Editing
Your Novel
A Craft Tutorial with Emma Darwin – Nov 24
6:00 – 8:00 p.m. GMT
Location:
Zoom
All writers know that the most important stage of writing is
actually the re-write. Most know that it’s about a whole lot more
than tidying up the sentences – but what does that actually mean?
What should you be looking for and what do you do about it?
In this two hour tutorial Emma will start with ways to think
about your plot
and structure, and then drill in to explore how
to bring your characters
to more vivid, story-driving life. The crucial issue of your
narrative’s
voices and dialogue comes next, then we’ll
explore the power of psychic distance, before finishing with a
close-up to look at how all this plays out at the sentence level.
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Mapping
Your Story Arc: The Story Goal
Advice on Structure in the BPA Blog
A story goal – often called a quest or mission – is
a key component of any novel’s story arc. It is what drives the
narrative forward and keeps the reader turning pages. Most
stories open with a stasis (a sense of what the protagonist’s
life is like ordinarily) and an inciting incident or trigger
(an event that comes to upset the balance of the protagonist’s
life). This trigger will leave the protagonist wanting
something.
Nigel Watts, who created the 8-point story arc,
explains: ‘In
the case of an unpleasant trigger, the quest is often to return
to the original stasis; in that of a pleasant trigger the quest
is often to maintain or increase the pleasure.’ Of
course, it’s not always this simple. The trigger in Girl A by
Abigail Dean comes when Lex’s mother passes away and she is made
executor of the will; this forces her to face up to the horrors
of her past but also presents an opportunity to do something
positive with the old family home. Her goal is to get permission
from each of her siblings to turn the house into a community
centre.
Find out
how to identify your novel's story goal and maximise its impact
by visiting the BPA blog at the link below.
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Autumn
Away Day
READ OUR HIGHLIGHTS IN THE WRITE-UP
This
year’s Autumn Away Day took place on
October 15th in Kintbury, Berkshire. We were excited to welcome
writers working in almost every genre, some writing their first
novel and others with more experience. The day included a characterisation
workshop with author Emma Darwin and a submissions Q&A
with literary agent Joanna Swainson. Both tutors shared some
brilliant advice:
'Red looks
more red next to green. If you want to bring a character to life,
try putting them next to a character who is the opposite.’ –
Emma
Darwin
‘What I want
to see in the synopsis is that there’s a character arc, there’s
tension, and it’s going to make me feel anxious.’ –
Joanna
Swainson
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