hobbit: An Unexpected Journey).
Orlando Bloom (Pirates of the Caribbean, Elizabethtown) stars once more as Legolas and Evangeline Lily (Lost, Real Steel) as Tauriel. Lee Pace (Lincoln, The Fall) stars as Thranduil, Legolas' father and Cate Blanchett (Hanna, The Curious Case of Benjamin Button) appears briefly as Galadriel. Benedict Cumberbatch (Sherlock, Star Trek Into Darkness) is unmistakable as the Necromancer/Smaug and the scenes with the dragon are exceptional.
Sylvester McCoy (Dr Who, The Hobbit: An Unexpected Journey) reprises his role as Radagast and Luke Evans (Immortals, The Raven) plays Bard/Girion.
All in all a very good movie and we can't wait for the finale.
Tagline: Beyond darkness... beyond desolation... lies the greatest danger of all. 9/10
#WhatHaveIDone #TheHobbit
Monday, 23 December 2013
The Bookseller essay competition, deadline 10 January 2014
Thanks to my fellow blogger Displacement Activity for the following competition information:
From The Bookseller: "Last month The Bookseller launched
an essay competition that looked at the future of the publishing business. The
winner was published here.
The next subject, for publication in The Bookseller of 24th
January 2014, is the future of 'the book'. What will it look like? How will it
be produced/imagined? How will readers use it? Will it be commercially viable?
Should we ever stop re-imaging it? Over what time-frame will this change occur?
Essays up to 1,000 words in length should be submitted by 10th
January 2014 to: philip.jones@thebookseller.com.
The winning essay will be published in The Bookseller, with the writer
invited to join the roster of judges for the following month's
competition."
More details and the original article that this was summarised
from may be found here: http://www.futurebook.net/content/future-book-part-654
Sunday, 22 December 2013
New Writing North newsletter December 2013
Thought my followers may be interested in viewing the latest New Writing North newsletter:
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