So You Want to be a Writer application information

Alex Chilsholm has just forwarded me the following information that I thought would be of interest to my followers:

SO YOU WANT TO BE A WRITER? 2013 – 10^th Anniversary Edition

 

For ten years the Playhouse has been running its free new writers’ course aimed at writers of any age with little or no experience of formal training or production. Over that time it has discovered some amazing writers: Alice Nutter, Tom Wells, Dom Grace, Ben Tagoe, Jodie Marshall and May Sumbwanyambe. This year it might be you! The course runs weekly on a Monday or Tuesday evening (7-9pm) from Monday 8 April leading to a showcase of short plays. It is lead by Mark Catley plus other experienced playwrights. In order to apply, submit a ONE A4 page letter telling us about yourself, why you want to write and why you want to join.

 

Participants should be available for all the following dates and be aware there will be a time commitment between sessions for writing, re-writing, research and attending rehearsals:

 

Monday April 8^th                                  

Monday April 15^th                               

Monday April 22^nd                              

Monday April 29^th                               

Tuesday May 7^th                  

 

Showcase: Saturday 25^th May

 

Deadline for applications is 5pm 8 March 2013. Successful applicants will be notified by 22 March.

 

PLEASE PUT ALL CONTACT DETAILS ON YOUR APPLICATION INCLUDING ADDRESS, TELEPHONE NUMBERS AND EMAIL WHERE POSSIBLE.

 

Address for SYWTBAW applications

Alex Chisholm

Associate Director (Literary)

West Yorkshire Playhouse

Playhouse Square

Quarry Hill

Leeds LS2 7UP

 

Only postal applications will be accepted. No emails please.

 

Tips for applying:

1. This isn't a job application. Phrases like 'I am a goal-orientated individual deeply committed to a writing career' don’t tell us anything except that you can write formal letters. We want to hear what you sound like.

 

2. There is no 'right' format. We've taken people who have written short handwritten notes and full 1 page A4 close written type. It is how you write not what you use to write with that counts.

 

3. This is not the X factor. A sob story does not automatically mean inclusion. You may have had the most boring life ever but if you can write about yourself in an interesting way - you're in.

 

4. Don't write it in the form of a script. Every year someone tries. It never works.

5. This is not for people who are looking for an opportunity to develop a script they have already written - the script reading service is for that.

 

6. The course has a regional bias so the further away from Yorkshire you live the less likely it is that we will take you. We are not going to take someone from London for seven week evening course.

 

7. The course is aimed at people with little or no experience but that doesn't mean you are automatically disqualified if you have studied writing at any stage. We reserve the right to occasionally bend our own rules.

 

8. One of our aims is to try to get a diverse group of people together across age, background, gender and writing style. This is because we think the course works best with lots of different kinds of people rather than a group of all 21 year old college leavers. A lot of our applications do come from younger people just out of college however if that means we have to take fewer in that category the upside is there are usually more opportunities out there for young writers.

Standing in Another Man's Grave

Finished this book last night (yes, that's right, reading it in bed) and I can honestly say I am sad it is over.  I really enjoyed the story and guessing 'who done it.'  I love Ian Rankin's Rebus and it was brilliant to spend time with him again (with the extra highlight of a sprinkle of his new creation, Malcolm Fox, thrown in for good measure).  The story was woven with his usual style of home-truths and atmosphere that make me want to book a trip to Scotland straight away (after all, the murders are only fiction). 

While Rebus is working in the closed-cases unit, considering applying for active service again, the mother of an old MisPer (missing person) suggests that the latest girl to go missing on the A9 may be the latest in a pattern of seemingly unconnected disappearances.  Investigations into the files, lead the team to discover that she may be right and that a serial killer may be at work.  Rebus' methods into uncovering the truth may just bring him even more trouble from the Complaints department and a certain Malcolm Fox.

I loved the little touches such as Rebus' sarcasm and the grounding of his character when forced to look at dolphins (or kelpies) with Clarke, that brought home to him the truth of his relationship with his daughter.  True-to-life dipictions in an outstanding mystery.

Hope he's already working on the next one.                                                  10/10

Crime Writing

Just started reading my fab Christmas present hardback of Ian Rankin's new novel 'Standing in another man's grave' and already it is proving unputdownable (one of my favourite words when it comes to books).  It features both John Rebus and Malcolm Fox, though more of Rebus, and I am loving it.  Interestingly, I watched the tv programme before Christmas that focussed on Ian Rankin's writing process as he wrote the book, so it is even more enlightening as I read it.  Was a fascinating programme (not sure if it will still be available on iplayer) in terms of processes and idea generation and what a writer to focus on.  He has won the Cartier Diamond Dagger, Edgar Award for Best Novel, Grand Prix de Littérature Policière - International Category and has had movies and tv shows generated from his novels.

Talking of crime writing, Theakstons Old Peculier Crime Writing Festival, which takes place in Harrogate 18-21 July 2013 have announced that crime writer Lee Child will be featuring along with Val McDermid, Kate Atkinson, Charlaine Harris, Susan Hill and Ruth Rendell.  Sounds like it will be a fantastic event, more details of which can be found on www.harrogateinternationalfestivals.com or call the Festival Office on 01423 562 303 or email crime@harrogate-festival.org.cuk 

Got to get back to the book now..........

Meet the Author Event - Stephen May

Wednesday 23 January

Meet the Author - Stephen May

King Cross Library

6pm

STEPHEN MAY is an award-winning novelist who lives in West Yorkshire. In 2009 he won the Welsh Book of the Year Reader’s Prize for his first novel TAG (Cinnamon Press, 2008), despite not being in the slightest bit Welsh. His second novel Life! Death! Prizes! was published by Bloomsbury in 2012. For 19-year-old Billy and his little brother, Oscar, their mother’s death is the most random and tragic and stupid thing that could possibly have happened to them. Now Billy must be both mother and father to Oscar. Funny, bittersweet and unforgettable, Life! Death! Prizes! is a story of grief, resilience and brotherly love.

£3

 

For further information 01422 392606

Meet the Author event 17 January in Halifax

Anna Turner has informed me of the following event and that there are still places available:

Thursday 17 January

Meet the Author - Fiona Shaw

Central Library, Halifax

7.30pm

FIONA SHAW is a writer living in York. She is the author of a memoir, Out of Me (Virago, 2001) and four novels. She is a Royal Literary Fund writing fellow and teaches creative and life writing. Her most recent novel, A Stone’s Throw, is published by Serpent’s Tail. Set in England and Africa, and opening during World War II, A Stone’s Throw is a novel about family, about love, about duty; it’s about the people we miss and the secrets we keep. Above all though, it’s about the choices we make – and those we don’t.

Tickets - £3

 

call 01422 392606 for information

 

Writers and Artists Events

The Writers and Artists team have informed me of a couple of events coming up soon that I thought I would share with my followers:

How to Hook an Agent Saturday 26th January Join us for an intimate lunch in the beautiful Georgian surroundings of Bloomsbury, London. £129 9.30am-2.00pm If your new year's resolution is to get your book published then this is your chance to come and hook your agent. Jo Unwin   This intimate half-day event with four literary agents will give you insider knowledge on how to submit your manuscript to an agent, what they're looking for and how to grab their attention. With a networking lunch and a chance to go speed-dating with the agents, you'll receive one-to-one feedback on how best to hook your agent.  Held in the historic literary surroundings of Bloomsbury at Bloomsbury Publishing, home to authors including Margaret Atwood and J.K. Rowling, this is your chance to get noticed.   Madeleine Milburn   There are just 18 places available so book yours now to avoid disappointment. Places are on a first come, first served basis. Book your place now.

How to Write Successfully for Children and Young Adults Saturday 2nd March Hone your writing skills with successful children's authors and find out how to get your book published. Early bird tickets: £65 9.30am-5.30pm If you're passionate about writing witty, innovative and lively stories for children and young adults, this conference will help you kick start your career as a children's writer with a whizz, pop and a bang. This conference brings together the most experienced publishers, literary agents and authors to share their experiences; give advice and guide you on how to write and publish successfully. Camilla Reid   Camilla Reid , Editorial Director of Nosy Crow and author of the Lulu series, Rebecca McNally , Publishing Director and International Editor-in-Chief of Bloomsbury Children's Books and Jill Coleman , Managing Director of Little Tiger Press, reveal what today's publishers are looking for and top children's literary agent Caroline Walsh reveals the inside world of the author agent relationship with children's writer and illustrator Liz Pichon . Nicholas Allan , author of The Queen's Knickers , and Jon Mayhew , creative writing tutor and author of Mortlock , will be giving writing masterclasses on crafting captivating stories for young imaginations.     Liz Pichon   The day will be filled with practical advice on how to get your work ready for submission, what publishers and agents are looking for and how the agent-author relationship works. We're delighted to offer smaller, practical writing sessions with successful authors with a choice of writing workshops for the 0-7s, 8-12s and 13+ age groups. And there'll be a chance to network with literary agents who specialise in children's literature at the end of the day with a drinks reception at Bloomsbury. Book your £65 early bird ticket (RRP £95) before 20th January.

Some essentials for your 2013 bookshelf

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Les Miserables movie review

My husband and I went to see a preview showing of Les Miserables at the Showcase last night and it was amazing.  There was literally not a seat left in the house and as such, my husband and I were sat right on the front row to the left and had to spend the movie (150 minutes) staring up at the screen (cricked neck alert) but this could not detract from the power of the movie. 

We have been to see the stage show more than once, both professional and amateur, and love it, so we were expecting great things.  Hugh Jackman (X-Men, Van Helsing) as Jean Valjean was superb.  He was almost unrecognisable at first when he is prisoner 24601 but he gives a gritty and moving performance throughout.  Samantha Barks as Eponine was outstanding (though this should not be surprising given her turn in the 25th anniversary Les Miserables), but I was a little disappointed with Amanda Seyfried (Mamma Mia, In Time) as her Cosette was played far too dippy to be taken seriously and her voice got so high that at times I expected a bird to explode nearby a la Shrek's Fiona.  Newcomers Daniel Huttlestone as Gavroche and Isabelle Allen as young Cosette were spot on, which is remarkable considering Isabelle was acting the part of a boy in her school play only a year ago.  I expect to hear more from these too.  Eddie Redmayne (My week with Marilyn, The Other Boleyn Girl) as Marius and Aaron Tveit (Premium Rush, Ghost Town) as Enjolras were also perfectly cast, as was Russell Crow (A Beautiful Mind, Gladiator) as Javert, even if his vocals did sometimes grate into cigarette rocker.  Sacha Baron Cohen (The Dictator, Borat, Bruno) and Helena Bonham Carter (Harry Potter, The King's Speech) also treat us to a fine comedic performance as Thenardier and Madame Thenardier.

The real star of the movie however, is Anne Hathaway (The Dark Knight Rises, The Devil Wears Prada) as Fantine and although she is in the film for very little time, she steals the show.  Her performance is both angry and heartbreaking to a powerful degree and I would think it a travesty if an Oscar does not wing its way to her on the strength of this role.

The genius of the Tom Hooper (The King's Speech, The Damned United) direction, gives close ups of the characters whilst they sing, so that most of the shot is taken up with the raw emotion in their faces and this drags you into the movie in a way the show cannot.  Amazing when you consider that each song was done live and in one take (it must have been very hard to choose which one to go with) but it benefits from the spontaniety.

I thought the fight scenes could have been less 'stagey' as could the barricade, but these are minor points in a film that arguably revolutionises the movie musical.  You will not be surprised therefore, when I tell you that the audience broke out into loud applause at the end of the movie, which is a very rare thing indeed for a film, let alone a musical.

A tour de force               10/10